合作者María Tejel，丽贝卡·特里斯坦(Arqutectas)JoséSainz(Estructuras)；Rafael González(Ingeniero)Construction Coanfi S.A.。客户梁欣Spa Bhd预算350.736，26欧元

Collaborators María Tejel, Rebeca Tristán (arquitectas) José Sainz (estructuras); Rafael González (ingeniero) Construction Coanfi S.A. Client Liang Xin Spa Bhd Budget 350.736,26 € More Specs Less Specs

 © Pedro Pegenaute

佩德罗·佩佩诺特

架构师提供的文本描述。梁欣中心位于萨拉戈萨市中心，位于一座公共汽车站以前占用的一栋住宅大楼的地下室，这里有一个街道立面和一个内部区域，一直延伸到街区的内部。对于马来西亚郊外的第一座梁欣中心，我们提出了一种基于空旷空间的黑暗和寂静，以及内部路线的清晰度，以及对不同程度的材料不透明程度的关注为基础的暗色调建筑。从这个意义上说，新的外观完全是用铜做的。在这种情况下，它作为一种自然材料的性质，随着时间的推移，着色其色调和早期反射，是增加了机会，钻像素模式提供的数字技术。这一过程使我们能够将象征梁欣哲学中四个概念的图形身份要素和形象从其起源-放松、自由、和谐和慷慨-融合到一个单一的材料中，避免了这类项目中常见的材料的叠加。

Text description provided by the architects. Located in the heart of Zaragoza, in the basement of a residential building previously occupied by a bus station, the site where the Liang Xin Center is located has a street facade and an interior area that extends to the inside of the block. For the first Liang Xin Center outside Malaysia, we propose an architecture of dark tones based on the darkness and silence of the empty space and the articulation of the interior routes, and attentive to the different degrees of opacity of materials. In this sense, the new facade is made entirely of copper. In this case, to its qualities as a natural material that is modified over time, tinting its tones and early reflections, is added the opportunity to drill pixelated patterns offered by digital technology. This process allows us to integrate into a single material the graphic identity elements and the images symbolizing the four concepts in Liang Xin philosophy from its origins -Relaxation, freedom, harmony and generosity- avoiding the superposition of materials that is usual in this type of project.

 © Pedro Pegenaute

佩德罗·佩佩诺特

在这种情况下，白天铜的物质存在和综合照明使立面成为日落时街道光线的参考，这些都是从外部给中心带来一些能见度的要素。在铜板上画字母符号的不同直径的小圆孔，只被两个较大的开口所打断，这意味着东方文化和禅宗艺术中圆形的内涵，其绘画象征着虚空、宇宙和宁静的概念。第一个圆圈有一个带有说明性视频的屏幕，作为交流的单一元素，第二个较大的圆圈识别中心的入口门廊。

In this case, the material presence of copper during the day and integrated lighting make the facade a reference of light for the street at sunset, these are the elements that give some visibility to the Center from the outside. The small circular holes of different diameters that draw letters and symbols on the copper plates are interrupted by only two larger openings, which allude to the connotations of the circular shape in Eastern culture and Zen art, whose paintings symbolize concepts of void, the universe and tranquility. The first circle has a screen with explanatory videos, as single element of communication, and the second larger circle identifies the entrance porch to the Center.

内部空间是由轴心组织的，通过对称和透视的作用来表达循环。一旦进入室内，自然光通过一个连续的天窗出现在一个横向的双高度空间中，在楼板内有山墙屋顶，这是一个意想不到的因素，它增强了伴随使用者的光线、阴影和阴影的对比度。办公室、更衣室和服务室位于这条内部走廊的两侧。在反射室中，一种带有穿孔铜的悬式透光镜，类似于立面，过滤自然光，并确保从窗户到上层住宅庭院的视野。

The interior spaces are organized from the axes that articulate the circulation, enhanced by the effects of symmetry and perspective. Once inside, the unexpected appearance of natural light through a continuous skylight overhead, in a transverse double height space with gable roof inside the block, is an unexpected element that reinforces the contrast of light, shadows and shades that accompany the user. Offices, locker rooms and service rooms are located on both sides of this interior corridor. In the reflexology room, a suspended pergola of perforated copper, similar to that used on the facade, filters natural light and ensures the views from the windows to the courtyard of the dwellings on the upper floors.

 © Pedro Pegenaute

佩德罗·佩佩诺特

Architects Magén Arquitectos

Location Zaragoza, Zaragoza, Spain

Category Interiors Architecture

Arquitectos a cargo Jaime Magén y Francisco J. Magén

Project Area 382.0 m2

Photographs Pedro Pegenaute