Villa Monja Enforma Studio
2015-01-22 01:00
架构师提供的文本描述。作为保护联合国教科文组织保护区科托尔湾传统建筑的严格规则的见证人,我们决定避免预期的解决办法,并采取当代办法,重振卢杰塔村老石屋的内部建筑。传统原则与现代需要交织在一起,为十九世纪以来的建筑带来了新的生命。
Text description provided by the architects. As a witnesses of strict rules in conservation of the traditional buildings in Kotor Bay, which is Unesco protected area, we decided to avoid expected solutions and to bring contemporary approach in reviving of the internal architecture of the old stone house in Ljuta village. This interlacing of the traditional principles and modern needs brought a new life to the building which exist from XIX century.
我们开始创建一个豪华的住宅从现有的房子,同时坚持保护条件,采取最低限度的干预,传统的,巴洛克的外观特征。
We set out to create a luxurious residence from the existing house whilst at the same time adhering to conservation conditions by making minimal interventions to the traditional, baroque features of the exterior.
我们首先绘制出空间单位、环境,作为概念发展的基础。对室内空间的这种处理使我们能够采取更自由的方法来重建这座房子。我们把内部空间划分为三个不同的区域:
We started by mapping out units of space, ambients, as a basis for development of the concept. This treatment of interior space enabled us to take a freer approach to the reconstruction of the house. We divided the internal space into three distinct zones:
第一区-熟睡区;第二区-中央走廊区;第三区:壁炉区及儿童房
zone one - sleeping area zone two - central gallery zone three - fireplace area and children’s room
中央画廊是定义这些区域的流体空间,它提供了建筑左、右两面的垂直分隔,以及各个层次的视觉连接。为了产生这样的效果,我们必须消除建筑物两侧之间的连接(如图中所示)。我们设计了一座用玻璃和钢建造的桥梁和楼梯。
The central gallery is the fluid space that defines these zones by providing a vertical division of the left and right sides of the building as well as a visual connection of the levels. To create this effect we had to dematerialise the connections between the sides of the building (as shown in the picture?) which we achieved by designing a bridge and staircase constructed from glass and steel.
在功能上,建筑物的右侧比睡觉的区域更复杂。它由一楼的起居室、壁炉区和儿童卧室组成。壁炉区域由一座玻璃桥连接到空间的其余部分,一面是玻璃隔墙。女儿的卧室两旁都是木板,坐落在房子的最上面,与其他房间完全分开。客厅和壁炉区是独立的空间,同时又是开放的,视觉上连接整个房子的部分。相比之下,儿童的房间被设计成一个独立的家庭,在一个家庭中,借鉴传统的儿童树屋的灵感。
The right side of the building is functionally more complex than the sleeping area. It consists of a living room on the ground floor, a fireplace area and a children's bedroom. The fireplace area is linked by a glass bridge to the rest of the space with a glass partition wall to the side. The daughter's bedroom is lined with wooden planks and is located at the very top of the house, completely separate from the other rooms. The living room and fireplace area are independent spaces while at the same time being open, visually connected parts of the whole house. In contrast the children's room is designed as a separate home within a home drawing on the inspiration of a traditional child's treehouse.
我们利用现代和传统的元素和天然材料,让房子里的人有机会在满足现代生活方式的审美和功能要求的同时,享受一座古老的石头建筑的现有“精神”。一楼的传统楼梯、锻铁配件以及钢与石墙和灰泥墙的结合是关键。
We played with modern and traditional elements and natural materials to give those in the house an opportunity to enjoy the existing ‘spirit’of an old stone building while fulfilling the aesthetic and functional requirements of a modern lifestyle. The traditional staircase on the ground floor, the wrought iron fittings and the combination of steel with stone and plaster walls were key to this.
主要的概念是展示一座“物化”的建筑,它将石头、玻璃、木材和钢铁的元素结合在一起。
The main concept was to present a ‘materialised’building unifying the elements of stone, glass, wood and steel.
Architects Enforma Studio
Design Team Marh Nikola Novakovic & Arch. Radovan Radoman
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