Musée des Confluences Coop Himmelb(l)au

2015-01-12 01:00
工地面积20,975平方米,占地9,300平方米,制造商装载.多规格少规格
Site Area 20,975 m² Footprint 9,300 m² Manufacturers Loading... More Specs Less Specs
 © Duccio Malagamba
c Duccio Malagamba
架构师提供的文本描述。从2001年里昂自然历史博物馆的国际竞赛开始,博物馆被设想为“知识转让的媒介”,而不是产品展示厅。
Text description provided by the architects. Right from the 2001 international competition for a natural history museum in Lyon, the museum was envisioned as a "medium for the transfer of knowledge" and not as a showroom for products.
博物馆的建筑场地位于100年前人为延伸的半岛上,位于Rh ne河和Sa ne河的汇合处。虽然很明显,这个地点将是一个困难的地方(536米长的桩必须被安全地推入地面),但很明显,这个位置对于城市设计来说是非常重要的。这座建筑应该成为南方游客的一个独特的灯塔和入口,也是城市发展的起点。
The building ground of the museum is located on a peninsula that was artificially extended 100 years ago and situated in the confluence of the Rhône and Saône rivers. Even though it was apparent that this site would be a difficult one (536-metre-long piles had to be securely driven into the ground), it was clear that this location would be very important for the urban design. The building should serve as a distinctive beacon and entrance for the visitors approaching from the South, as well as a starting point for urban development. 
 © Duccio Malagamba
c Duccio Malagamba
为了建立一个知识博物馆,必须发展一个复杂的新形式作为一个标志性的门户。真正突出的建筑只有通过新的几何图形才能形成。重要的是,这一概念认为,不应因建筑物而阻碍游客从城市到Pointedu汇合处的流动。因此,我们的想法是开发一座可公开穿越的建筑物,它只能部分地漂浮在支撑物上,以便在下面创造一个公共空间。
In order to build a museum of knowledge, a complex new form had to be developed as an iconic gateway. A building that truly stands out can only come into being through shapes resulting from new geometries. It was important to the concept that the flow of visitors arriving from the city to the Pointe du Confluent should not be impeded by a building. The idea was therefore to develop an openly traversable building that would be floating in part only on supports, in order to create a public space underneath.
从本质上讲,这座建筑由三个部分组成。由于地下水位偏高,两个大礼堂(分别为327人和122人)和工作场所(也将用于周围学校的培训)将设在仓库和作坊旁,用于制作展览。
Essentially, the building consists of three parts. Situated on a slightly raised base (due to the high groundwater), two auditoriums (for 327 and 122 persons, respectively) and work spaces, which will also be used for training purposes for the surrounding schools, will be located next to storage and workshops for the production of exhibitions.
 
入口建筑,所谓的水晶,是公开通过,并垂直进入展览空间。所谓的Espace Liant是一条连接路径,可以通过自动扶梯、楼梯和螺旋坡道到达.这条路的左右两边排列着个别的展厅(其中一个是两层),最后是两条河流汇合处的景观,即“波因特都汇合处”(PointeduConfluent)。钢结构,被认为是一座桥梁,使得在没有支撑的情况下发展所有展厅成为可能。行政室位于展位上方。
The entrance building, the so-called Crystal, is openly traversable, and a vertical access to the exhibition spaces. The so-called Espace liant, a connecting path, can be reached by an escalator, a staircase, and a spiral ramp. Left and right of this path are arranged the individual exhibition halls (one of them two-level), and at the end is a view of the confluence of two rivers, the Pointe du Confluent. The steel structure, conceived as a bridge construction, made it possible to develop all of the exhibition halls without supports. The administration rooms are located above the exhibition spaces.
 © Duccio Malagamba
c Duccio Malagamba
在广场下面这个高度高的,几乎可以飞行的组件-展厅是广泛悬臂的部分-一个小湖表面的亮波图案反映在建筑物的底部。一篇文章强调了这个地方的公共性质。顶层设有可免费进入的露台咖啡厅。
In the Plaza below this highly raised, almost flying component – the showrooms are broadly cantilevered in parts – the lit wave pattern of the surface of a small lake is reflected on the underside of the building. A brasserie emphasizes the public nature of this place. A freely accessible terrace café is located on the top floor.
在入口处建筑中,有一个滴状结构作为支撑结构.它的形式是由两条溪流汇合处产生的紊流发展而来的。这口重力井将入口建筑的整个钢结构的重量减少了三分之一。
In the entrance building, a drop-shaped construction serves as supporting structure. Its form was developed out of the turbulent flow created by the confluence of the two streams. This gravity well reduces the weight of the entire steel structure of the entrance building by a third.
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Architects Coop Himmelb(l)au
Location 86 Quai Perrache, 69002 Lyon, France
Category Museum
Area 46476.0 m2
Project Year 2014
Photographs Duccio Malagamba
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