Villa Escargot Takeshi Hirobe Architects

2015-02-09 01:00

 © Koichi Torimura

c.Torimura幸一

架构师提供的文本描述。如何“墙在”的空间为人们？当我在一个面向自然的环境中设计建筑时，而不是在住宅区，我对这个问题有了更多的意识。因此，自从我第一次访问现场以来，我一直在想，这座建筑本身应该是坚固而独立的。

Text description provided by the architects. How to “wall in” a space for people? I become more conscious about this question when designing a building in an environment that faces nature, rather than one in a residential area. Therefore, since my first visit to the site, I had been thinking that the building itself should stand robustly and independently.

 © Koichi Torimura

c.Torimura幸一

该遗址距海岸约200米，位于一座小山上。有一个悬崖，树在后面，东京湾的地平线在前面。考虑到与这些条件的关系，需要制定一项计划，该计划可方便地作为周末住房使用，并能有效地利用大场地。客户还希望从二楼可以看到海景，也希望有一个有框架的有天空风景的地方。因此，设计需要一定的高度-体积.

The site is about 200m away from the seashore and is located on a hill. There is a cliff with trees at the back of the site, and a sea horizon of Tokyo Bay at the front. Taking into consideration the relationship with these conditions, a plan was required that is a convenient size for operating as a weekend house, as well as effectively utilizing the large site. The client also desired to have an ocean view from the second floor, and a place that has a framed scenic view with sky. Thus, some level of height-volume was required for the design.

沿三角形侧壁进入入口处后，室外视野被暂时关闭，人们发现自己处于光线的等级之中。在二楼有一个折叠的平板空间，一个半圆形的浴室被放置在这个空间里。通过走向光明，同时感受到一个对比的结构，一个开阔的海景包围了。当进入客厅时，从纵向到天空，视野会更加开阔。经过一个高框架风景的地方后，视野迅速变窄，然后再一次降落在浴室以外的区域。内部序列处理就好像它们是旋律，而空间是连接起来的，就好像在积累和声一样。

After entering the entrance along a triangular side wall, the outdoor view is temporarily shut off and people find themselves in a gradation of light. There is a folded-plate space that rises towards the second floor, and a semicircular bathroom is placed in the space. By going towards the light while feeling a contrastive structure, a wide-open ocean view enfolds. When entering the living room, the view widens even more in a longitudinal direction to the sky. After the place with a tall framed scenic view, the view become rapidly narrower and then lands beyond the bathroom area once again. The interior sequences are handled as if they are melodies, and the spaces are connected as if accumulating harmonies.

 © Koichi Torimura

c.Torimura幸一

为了强调连续的“表面”，结构不暴露，内部用闭合的胶合板完成。我相信选择这种材料会强调这座建筑的空间特性。

In order to emphasize the continuous “surfaces”, the structure is not exposed and the interior is finished with closed-joint plywood. I believed that choosing this material would emphasize the spatial properties of this building.

 Ground Floor Plan

确定连续三角形形状运动的东西是活动，排水斜坡，以及当建筑物放置在现场时的质量感。结果，形成了一种形状，类似于地面上的螺旋壳。

The things that define the movement of the continuous triangular shapes are activities, drainage slopes, and a sense of mass when the building is placed on the site. As a result, a shape was created that resembles a spiral shell laid on the ground.