Courtesy of Jannes Linders, Léon van Woerkom

Jannes Linders，Léon van Woerkom提供

架构师提供的文本描述。2011年12月，由皮埃特·布罗姆(Piet Blom)设计的赫尔蒙德的t Speelhuis剧院被大火烧毁时，市政厅选择暂时更换“我们的假定之夫人”(Our Lady of the In当)，这座教堂位于市中心附近，是一座新拜占庭式的圆顶教堂，如今已被废弃。新剧院设施有重要的先决条件。教堂是一座纪念碑，它仍然是Den Bosch教区的财产，而且该设施是临时的，因此干预必须尽可能少地破坏建筑物，而且必须是可逆的。剧院也必须很快投入运作。

Text description provided by the architects. When the ’t Speelhuis theatre in Helmond, designed by Piet Blom, was destroyed by fire in December 2011, the town council opted for a temporary replacement in the Our Lady of the Assumption, a neo-Byzantine domed church near the centre that had become disused. There were important preconditions for the new theatre facility. The church is a monument, it remains the property of the Den Bosch diocese and the facility is temporary, so interventions must damage the building as little as possible and must be reversible. The theatre also had to be operational very quickly.

 Courtesy of Jannes Linders, Léon van Woerkom

Jannes Linders，Léon van Woerkom提供

原建筑的外观具有强烈的规定性，其丰富的装饰尽可能地成为环境的一部分。礼堂可以看到墙壁和天花板上的绘画、各种雕塑、穹顶、风琴和彩色玻璃窗。所有的附加物，如舞台、舞台前部、灯光桥、站台和阳台，都是作为松散的可移动物体插入的，这是完全可以辨认的。为了营造一种亲密的气氛，复杂而壮丽的钢结构中的支架接近舞台，前部没有结构设置。楼梯系统悬挂在阳台上突出的人行桥上。在支架上移动的物流是非常直观的，所有的座位都可以从前面和后面以一种自然的方式到达。就像声学消声器的一部分，循环路线的照明被整合在扶手中，这也有一个结构功能。门厅位于展位下，酒吧位于一个凹处，可以关闭，为工作人员创造一个声纳密封的工作区。

The physical appearance of the original building was strongly prescriptive and its rich ornamentation has been made part of the ambiance as much as possible. The auditorium has a good view of the wall and ceiling paintings, various sculptures, the dome, the organ and the stained-glass windows. All the additions, such as the stage, the stage front, the lighting bridge and the stand and balcony have been inserted as loose removable objects, and that is completely discernible. To create an intimate atmosphere, the stand in the complicated and imposing steel structure reaches close to the stage without structural provisions in the front section. The stairs system is suspended from the projecting footbridge on the balcony. The logistics of moving on the stand element is extremely intuitive and all the seats can be reached in a natural way from both the front and the rear. Like part of the acoustic muffling, the lighting for the circulation routes is integrated in the banisters, which also have a structural function. The foyer is situated under the stand, with the bar in a recess that can be closed to create a sonically sealed work area for the staff.

 Courtesy of Jannes Linders, Léon van Woerkom

Jannes Linders，Léon van Woerkom提供

 Floor Plan

 Courtesy of Jannes Linders, Léon van Woerkom

Jannes Linders，Léon van Woerkom提供

支助方案的组成部分主要位于紧凑型和对比式的延伸部分，与教堂直接相邻。一个带有送货区、艺术家更衣室和更衣室的结构元素，占据了位于马赛附近东南侧的两层新建筑空间，教堂里有一条通道。带有入口、票房、衣帽间和厕所的延伸部分位于北侧，靠侧过道，正面完全透明，配有屋顶照明，并通过前忏悔处的通道与教堂相连。

The supporting programme components are largely situated in compact and contrasting extensions directly adjacent to the church. A structural element with goods delivery area, artist dressing rooms and greenroom occupies a two-storey new-build volume on the south-east side near the apse, with a passage in the sacristy. The extension with the entrance, box office, cloakroom and toilets is situated on the north side against a side aisle, has a completely transparent frontage, is equipped with roof lighting and is linked to the church via a passageway at the spot of a former confessional.

 Courtesy of Jannes Linders, Léon van Woerkom

Jannes Linders，Léon van Woerkom提供

新剧院斯皮尔胡斯是如此成功的演员和观众，到目前为止，已作出决定，使它永久。

The new Theater Speelhuis is such a success with performers and audiences, that by now the decision has been taken to make it permanent.

Architects Cepezed Architects

Location Helmond, The Netherlands

Category Restoration

Area 1997.0 sqm

Project Year 2013