架构师提供的文本描述。该遗址位于奥斯陆市中心以北，是主要由20世纪30年代别墅组成的社区的一部分。在过去几年中，这是越来越多的致密化项目的主题。在这个特殊的案例中，我们的客户希望为他的五口之家建造一所房子，房子的后花园里的房子已经在家里好几代人了。

Text description provided by the architects. The site, located north of downtown Oslo, is part of a neighborhood consisting primarily of villas from the 1930’s. Over the past few years, it has been the subject of an increasing number of densification projects. In this particular case, our client wished to build a house for his family of five in the backyard of a property that has been in the family for generations.

 Ground Floor Plan

院子里环绕着传统的木质别墅、茂盛的果树和偶尔受到保护的枫树。出于对周围建筑物的崇敬，这所房子被赋予了一个简单的立方体几何图形。我们的目标是创造一个紧凑，坚实和克制的石头体积，牢固地扎根于地面。建筑物在工地上的位置是根据关于邻近物业和道路的最小距离的一般规定提供的，但却成功地向南和北建立了亲密的室外空间。

The yard is encircled by traditional wood clad villas, lush fruit trees and the occasional protected maple. In reverence to the surrounding buildings, the house was given a simple cubic geometry. We aimed to create a compact, solid and restrained stone volume, solidly rooted to the ground. The building’s placement on the site is given by general provisions regarding minimum distances to neighbouring properties and roadways, yet succeeds in creating intimate outdoor spaces towards both the south and the north.

 © Einar Aslaksen

(Einar Aslaksen)

二次方结构被精确切割的窗户和门所打断，它们的故意放置在建筑物的三层建筑中会产生不同的日光效果。天窗位于楼梯的正上方，一直到地下室都是阳光充足的房子，这间房间同时被来自深光井的间接日光冲刷。自然光进入建筑物并被其过滤的方式在不断变化。这增强了不同居住地区的特色，同时也确保了不同的观点和与外部环境的良好接触。

The quadraticstructure is punctuated by precise cut-outs for the windows and doors, whose deliberate placement creates varying daylight effects throughout the building’s three floors. The skylight, located directly above the staircase, fills the house with daylight all the way down to the basement, a room which is simultaneously washed by indirect daylight from the deep light well. The way in which natural light enters and is filtered by the building is constantly changing. This reinforces the characteristic traits of the different living areas, while also ensuring varied views and good contact with the exterior environment.

 First Floor Plan

一层平面图

为了强调住宅的巨大性，我们选择了砖块包层，它的表面凹进的灰浆缝非常窄，以给人一种干燥的堆砌正面的印象。除了()做的外部门外，材料的调色板大多是静音的，内部只限于混凝土和石膏板表面，有一个连续的地板表面未经处理的云杉。

In order to emphasize the massiveness of the dwelling, we chose brick cladding which was laid with unusually narrow mortar joints recessed from the face of the brick in order to give the impression of a dry stacked façade. Except for the exterior doors made of ( ), the palette of materials is mostly muted, and the interior limited to concrete and plasterboard surfaces with a continuous flooring surface of untreated spruce.

 © Einar Aslaksen

(Einar Aslaksen)

未来几年，家庭的空间需求可能会不断变化，一个灵活的计划是一个先决条件。我们赞成不同功能之间的平稳过渡，并将卧室规划为一楼生活区的自然延伸。

The family’s space requirements will likely be under constant change over the coming years, and a flexible plan was a prerequisite. We favoured smooth transitions between different functions, and have planned the bedrooms as natural extensions to the first floor living area.

 © Einar Aslaksen

(Einar Aslaksen)

 Basament Floor Plan

基层平面图

WOTHOUSE源于与客户和不同工匠之间的特别良好的关系，并导致了一套看似简单的房子，其土地使用和精确的细节都是保守的。

WOTHOUSE has stemmed from a particularly good relationship with the client and the different craftsmen, and has resulted in a seemingly simple house with conservative land use and precise details.

 © Einar Aslaksen

(Einar Aslaksen)