Chalet in Krkonoše Znameni Ctyr Architekti

2015-02-07 01:00

架构师提供的文本描述。作为这个项目的设计者和这座房子的建筑理念，我们的主要工作是设计一个新的山间小屋，以取代已经被拆除的现有的破旧小木屋。其目的不仅是从建筑的角度来创造质量观念，而且要使它成为自然环境的一部分，并以积极的方式帮助塑造天才轨迹。

Text description provided by the architects. Our primary effort as designers of this project and architectural concept of this house was to design  a new mountain chalet to replace existing dilapidated chalet which had been demolished. The aim was not only a creation of quality concept from an architectural point of view, but also for it to be a part of natural environment and help to shape genius loci in a positive way.

尽管客户对视觉、技术和类型上的现代对象有着最初的冲动，但无法忽视与周围优质建筑相同的强大的乡土元素，形成了Krkonoše山地区建筑的典型特征。这个元素作为一个局部的标识符号，它是在克伦科诺še山漫长的历史发展过程中创造出来的价值。

Despite the primary impulse of the client to visually implement, technologically and typologically contemporary object, it was impossible to ignore strong vernacular element identical with the surrounding quality buildings forming typical character of local architecture of Krkonoše mountains. This element acts as a local identification symbol, which is a value created over the long historical development of Krkonoše mountain.

 © Tomas Soucek

.Tomas Soucek

这是一个相似的原则，一般出现在外喀尔巴阡山和阿尔卑斯山的小木屋。

It is a similar principle which generally appears in Transcarpathian and  Alpine mountain chalets.

同时，我们强烈地看到其他建筑师故意忽视这一审美价值，以明确实现现代外观为目标，在局部地区实现当代意识的实例。

At the same time we strongly perceive examples of contemporary realizations in the local area by other architects who intentionally ignore this aesthetic value with the aim to clearly attain modern appearance.

 © Tomas Soucek

.Tomas Soucek

我们的主要努力是受到传统建筑的启发/除其他外，提及基于档案计划的现有小木屋的原始图像，并试图通过稍微推迟意义和建筑语义来确定设计的房子与21世纪的当代时期。世纪。

Our primary effort was to be inspired by traditional architecture /to mention among others the original images of existing chalet based on archive plans/ and try by means of slight deferral of meaning and architectural semantics identify the designed house with the contemporary period of  21. century.

乡土山地小木屋的类型学和语义学的典型部分是把房子的各个部分的功能投射到外观/功能形态中。

Typical part of typology and semantics of vernacular mountain chalets is a projection of function of each individual part of a house into the exterior appearance /functional morphology/

 © Tomas Soucek

.Tomas Soucek

例如，起居空间/起居室、餐厅、厨房/由无数的窗户开口连接，在底层的立面上有着最大的尺寸。

For example living spaces / living room, dining room, kitchen/ are articulated by numerous window openings with the largest dimensions in the facades on the ground floor

小卧室位于高层/大多是阁楼和曼萨屋顶，白天的光线由山墙中较小的窗户或背窗提供。技术门窗在石座墙完成整体外观。

Small bedrooms are located on the upper levels / mostly attics and mansard roofs/ where day light is provided by smaller windows in gables, or dormer windows. Technical windows in stone pedestal wall complete the overall appearance.

 Ground Floor Plan

之前提到的意义的延迟，我们在这个项目中应用，把主要的居住空间放在上层和开放的小舞台上。

The deferral of meaning mentioned previously we applied in this project by placing the main living space on the upper level and with the open maisonette.

这一概念类似于传统做法，即扩大上层的窗口开口和底层较小的窗户。

This concept has analogically articulated itself with traditional practices by enlarged window openings on the upper level and smaller windows on the ground floor.

 © Tomas Soucek

.Tomas Soucek

上层设计的小木屋内部，最大限度地利用了层合木桁架的施工优势，用于整个屋面的施工。

Interior of the upper levels designed chalet utilizes in maximum way the construction advantages of laminated  wooden trusses which are used in construction of the whole roof.

这种阁楼式的建筑方式，使室内空间向全高度开放，并与其有限的外部尺寸相比较，出乎意料地获得了新的建筑规模。

This type of construction method of the attic made it possible to open up the interior space to the full height and thereby unexpectedly gain new scale of the house in comparison with its limited exterior dimensions.

 First Floor Plan

一层平面图

以这种方式绘制的开阔的居住空间还能在各个方向不受限制地看到，尽管它的位置在上层，提供了与周围自然乡村的特殊视觉互动。

The open living space drawn up in this way additionally enables unrestricted view in all directions and despite it´s placement on the upper level provides exceptional visual interaction with the surrounding natural countryside.

房子的外观是有意灵感的原始建筑的Krkonose山和使用的设计元素的独山建筑-小木屋。这些类型的房屋具有堆积如山、石座墙和传统木质墙面等特点。

Exterior appearance of the house is intentionally inspired by original architectural of Krkonose mountains and uses the design elements of solitary mountain architecture – chalets. These types of houses have characteristic features such as banked roof massing above wooden base , stone pedestal wall and traditional wooden facing on the gable wall.

 © Tomas Soucek

.Tomas Soucek

Krkonose山中的小木屋的山墙通常是在地面上逐步高悬的。我们的设计利用了这一特征元素，并将这一逐步悬垂转变为向外逐渐延伸的山墙，因此屋顶的顶部明显长于房屋及其底座的实际长度。

The gable walls of chalets in Krkonose mountains are often stepwise overhanged above the ground level.  Our design utilizes this characteristic element and transforms this stepwise overhang into a gradual extension of the gable wall in the outward direction, so the crest of the roof is visibly longer than the actual length of the house and its base.

这种解决方案甚至具有实用价值，因为它能保护山墙的木质表面免受风化，并延长木质材料的使用寿命。

This solution has even a practical value, because it protects the wooden facing of the gable wall against the weathering and prolongs the lifespan of the wooden material.

 Second Floor Plan

二层平面图

这种设计方法是对当代建筑的直接借鉴，通常采用向外偏转质量的非结构逻辑。立面的外观一贯由天然材料组成，经过一段时间的老化过程，这些材料在传统建筑中被认为是可取的。

This type of design approach is a direct reference to contemporary architecture often using  non structural logic of outward deflecting mass above their base. The facing of the facade consistently consists of natural materials, which gain patina over the time period during aging process that is considered as desirable in traditional architectural.

这座房子的天花板高度很低，在倾斜的地形上精心布置，就像房子是从周围的自然中生长出来的，观众的主要注意力是由屋顶聚集的轮廓所吸引。

This house with its low ceiling height and careful placement in the sloping terrain acts as if the house had grown from the surrounding nature, and the main attention itself by the viewer is drawn by a silhouette of the roof massing.

 © Tomas Soucek

.Tomas Soucek

房子本身的特点是棕色和灰色的颜色和木材料与天然石头的结合。木面是用红雪松做的，梁和柱子等外部结构构件是用涂有铜漆的云杉层合而成的。

The house itself is characterized by the brown and gray  shades of  color and a combination of wooden material with natural stone. The wooden facing is made of red cedar, exterior structural elements such as beams and columns are made of laminated spruce coated with copper varnish.

房子的底座有一个巨大的15厘米厚的面板，由卵裂的花岗岩石板制成。

The pedestal of the house has a massive 15 cm thick facing made of cleaved granite flagstone.

采用扇形回弹接头设计铜板屋面，以突出房屋延伸集中的向上效应。这些窗户是由层压的巨大橡木型材处理的天然油清漆。

The roof made of Copper sheet was designed with fan like shape rebated joint  for the purpose of highlighting effect in the upward direction of the extending massing of the house. The windows are made of laminated massive oak profiles treated by natural oil varnish.