© Gonzalo Viramonte

c Gonzalo Viramonte

架构师提供的文本描述。该项目的开发面积为1100平方米，位于La Calera地区。它插在一座小山上，看上去像附近一个合适的山谷，其西北方向和前后之间的坡度为15米。

Text description provided by the architects. The project is developed in an 1100 m2 plot, located at the locality of La Calera. It is inserted on a hill that looks to a proper valley of the neighborhood, with a northwest orientation and a grade of 15 meters between the front and back.

 © Gonzalo Viramonte

c Gonzalo Viramonte

这一带以陡峭的坡度为特征。这就是为什么第一个想法是寻找一种策略，让一个平坦的空间来安置房子。这涉及到一个明显的智能操作，它包括挖出山在后面的地段，并以此补充前面，获得有价值的平面，以支持建筑。这种解决方案，在大多数情况下，一方面对自然地形造成了重要的破坏，因为挖掘，另一方面，在后院，看上去像一座“被咬”的山。

The neighborhood is characterised by its steep slope. That’s why the first idea was to look for a strategy that allowed a flat space to place the house. This involved an apparently intelligent operation, which consisted in digging out the mountain at the back of the lot, and with that replenishing the front, acquiring the valued flat plane to hold up the architecture. This solution, used in most of the cases, generated on one hand, an important damage to the natural topography because of the excavation, and in the other hand, backyards that looked to a “bitten” mountain.

 © Gonzalo Viramonte

c Gonzalo Viramonte

与造成这一干预的破坏不一致，我们呼吁勒柯布西耶将整个体积提升到地形图上，让山下奔流，通过两个由混凝土柱支撑的“屋顶和地板”的表现，人为地获得必要的平面空间。

In discordance with the damage that caused this intervention, we appeal to Le Corbusier’s idea of lifting the whole volume across the topography, letting the mountain run beneath, obtaining the flat necessary space, artificially, through the performance of two slabs, “roof and floor”, both supported by concrete columns.

 Floor Plan

地形运动的语境，产生了多种视角，因为它的强烈的清晰度。这方面的一个有趣的例子是，当我们看到房子从街道前面，在那里的斜坡下的房子开始变平，作为透视效果，它被视为绿色的垂直包络透过透明。

The topography movements of the context, generates a variety of perspectives because of the strong articulation of it. An interesting example of this is when we see the house from the street front, where the slope that goes under the floor of the house begins to flatten as the perspective effects and it is seen as green vertical envelopes through the transparencies.

 © Gonzalo Viramonte

c Gonzalo Viramonte

这一选择产生了一个更完整和尊重的关系与山，建立了一个真正的对话之间的位置和建筑体积。这是非常重要的，因为“建筑物在地形中的插入”是办公室最关心的问题之一。(鼓掌)

This option generated a more integrated and respectful relation with the mountain, establishing a true dialogue between the location and the architectural volume. This is really important, because “the building’s insertion in the terrain” is one of the biggest concerns of the office.  

 Floor Plan

建筑体积是一个悬挂的长方形，让下面的区域像车库、洗衣房和半覆盖的空间一样勤奋。入口在左边，在高贵的飞机上，穿过一个带有半遮盖的入口大厅的楼梯，你可以从那里进入餐厅。这些房间是朝前面组织的，使用的是最好的方向和视觉效果。厨房、浴室和梳妆台都放在后面。

The architectural volume is a suspended rectangle, that lets the area beneath be diligent as a garage, laundry and semi-covered space. The entrance was resolved on the left side, upon the noble plane, throughout a stair with a little semi-covered entrance hall, from where you accede to the dining room. The rooms were organized towards the front, using the best orientations and visuals. The kitchen, bathrooms and dresser were disposed at the back. 

 © Gonzalo Viramonte

c Gonzalo Viramonte

所有的立面都是用混凝土砌成的，并有符合阳伞的集合。在夏季，当西面旋转到正面时，它们会产生一系列连续的阴影，从而降低太阳辐射，使玻璃的大表面变得可行。房子的后表面，如厨房，涂上了一层玻璃5，5，带有透明的pvb，作为半透明的外壳贯穿整个浴室。

All of the facades were proposed in concrete, with gathers that conform parasols. During the summer, when the west is rotated to the front facade, they generate a series of successive shadows that reduce the solar radiation, making workable the big superficies of glass. The rear face of the house, as the kitchen, is coated with sheet glass 5+5 with opaline pvb that continues through the bathrooms as a translucent enclosure.

 © Gonzalo Viramonte

c Gonzalo Viramonte

这座房子的内部被解决了，这是一个想法，这是非常乡村的混凝土和内部完美的白色墙之间的对立面，这些墙是从一层白色的微水泥中升起的，它不能到达隔开的楼板，在这两种材料之间产生张力，这两种材料在功能上被分解成窗框。

The interior of  the house is resolved with the idea of contraposition between the extremely rustic concrete and the perfectly white walls of the inside, that rise from a white floor of micro cement, which doesn’t reach the slab separated just enough to generate tension between the two materials, functionally resolved glazed sashes.

 © Gonzalo Viramonte

c Gonzalo Viramonte

在建筑师塞萨尔·纳塞利(Cesar Naselli)的教导下，光线进入建筑内部的方式，以特殊的气候升华空间，并随时间和季节的变化而变化，这也是工程中需要解决的一个重要问题。这是通过位于楼梯上的一层木涂层来实现的，在楼梯上可以反射出温暖光线体积内的光染色。

As well as the insertion is an important matter to resolve in the projects, after the teachings from the architect Cesar Naselli, the way in which the light enters to the interior of the buildings, sublimating the spaces with special climate and changing according to hours and seasons. This was achieved through a wood coating located on the staircase, on which reflects light staining inside a warm light volume.

 © Gonzalo Viramonte

c Gonzalo Viramonte

这十根符合房屋结构的柱子被布置成一纬倒梁，能够支撑小的实心板，使它们的下部看起来像一个纯粹的混凝土体积。梁的布置产生了连续的填充泡沫塑料的缝隙，解决了由于与外部接触的“飞散”地板而产生的劣质隔热问题。

The ten columns that conform the structure of the house are disposed conforming a weft of inverted beams, capable of sustaining little solid slabs, making the inferior part of the them look as a pure concrete volume. The beams disposition generated successive gaps that are filled with styrofoam, solving the inferior thermal insulation problem produced because of the “flying” floor in contact with the exterior. 

 © Gonzalo Viramonte

c Gonzalo Viramonte

Architects Santiago Carlos Viale, Daniella Beviglia

Location Córdoba, Argentina

Category Houses

Area 316.0 m2

Year 2013

Photographs Gonzalo Viramonte