Courtesy of Pezo von Ellrichshausen

Pezo von Ellrichshausen提供

架构师提供的文本描述。在陡峭的山坡和桉树树林之间，狭小的土地迫使一个人穿过花园到达一个泻湖的小海湾。俯瞰景观，一个整体的混凝土棱镜试图阐明地形的矛盾，正方形的顶层面积为20m，两边各占20m，平衡在紧凑型底层的顶部，每层面积为8.5m。

Text description provided by the architects. Hemmed in between a steeply sloping hillside and a wood of eucalyptus trees, the narrow plot of land compels one to cross the garden to arrive, descending, at the small bay of a lagoon. Overlooking the landscape, a monolithic prism of concrete attempts to articulate the contradictions of the topography with a square top floor measuring 20m on each side balanced on top of a compact bottom floor measuring 8.5m on each side.

 Courtesy of Pezo von Ellrichshausen

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上层设有与底层相同大小的中央露台，因此所有悬空的房间都由四面的部分暴露在外面。这上层，一个教条式钢琴小孔，弥补了对角设置的自然地形斜率的不便，是基于网格的四个模块的每边。两边的中间房间面对中央露台，而在角落的房间是通过使用一个附属模块的循环连接起来的。

The upper floor contains a central patio with the same size as the bottom floor, therefore all the suspended rooms are exposed to the outside by the four sides of their section. This upper floor, a dogmatic piano nobile that compensates for the inconvenience of the diagonally set natural terrain slope, is based on a grid of four modules per side. The middle rooms on each side face the central patio, while those at the corners are articulated by circulations that occupy a subsidiary module.

 Courtesy of Pezo von Ellrichshausen

Pezo von Ellrichshausen提供

 Courtesy of Pezo von Ellrichshausen

Pezo von Ellrichshausen提供

在每个封闭空间的中心和循环路径的末端的头顶孔加强了布局的垂直尺寸，并且放大了池塘水的闪烁。不太正式的底层住宅更多的是日常功能的家庭领域；它的正方形平面划分为四个相等的象限在北角被削减，这是一个减法，作为一个视觉和功能之间的庭院和泻湖边缘之间的捷径。

Overhead apertures in the centre of each enclosed space and at the ends of the circulation paths reinforce the vertical dimension of the layout, and also amplify the shimmering of the pond water. Less formal, the bottom floor house the more day-to-day functions of the domestic realm; its square plan divided into four equal quadrants is cut back in the north corner, a subtraction that serves as a visual and functional short cut between the upper patio and the edge of the lagoon.

 Courtesy of Pezo von Ellrichshausen

Pezo von Ellrichshausen提供

 Courtesy of Pezo von Ellrichshausen

Pezo von Ellrichshausen提供

就像马蒂拉·盖卡(MatilaGhyka)把风景描述为“力量冲突的结晶”一样，整个结构是一个明显静止的石质。露台的四面墙是天台上平衡的异形梁。几乎就像它们在扩散应力一样，混凝土表面具有细模板的粗糙质地，带有稀释的黑色薄片。

As in Matila Ghyka’s description of a landscape as a ‘crystallization of a conflict of forces’, the entire structure is a stony mass in apparent repose. The four walls of the patio act as Vierendeel girders resting in balance on the podium. Almost as if they were diffusing the stress, the concrete surfaces have the coarse texture of fine formwork boards with a diluted black patina.

 Courtesy of Pezo von Ellrichshausen

Pezo von Ellrichshausen提供

 Painting, Oil on canvas

油画，油画

Architects Pezo von Ellrichshausen

Location Concepcion, Chile

Category Houses

Architect in Charge Mauricio Pezo, Sofia von Ellrichshausen

Area 410.0 sqm

Project Year 2014