© Rômulo Fialdini

c R mulo Fialdini

架构师提供的文本描述。1949年开业的里维埃拉律师协会(Bar Rivieira)在60年代和70年代是圣保罗知识分子左派的一个重要聚会场所。圣保罗是巴西军政府时期的一种抵抗精神。生活在辉煌的时代，已经相当颓废，当权者关闭了它的大门。法库多·格拉在2013年的一项新事业中，决定重开里维埃拉号和原来所在的项目，以恢复往日的精神，其中一些元素重拾了安装在该城主要街道Avenida Paulista开始的那座建筑的现代主义建筑。

Text description provided by the architects. Open in 1949, the Bar Rivieira, during the 60’s and 70’s had been an important meeting place for the intellectual left of São Paulo – a type of piéce de résistance during the Brazilian military regime. Living through the glorious epoch, already quite decadent, the establishment had closed its doors. A new undertaking by Facundo Guerra, in 2013, he had decided to reopen the Rivieira and the project, exactly where it had previously been located, recuperating the spirits of days gone by, with elements that recaptured the modernist architecture of that building in which it is installed, located at the beginning of Avenida Paulista, the main street of the city.

这项计划是与阿历克斯·阿塔拉(AlexAtala)合作的，阿塔拉是现代烹饪界最负盛名的餐厅之一DOM的主厨。领导里维埃拉的厨房，每天，是他的弟子卢西亚诺纳德利。就像菜单上提供的传统饮料一样，食物也带来了圣保罗夜生活的经典菜肴-精心打造，带有一种富有创意的当代气息。

The initiative is partnered with Alex Atala, chef of DOM, one of the most prestigious restaurants in the world of contemporary gastronomy. Commanding the kitchen of Rivieira, daily, is his disciple Luciano Nardelli. In the same way that the menu offers traditional drinks, the food as well brings the classic dishes of the São Paulo night-life delicately re-elaborated with a creative contemporary touch.

 © Rômulo Fialdini

c R mulo Fialdini

墙面玻璃砖的弯曲线被运输到内部。其结果是在整个一楼注册的柯里安树脂做了一个弯弯曲曲的反作用力.在中心，侍者和酒保为公众服务；在他们周围，顾客可以公开地看到整个空间，看到围场里所有的人。除了有机的柜台外，洗手间也位于这层楼。

The curved lines of the glass bricks of the façade are transported to the inside. The result is a sinuous counter – done in Corian resin – registered throughout the ground floor. In the center, the waiters and barmen serve the public; and around them the clients can openly see the whole space, seeing all of the people in the enclosure. Besides the counter in an organic shape, the restrooms are located on this floor as well.

 © Rômulo Fialdini

c R mulo Fialdini

一座雕塑般的楼梯-最初是从空间-带我们到一楼，在那里，餐厅和厨房都有大型沙龙。场地的组织是由一个弯曲的木制山墙，它将餐厅与所有的技术和准备区域分开。在一楼，就像在爵士乐俱乐部一样，每晚都有现场音乐表演。因此，该项目包括一个小型的基础设施，在空间中心的一个可拆卸的舞台，以及一个灯光和声音控制室，和一个木制外壳的声学。

A sculpture-like staircase – originally from the space – takes us to the first floor, where there is the large salon on the restaurant and the kitchen. The organization of the site is done by a curved wooden gable which separates the restaurant from all the technical and preparation areas. On the first floor, there are nightly shows with live music, as in a jazz club. Thus, the project incorporates a small infrastructure for a dismountable stage in the center of the space, as well as a light and sound control room, and a wooden shell for the acoustics.

 © Rômulo Fialdini

c R mulo Fialdini

选择家具特权的古典现代设计，如伯托亚酒吧凳子在底层和丹麦7系列椅子，由阿恩雅各布森。整个空间的布局可以根据使用情况很容易地重新安排。选择的材料，如墙壁用的深色木材，试图为酒吧营造一种舒适的气氛。花岗岩地面(大理石、花岗岩、沙子、水泥和水的混合物)以及树脂和岩石都具有抵抗力，同时考虑到空间的密集使用。

The choice of the furniture privileged pieces of classic modern design, such as the Bertoia bar stools on the ground floor and the Danish 7 Series chair, by Arne Jacobsen. The layout of the entire space can easily be rearranged according to use. The material chosen, such as the dark wood for the walls, sought to create a cozy atmosphere for the bar. The granilite floor (a mixture of marble, granite, sand, cement and water) and the resin and rock are resistant, taking into consideration the intense use of the spaces.

 Floor Plan

 Floor Plan

一楼往内看，周围环境比较非正式，一楼有大玻璃窗，可以看到高耸的隧道和街道，与周围的城市形成了一种联系。所有的建筑干预都是以一种简单而赤裸裸的方式进行的，以避免失去地方的特色，避免一种奢华的内涵。

While the ground floor looks to the inside, with its more informal ambient, the first floor has large glass Windows from where it is possible to see the high tunnels and avenues, creating a relationship with the surrounding urbanity. All of the architectural intervention was done in a simple and bare manner so as not to lose the characteristics of the place avoiding a luxurious connotation.  

 © Rômulo Fialdini

c R mulo Fialdini

Architects Studio MK27 - Marcio Kogan, Eduardo Chalabi, Diana Radomysler, Beatriz Meyer

Location São Paulo - State of São Paulo, Brazil

Category Renovation

Architect in Charge Marcio Kogan

Co-Architects Beatriz Meyer . Eduardo Chalabi . Diana Radomysler

Project Team Eduardo Gurian

Area 470.0 m2

Project Year 2013

Photographs Rômulo Fialdini