架构师提供的文本描述。Jra Cimrman是一个虚构的捷克国家巨人。他在许多方面都很出色-作为一名发明家、科学家、剧作家、诗人、作曲家、艺术家、教师、旅行者、哲学家、侦探、数学家、飞行员、运动员和牙医。在他的例子中，你很难找到一个他没有做出激进贡献的职业。

Text description provided by the architects. Jára Cimrman is a fictitious Czech national giant. He excelled in many roles - as an inventor, scientist, playwright, poet, composer, artist, teacher, traveler, philosopher, detective, mathematician, pilot, sportsman and dentist.  In his case, you can hardly find a profession that he has not made a radical contribution to.

 © Radka Ciglerova

c.Radka Ciglerova

他出生于19世纪末，他的足迹在第一次世界大战后消失了。

He was born in the end of the 19th century and his footprint disappeared after the First World War.

 © Radka Ciglerova

c.Radka Ciglerova

2005年，他成为最伟大的捷克电视比赛的冠军，但由于他的不存在，他被取消了资格。比赛组织者捷克电视台的这一决定引起了全体民众的极大愤怒。

In the 2005 he became the winner of the TV competition The Greatest Czech, but he was disqualified, due to his non-existence. This decision of the competition organizers - the Czech Television - led to a huge outrage over the whole population.

 © Radka Ciglerova

c.Radka Ciglerova

Jára da Cimrman的灯塔和博物馆是在AlešVoverka的推动下建造的。它们是对基泽拉山脉Příchoview下方南坡Uřápa设施的补充。观景塔和博物馆应该增加游客在夏天到宾馆的比例。投资者一直试图用自己的资源(没有补贴)建设一个运转良好的地方。独特的景观框架非常接近他们的心，他们建造牧场和小径，照顾树木的线条，并建造了一个观景塔。西莫曼时代博物馆几乎是看不见的。它完全嵌入在斜坡上，覆盖着一堵石墙，它平滑地连接到其他墙壁上，沿着等高线纵横交错。你可以说这是典型的水平元素。

Jára da Cimrman’s Lighthouse and Museum were built on an impetus from Aleš Voverka. They complement the U Čápa establishment on the southern slope below Příchovice in the Jizera Mountains. The viewing tower and the museum should increase the rates of visitors to the guesthouse in summer. The investors have been trying to build a nice and well-  functioning place with their own resources (no subsidies). The exceptional landscape framework is close to their hearts; they build pastures and footpaths, take care of tree lines, and have built a viewing tower. The Museum of Cimrman’s Times is virtually invisible. It is completely embedded in the slope and covered with a stone wall, which smoothly connects to the other walls criss-  crossing the site along the contour lines. You could say this is a horizontal element typical of the area.

这种结构的美学概念是基于水平墙与木灯塔结构所体现的垂直性的对比而形成的。这些石头是直接在挖掘现场开采的，木材来自吉泽拉山脉(道格拉斯杉木做骨架，橡木做楼梯)。参观者通过石墙上的一个洞进入博物馆(与真正的Cimrman团伙合作制作)，并从博物馆的中心继续沿着螺旋楼梯向上延伸。到18米高的灯塔观景台。信标的顶部安装了典型的属性，如画廊，桅杆，旗杆，和分段的玻璃。里面有一个全景板，上面有视图的描述。

The aesthetic concept of the structure is based on the contrast between the horizontal walls and the verticality embodied by the wooden Beacon structure. The stone was mined directly on the excavation site, the wood originates from the Jizera Mountains (Douglas fir for framework, oak for stairs).  Visitors enter the museum (made in co-  operation with the real Cimrman gang) via a hole in the stone wall and continue up the spiral staircase, rising from the very centre of the museum, to the viewing platform of the beacon 18 m high up. The top of the beacon is fitted with the typical attributes such as a gallery, a mast, a flagstaff, and segmented glazing. It contains a panorama board with descriptions of the views.

 © Radka Ciglerova

c.Radka Ciglerova