© Nikos Daniilidis

尼科斯·丹尼利迪斯(Nikos Daniilidis)

架构师提供的文本描述。作为希腊战后现代建筑的象征，多西亚迪斯建筑在过去的20年里已经衰败，最终通过将它改造成一座住宅而复活。这种转换提出了关于记忆、保存、融入自然环境和建筑环境以及受现有空间潜力启发的创新等概念的关键问题。

Text description provided by the architects. An icon of Greek post-war modern architecture, the Doxiadis building, having decayed during the last 20 years, finally came back to life through its conversion into a residential building. This conversion raises crucial questions about the notions of memory, preservation, integration into natural and built environments and innovation inspired by the potential of existing spaces.

 © Fernando Guerra

费尔南多·格拉

上述想法最初是由国际知名建筑师康斯坦丁诺斯·多西亚迪斯(Constantinos Doxiadis)提出的。

The above ideas were initially addressed by Constantinos Doxiadis, the internationally acclaimed architect & urban planner who originally designed the building in 1957, to house his offices and the Doxiadis School of Technicians.

通过将记忆定义为一个动态的过程，而不是一个静态的状态，设计策略从外观设计和无菌立面保护出发，重新将建筑与周围环境连接起来，突出其剩余的原始建筑特征，并在建筑物的历史和多西亚迪斯的富有远见的想法方面重新创造一个社区。

By defining memory as a dynamic process rather than a static condition, the design strategy moves away from façadism and sterile facade preservation and sets out to reconnect the building with its surroundings, highlight its remaining original architectural features and recreate a community, in respect to the building's history and Doxiadis' visionary ideas.

 © Fernando Guerra

费尔南多·格拉

 Floor Plan

具体来说，中庭，连同原来的建筑网格，以及围绕它的斜坡工地之后不断上升的体积都得到了保护，正面的原始模块被转变成一个三部分像素化的表面，由玻璃、半透明混凝土和大理石面板组成-这是中庭和公共空间最初使用的材料之一。每个“像素”根据方案产生空间效果，通过传播光线、投射阴影、向LyCabettus山和雅典卫城透露或部分隐藏视图。

Specifically, the atrium, along with the original construction grid and the escalating volumes following the sloping site organised around it, were preserved.The facade's original module was transformed into a three- component pixellated surface, consisting of glass, translucent concrete and marble panels -one of the materials originally used in the atrium and public spaces. Each “pixel” produces spatial effects according to programme, through the diffusion of light, casting of shadows, and revelation or partial concealment of the views to Mount Lycabettus and the Acropolis.

 © Fernando Guerra

费尔南多·格拉

公寓起居室的带肋混凝土天花板暴露了出来，恢复了多西亚迪斯的技术成就。浴室的人字形木地板和大理石覆层，指的是雅典1960至70年代公寓建筑的黄金时代。

The ribbed concrete ceilings in the living rooms of the apartments are exposed, restoring Doxiadis' technological achievement. The herringbone pattern timber floor and marble cladding in the bathrooms, refer to the golden age of Athenian 1960-70s apartment buildings.

 © Fernando Guerra

费尔南多·格拉

地面公共区域(室内游泳池、健身房、会议室、托儿所)分布在中庭周围，加强了其核心功能和公寓与城市之间的过渡点。它的大理石地板和反射水面，是创建一个社区的核心，典型的现代运动的住宅综合体。一楼将举办一个永久性展览，以表彰多西亚迪斯的作品。

The ground level communal areas (indoor pool, gym, meeting room, creche) are distributed around the atrium, reinforcing its function as core and transition point between the apartments and the city. With its marble floor and reflective water surface, it is central to creating a community, typical of housing complexes of the Modern Movement. The ground floor will house a permanent exhibition honouring the work of Doxiadis.

 Ground Floor Plan

 © Fernando Guerra

费尔南多·格拉