House in Hikone Tato Architects

2015-01-11 01:00

 © Shinkenchiku sha

(C)新干线

架构师提供的文本描述。我们设计了许多着陆装置。这是一个漂浮在空中的地方，你可以从那里回首你之前的样子，并期待着你要去的地方。在川西的房子，是在这房子之前完成的，也是着陆的建筑。

Text description provided by the architects. We have designed many landings. It is a place floating in the air, from which you can look back to where you were just before, and look forward to where you will go. House in Kawanishi, which was completed before this house, was also architecture of landing.

 © Shinkenchiku sha

(C)新干线

最重要的是，着陆的空间比平时稍大。它既不属于一楼，也不属于一楼。对一楼的级别进行了调整，使其成为一张办公桌。它展示了建筑的位置，试图与内部和外部保持一点距离。

Most important there was that the space for landing was slightly bigger than usual. It belonged to neither the ground floor nor the first floor. The level of the first floor has been adjusted to function as a desk sitting over it. It showed the position of architecture that tried to keep a little distance from the interior and the exterior.

 First Floor Plan

一层平面图

除了川西的房子外，有意的楼梯划分也在这座房子里降落，漂浮在地板上方750毫米处。我们试图表达这种模糊的感觉，既不属于任何楼层，不是通过实际着陆，而是通过其他操作，如窗户布置。虽然它们有一个传统的尺度，但开口的大小很容易被操纵，因为它们不受身体规模的限制。

As well as House in Kawanishi, intentional division of stairs makes a landing in this house, floating delicately 750mm above the floor. We tried to represent this ambiguous feeling of belonging to neither of the floors not by actual landing, but by other manipulation such as window arrangement. While they have a conventional scale, the size of the opening is easy to be manipulated, as they are not restricted by scale of physical bodies.

 © Shinkenchiku sha

(C)新干线

在Hieidaira的房子里，利用传统的谷仓图像，我们试图使原型房屋看起来比它们的实际大小要小。在这幢房子里，我们平均地放了三排窗户，希望它的大小有一个比例的差距，还有一种神秘的飘浮感，就像着陆时的感觉一样。

In House in Hieidaira, utilizing the conventional image of barns, we tried to make archetypal houses look smaller than their actual size. In this house, we placed three rows of windows equally, expecting to bring a scale gap in its size, and a mystical feeling of floating, which is similar to the one felt on landings.

“Hikone的房子”是在Shiga的Hikone为一对年轻夫妇和他们的孩子建造的单一的家庭住宅。目前主要由草原组成的住宅区，但很快就会被现成的房屋占据。我们面临的挑战是在那里寻找一种合适的建筑形式，以解决周围的任何环境问题，保持对草原的记忆。

“House in Hikone” is a single family house for a young couple and their children in Hikone, Shiga. A  residential area so far existing of mainly grassland, but soon to be occupied by ready built houses. The challenge was to seek a proper built form there, which will resolve any surrounding environment, keeping the memory of grassland.

 © Shinkenchiku sha

(C)新干线

它的结果是白色椭圆形圆柱体有42个窗户，在其中插入木箱和地板，以创造一个生活空间。它被斜着放置在工地上，在相邻的房屋之间留下了空间。许多窗口分割视图并使外观充当过滤器。这样，房子就可以应付周围环境的任何变化了。奇怪的是，无形部分得到了适当的补充，出现了某种类型的透明度。

It resulted in the white oval cylinder with forty-two windows, in which wooden boxes and a floor were inserted to create a living space. It was placed diagonally in the site, remaining space between adjoining houses. Many windows segment the view and make the façade work as a filter. In this way, the house is ready for any change in the surrounding environment. Curiously enough, invisible parts were supplemented suitably, and a certain type of transparency appeared.

 © Shinkenchiku sha

(C)新干线

外墙，窗户是平等的，调解各种各样的生活问题，而它是独立于他们。它似乎是从建筑翻新到不同的用途，我们希望这会给这所房子带来一种新的质量的废墟。

The outer wall, on which windows are placed equally, mediate a variety of living issues, while it is independent from them. It appears as if it is renovated from the building for a different use, which we expected to bring a certain type of fresh quality of ruins to this house.