© Ricardo Oliveira Alves

里卡多·奥利维拉·阿尔维斯

架构师提供的文本描述。召唤

Text description provided by the architects. The Calling

在面对南大西洋的中心，辛特拉山脚下的Malveira da Serra村是艺术家/建筑师佩德罗·奎尔卡开发这一项目的地方。

In the heart of the, south and Atlantic facing, village of Malveira da Serra, in the base of Sintra’s hillside, was where the Artist/Architect Pedro Quintela developed this project.

 © Ricardo Oliveira Alves

里卡多·奥利维拉·阿尔维斯

在废墟中发现的这座，包含了坚固的乡村U形住宅，环绕着一个用于农业用途的小庭院。

Found in ruins this, contained and robust, rural u-shaped home, enclosed a small courtyard used for agricultural purposes.

 © Ricardo Oliveira Alves

里卡多·奥利维拉·阿尔维斯

2008年，经过无数次的参观，这唤醒了建筑师的一种深刻的呼唤。他决定问一个拥有财产的邻居。一位邻居透露了房主的姓名和附近的住所。同一天，建筑师去了被推荐的村庄。在它的一条街道上，他只遇到了一个人，令人惊讶的是，这个人正是他正在寻找的那个人！

In 2008, following countless visits to the site, that awakened a profound calling in the Architect. He decided to ask a neighbour who owned property. The name and the nearby place where the owners lived were revealed by a neighbour. That same day, the architect went to referred village. In one of its streets, he only came across one person, who, surprisingly, was precisely the person he was seeking!

 © Ricardo Oliveira Alves

里卡多·奥利维拉·阿尔维斯

这位建筑师展示了他对废墟的兴趣，他解释了他对自己采取的干预措施的类型，并建议购买，直到那时被命名为“成堆的石头”，前业主对他的热情感到困惑。

The Architect demonstrated his interest in the ruin, he explained the type of interventions he took upon himself and proposed purchasing, the, until then named, "pile of rocks", the former owners were perplexed by his enthusiasm.

 © Ricardo Oliveira Alves

里卡多·奥利维拉·阿尔维斯

开端

The Beginning

清理阶段对场地的发展至关重要。建筑师总是在场，并跟随着他的五个工人团队的每一步。精心清理废墟的过程，不仅使建筑师有机会更密切地了解它，通过对每一个角落和裂缝的揭露，还让他有机会发现过去的遗迹，他在新房子里重新开始了新的生活。尽管完全热衷于现场的令人追忆的元素，但只有原来的石墙占了上风。

The cleaning phase was crucial for the development of the site. The Architect was always present and followed every step of his team of five workers. The process of meticulously cleaning the ruin, gave the architect, not only, the chance to be acquainted with it more intimately, through the revelation of every nook and cranny, but also the opportunity to discover past relics, that he reintroduced with a new life in the new house. Despite being entirely enthused in the site’s reminiscing elements, only the original stone walls prevailed.

 © Ricardo Oliveira Alves

里卡多·奥利维拉·阿尔维斯

建筑师独特的职业生活方式，基于这样的信念：他的建筑作品的成功取决于他个人是否能亲自参与到现场的开发中来，这使得他搬到了附近的一所房子里。住在工地附近(就像他在完成工程之前所做的那样)，使建筑师能够整合并熟悉村民的权宜之计，除了创造他所认为的滋养场地改造的关键条件外，还能使详细的和谐成为一个整体。

The Architect’s unique way of being in the profession, based on the belief that the success of his built work depends on his utmost availability to personally presence the site’s development in-loco, leads him to move to a neighbouring house. Living in the site’s vicinity (as he did until the works concluded) enables the Architect to integrate and become familiar with the villager’s modus vivendi, and in addition to creating, what he considers, key conditions for nourishing site transformation, that allows detailed harmony to reign as a whole.

材料

The Materials

为了尊重和维护原址建筑的原貌，废墟的再生，不仅使用了当地的材料，如辛特拉松木和花岗岩，而且还广泛地重复使用了遗址的材料。就像重建拼图一样，建筑师在新的地方使用现有的材料，并将它们用于新发现的用途。

In order to respect and preserve the identity of the original construction, the ruin’s regeneration, not only used local materials, such as pine and granite from Sintra, but furthermore reused the site’s materials ubiquitously. As if rebuilding a puzzle, the Architect used existing materials and used them in new-found purposes in new places.

过程

The Process

作品跨越两年，最初有五名员工。由于更精细的细节要求更高的需求、注意力和技巧，协作人员的数量减少了。仅仅与两名工人一起工作，就能建立起一种特殊的理解，在创作过程中注入了纪律和自豪感。

Works spanned during two years, initially with a workforce of five. As finer detailing required higher demand, attention and skillfulness, the number of collaborators was reduced. Working simply with two workers enabled the establishment of an exceptionally special understanding, which instilled discipline and pride in the creation process.

 © Ricardo Oliveira Alves

里卡多·奥利维拉·阿尔维斯

工作方法

The Work Method

正如他向我们保证的那样，建筑师的工作方法是直观的。他真正的客户是网站本身。正是和他们在一起，他把大部分时间都花在了“倾听他们”上。他们“温柔地”对他说话，告诉他们想要怎样重建。建筑师承担“代言人”的角色，因此承担核心责任，知道如何“倾听”并在独特的地方创造出它可能要求的或不需要的东西。如果建立了“沟通”，他就会通过草图、纸板模型和与他的合作者进行的基本和持续的对话，开始练习，认为这对保证工作的流动性和尽量减少范围误差至关重要。

The architect’s work method is, as he assures us, intuitive. His real clients are the sites themselves. It is with them that he spends most of his time, “hearing them”, carefully. They “speak softly” to him and tell him how they want to be rebuilt. The Architect takes on the role of “spokesman”, thus assumes as core onus knowing how to “listen” and to create in the unique place, what it may, or not, request. If “communication” is established, he moves to practice, by means of sketches, cardboard models and the fundamental and ongoing dialogue with his collaborators, considered vital to guarantee the work fluidity and minimize the scope errors.

 © Ricardo Oliveira Alves

里卡多·奥利维拉·阿尔维斯

通过他的整体观念，建筑师运用杂乱无章的能量，利用、吸收和安排这些能量，形成一个特定的、具有同一性的结构，创造美、真理和价值。建筑师坚信建筑是一个进化过程(就像在自然界中发生的那样)，它分三个阶段相互关联：适应(地方的即时反应)；转换(反射)和结晶(创造)。他认为，只有通过这个过程，他才能认为作品是真实的，从而尊重“地方的精神”。

Though his holistic concept, the Architect worked disorganized energies, using, assimilating and arranging them to form a specific structucture with identity, creating beauty, truth and value. The Architect firmly believes in Architecture as an evolution process (as occurs in nature), which is interconnected in three phases: Adaptation (immediate responses of the place); Transformation (reflection) and Crystallization (Creation). He believes that, only going through this process, can he consider the work to be authentic, thus respecting "The Spirit of the Place."

 © Ricardo Oliveira Alves

里卡多·奥利维拉·阿尔维斯

在这种干预的特殊情况下，人们可能会说，曾经渺小、困惑和支离破碎的“拥抱式房子”张开双臂，把自己转变成流动的、大的、明亮的、但又舒适的空间，在那里一切都被感觉到属于…就在它所在的地方！

In the particular case of this intervention, one may say that the once small, confused and very fragmented “hug shaped house” open its arms to transform itself into the flowing, large, bright, yet cosy space, where everything is sensed to belong...exactly where it is!

Architects Pedro Quintela - O Espírito do Lugar

Location Alcabideche, Portugal

Category Renovation

Area 130.0 sqm

Project Year 2011

Photographs Ricardo Oliveira Alves