© Javier Callejas

.Javier Callejas

架构师提供的文本描述。在城市背景下，在一个排屋式街区的中心，我们被委托建造一座房子。该地块位于华城的南部地区，这是该市最近几年因经济危机而未开发的最后一个增长圈。我们的建议是第一个在没有任何背景的情况下从城市空隙中出现的。周围没有房子，类型学的参考资料或建筑遗产，在某种程度上可以作为建筑设计的工具在房子的设计。

Text description provided by the architects. On an urban context, in the center of a row-house type block, we were commissioned to build a single house. The plot is located in the southern area of Ciudad Real, in the last growth ring of the city that has not been developed due to the economic crisis of recent years. Our proposal is the first one to emerge in this area from an urban void without any context. There are not surrounding houses, typological references or architectural legacy that could serve at some point as an architectural tool in the design of the house.

 © Javier Callejas

.Javier Callejas

房子的面貌意味着什么？客户在日常活动中所要求的复杂程序，加上严格的城市条件和小区布局，提出了一套为用户提供建筑元素规模的新体验的房子。节奏、结构、物质性和功能性在这个项目中相遇，提供了一个方案，它揭示了与传统国家机构最近发展起来的空间感觉截然不同的空间感觉。由于相邻地块的形式体积不确定，这排房屋的两端都有强制性的桥台，我们决定在地块的两端分别提高3.6米和1.8米宽的体积。这两卷的提出是由于适用的限制，高度，挫折和屋顶的最大期限。

What does having aspect of a house mean? The complex program demanded by the client in their daily activities, coupled with strict urban conditions and layout of the plot, proposes a house that offers new experiences to the scale of architectural elements to users. Rhythm, structure, materiality and functionality meet on this project to offer a proposal that reveals distinct spatial sensations far from the ones that traditional state agents have developed recently. Due to the uncertainty of the formal volumetry of the adjoining plots, still unbuilt, and compulsory abutment on both ends for this row-house type, we decided to raise two volumes of 3.6 and 1.8 meters wide respectively at each end of the plot. These two volumes are presented as a result of applying the constraints of height, setbacks and roof to its maximum term.

 © Javier Callejas

.Javier Callejas

较窄的空间位于厨房、卫生间和地下室的储藏室，桑拿位于上层。范围更广的空间继续存在，同样的意图是将房屋的次要区域：车库、办公室、洗衣房和浴室设施。山墙屋顶只使用在这些侧面，并与其显著的体积组成，释放出这两卷之间的空间，可能会成为相似的相邻的地块。

The narrower volume locates the kitchen, a toilet and storage room in the basement while sauna is located on the upper level. The wider volume continues with the same intention of placing secondary areas of the house: garage, office, laundry and bathroom facilities. The gable roof is used only in these sides and, together with its marked volumetric composition, freeing up the space between these two volumes that may become similar in adjacent plots.

 © Javier Callejas

.Javier Callejas

中心卷的解决是从更全面的理解：从城市的规模。一系列紧凑的体积，以整个建筑物的高度是隐藏的。该作品的抽象提供了一个统一和顺序的组合阅读，这提供了新的卷出现在其余的情节。正面的定位从正式对话中解决了它的实质性问题。与坎塔布里科大道相对应的线是向西北方向的，而背面则是向东南方向的。在这两种情况下，中央卷是豁免的，但正式统一的平台和屋顶。好像是一座希腊寺庙。卧室布置在混凝土的受保护体积中，位于后面，并受自然光的切线照射。

The central volume is solved from a more comprehensive understanding: from the urban scale. A series of compact volumes that take the full height of the building is hidden. The abstraction of the piece provides an unified and sequential compositional reading which provides the appearance of new volumes in the rest of the plots. The orientation of the facades solves its materiality from a formal dialogue. The line corresponding to the Cantábrico Avenue is oriented northwest, while the back sight to the southeast. The central volumes in both cases are exempt but formally unified by both the podium and roof. It seems to be a Greek temple. Bedrooms are arranged in the protected volumes of concrete, located in the back side and receiving natural light tangentially.

 Exploded Isometric

爆炸等距

当主玻璃的高度在日落时在阴影中互相提供体积。后一层外壳的光线质量使得光线在毕业时撞击玻璃石，并调节里面的光量。房屋提供了一个调色板的颜色和强度，随着时间的推移和体积本身屏蔽和调节进入光线。破碎的混凝土与灯光和阴影形成了壮丽的对比。墙上的光振动向使用者展示了唤醒他们的错觉，就像清晨的阳光。下午晚些时候，绿色从对立面向室内照射光线。

While the main glazed elevation provides volumes in the shadow from each other during the sunset. The quality of light in the latter enclosure makes the light hit against the glass monolith while graduating and regulating the amount of light inside. The housing offers a palette of colors and intensities that varies along the day and the volumes themselves screened and regulate the entry of light. The ocher broken concrete has a magnificent contrast with lights and shadows. The light vibrations on the walls show the illusion to users of waking them up, like a sunlight early in the morning. By late afternoon, the green hue floods light in the interior space from the opposite facade.

 © Javier Callejas

.Javier Callejas

中心空间不受任何分区的限制，不仅在垂直平面上，而且在高度上。一个独特的双层地板创造了一个空洞的生活。用户在这里开发他们的大部分活动。一条挂着的走廊穿过客厅，把房子的两头连接起来。在提供进入卧室的通道的同时，循环也参与了用户的主要活动。

The central space is freed from any partition not only in the vertical plane, but also in height. A unique double height floor creates a void in which to live. Users develop most of their activities here. A hanging corridor crosses the living room and connects the two ends of the house. The circulation engages the user’s main activity while providing access to the bedrooms.

 Floor Plan

主要的玻璃盒子，狭窄的立面(只有0.80米宽)，也获得了房子的总高度。由于双层皮肤的状况是室内温度梯度。一个卫生间，酒吧和楼梯连接主卧室和其他应用程序的位置。

The glass boxes in the main, narrow façade (only 0.80 meters wide), also acquired the total height of the house. Since the condition of double skin serves as temperature gradation inside the house. A toilet, bar and the staircase that connects the master bedroom to the rest of the applications are located.

 © Javier Callejas

.Javier Callejas

如果将自然光引导到房屋内部，以突出每个元素的重要性，则人工照明具有相同的作用。它突出了混凝土中的一系列裂缝，如低耗电LED所在的无缝连续条。

If natural light is conducted to the interior of the house in order to highlight the materiality of each element, artificial lighting has the same role. It highlights a series of cracks in the concrete, as seamless, continuous strips where low-consumption lighting LED are located.

 © Javier Callejas

.Javier Callejas

Architects MUKA Arquitectura

Location Ciudad Real, Spain

Category Houses

Architect in Charge Moisés Royo Márquez

Project Year 2014

Photographs Javier Callejas