© Peter Bennetts

(Peter Bennetts)

架构师提供的文本描述。什么？

Text description provided by the architects. What?

切割爪是一个翻新和扩展的双重正面在塞登，澳大利亚的家。

Cut Paw Paw is a renovation and extension to a double fronted weatherboard home in Seddon, Victoria, Australia.

 © Peter Bennetts

(Peter Bennetts)

“切爪”是房子所在的教区的名字，也是主人非常喜欢的名字。这是个奇怪的名字，所以我们也喜欢它。

Cut Paw Paw is the name of the parish in which the house presides, and a name that theowners liked very much. It’s a weird name, hence we like it too.

 © Peter Bennetts

(Peter Bennetts)

建筑工地很吸引人，而且常常非常漂亮。当我们在街上闲逛，在建筑中偶然发现一栋无名的房子时，我们都对可能发生的事情感到兴奋。我们都能想象完工后的建筑会是什么样子。当没有木材或钢框架的时候，这个网站拥有如此多的希望。它是一个丛林体育馆，一个遗迹，一个充满游戏和想象力的骨架。通常是在建筑物最美丽的时候。

Construction sites are fascinating and often very beautiful. When wandering the street and stumbling upon an anonymous house in construction we all get excited by the possibilities. We all imagine what the finished building could be like. The site holds so much promise when there is nothing more than a timber or steel frame. It is a jungle gym, a relic, and a skeleton full of play and imagination. Often it is when a building is at its most beautiful.

 © Peter Bennetts

(Peter Bennetts)

兴奋、想象和潜力很快就会随着整栋建筑的实际情况而崩溃。当这座无名的房子被盖上屋顶、穿上衣服并完工时，它常常会让人失望，因为麦克唐逊庄园的平庸之处正在浮现。具有这样的潜力和需要这样的想象的美丽的骨骼已经被埋葬在平凡，显而易见和平庸之下。直到它最终开始崩溃和衰败，它才会再次变得有趣。

All too soon the excitement, the imagination and the potential comes crashing down as the reality of the finished building becomes apparent. When the anonymous house is roofed, clad and finished it is often a disappointment as the banality of the McMansion emerges. The beautiful skeleton that held such potential and required such imagination has been buried beneath the ordinary, the obvious and the banal. The home will not again be interesting until it eventually begins to crumble and decay.

 Floor Plan

切爪是一种故意不完整的结构。德里克和米歇尔，业主，要求这房子是“可笑的内-外”。为了实现这一目标，我们不仅采用了经过测试的、成功的想法，如滑动墙、双折门和甲板，我们还留下了建筑不完整的地方。中心的空间，在餐厅和工作室之间，是一个不穿衣服的框架内和周围的花园。里面和外面都有。它既是一座新建筑，又是一座旧废墟。它既是花园又是家。

Cut Paw Paw is a structure that is deliberately incomplete. Derek and Michelle, the owners, asked that the house be “ridiculously inside-out”. To accomplish this we not only employed tested and successful ideas such as sliding walls, bifold doors and decks, we also left the building incomplete. The central space, between the dining area and the studio, is an unclad frame within and surrounded by garden. It is both inside and outside. It is both a new building and an old ruin. It is both garden and home.

 © Peter Bennetts

(Peter Bennetts)

Sustainable?

Sustainable?

和我们所有的建筑一样，可持续性是削减爪的核心。而不是简单地挤压现有的结构，我们运行的新形式沿南部边界，使它被阳光浸透。开口和窗户的设计是为了优化被动太阳能增益，从而大大减少对机械加热和冷却的要求。所有的窗户都是双层玻璃的。白色屋顶大大减少了城市的热沉和对空调的要求。我们在向北的大峡谷面有一个池塘，面向洞口。在为鱼类和植物提供家园的同时，池塘也是通过自然蒸发冷却来被动冷却房屋的一种机制。水箱和太阳能电池板在我们的所有项目中都占有一席之地。高性能的绝缘无处不在，甚至在原来的房子的墙壁上也是如此。

Like all of our building, sustainability is at the core of Cut Paw Paw. Rather than simply extruding the existing structure we have run the new form along the southern boundary so that it is soaked in sunlight. The openings and windows have been designed to optimise passive solar gain, thereby drastically reducing demands on mechanical heating and cooling. All windows are double glazed. White roofs drastically reduce urban heat sink and demands on air conditioning. We have a pond on the face of the larges north facing opening. While providing a home for fish and plants, the pond also serve as a mechanism to passively cool the house through natural evaporative cooling. Water tanks and solar panels have their place as they do on all of our projects. High performance insulation is everywhere, even in the walls of the original house.

Architects Austin Maynard Architects

Location Seddon, Australia

Category Extension

Directors Mark Austin and Andrew Maynard

Design Architect Andrew Maynard

Project Architect Mark Austin

Project Year 2014

Photographs Peter Bennetts, Tess Kelly