架构师提供的文本描述。该项目的背景是大多数安达卢斯城镇周边典型的一般景观，这是西班牙建设热潮期间发生的那种城市规划的结果。这座建筑的形成是为了将自己充分地融入一个具有不同住宅类型、城市用途、地形和体积转换的区域。

Text description provided by the architects. The setting of this project is the typical generic landscape of most Andalusian towns' periphery, the result of the kind of urban planning that occurred during the Spanish construction boom. The building takes shape to adequately insert itself into an area of diverse residential typologies, urban uses, and topographical and volumetric transitions.

 © Fernando Alda

(费尔南多·阿尔达)

该设计适应紧缩的预算和管理条件。房屋单元及其装配是简单和重复的。类型学本身遵循一个单一的海湾，交叉通风的布局。生成了两个几何定义的块体，优化了所建的表面积及其使用。在平面图中所表达的清晰性与规划代码交叉，使得在编写最终卷时具有灵活性，因此避免了通用块的具体化。

The design adjusts to tight budgetary and regulatory conditions. The housing units and their assembly is simple and repetitive. The typology itself follows a single-bay, cross-ventilated layout. Two geometrically defined blocks are generated, which optimize both the built surface area and its use. The clarity expressed in the floor plans, crossed with the planning code, allowed flexibility when it came to composing the final volumes, hence the materialization of a generic block was avoided.

 Floor Plan

我们把大楼分成两层，按环形公路的坡度将其分层，使其大小接近于现有住宅的大小。我们把它进一步分割在它的最上层，以创造一个较小的住房类型，并为未来公交车站的纵向立面提供节奏感。这种适应性方法也适用于不同立面开口的组成。他们的大小，比例和数量是最大化的，允许我们有两个不同方向的窗口开放在每个客厅。重复和变化决定了建筑物的组成特征。

We split the building up and tiered it following the slope of the ring road, approximating its size to that of the preexisting dwellings. We fragmented it further on its uppermost floor to create a smaller housing typology and to provide rhythm to the longitudinal elevation facing what the future bus station. This adaptive approach was also applied to the composition of the openings on the different façades. Their sizes, proportion and amount are maximized, allowing us to have two differently oriented window openings in each living room. Repetition and variation define the building's compositional traits.

 © Fernando Alda

(费尔南多·阿尔达)

总体布局产生了一系列的中间空间-潜在的会议场所：一个小的公共空间，一个折叠式的入口和一个露台，这两个画廊注视着。这些通道，可容纳楼梯间和电梯，也被设想为中间空间。它们是半开放的，有自己的氛围和特性，是由点缀在空间上的光线的小穿孔和巨大的圆形开口产生的，这些开口令人惊讶地扭曲了建筑的内部外观。

The general layout produces a series of intermediate spaces —potential meeting places: a small public space, a set-back entryway and a patio which is gazed upon by the two galleries. These passageways, which accommodate the stairwells and elevators, have also been conceived as intermediate spaces. They are semi-open and have their own atmosphere and identity, produced by the small perforations which dot the space with light and by the large circular openings that, in a surprising twist, characterize the interior façades of the building.

 Floor Plan

同时，作为对这一城市景观的诠释，我们也仔细研究了屋顶元素的外观。在一项和解行动中，我们强调了他们的存在，使用了与建筑物本身的白卷明确不同的语言。

Also as an interpretation of this cityscape, we carefully worked on the appearance of the rooftop elements. In an act of reconciliation we underlined their presence, using a clearly differentiated language from that of the white volumes of the building itself.

 © Fernando Alda

(费尔南多·阿尔达)

体积，系列装配，屋顶元素，圆形穿孔和开口，以及在窗口开口的细节，白色和灰色的组合，或使用的文字构成建筑物的身份。

Volumes, serial assembly, rooftop elements, circular perforations and openings as well as details in the window openings, the combination of whites and grays, or the lettering used make up the building's identity.

我们在赢得比赛后被委托做这个项目。它是在预算紧张的情况下进行和建造的，是在既定的施工时间表内投标的。其结果是一座必不可少的住宅建筑。它已经有人居住；这些房屋已开始成为家园。

We were commissioned this project after winning a competition. It was carried out and built within the tight budget it had been tendered at and within the established construction timetable. The result is an essential residential building. It is already inhabited; these houses have begun to become homes.

 © Fernando Alda

(费尔南多·阿尔达)