© Fernando Guerra | FG+SG

费尔南多·格拉

架构师提供的文本描述。Wonderwall是一个展览空间，旨在接收Jen Lewin在葡萄牙里斯本科伦坡购物中心的杰作“游泳池”，它用大约20，000条白色和黑色的织物建造。

Text description provided by the architects. wonderWALL is an exhibition space designed to receive the masterpiece The Pool by Jen Lewin in Colombo Shopping Mall, in Lisbon, Portugal, built with approximately 20,000 strips of white and black fabric.

它是一个悬挂在中央广场的天窗上的结构，直径约14英尺，高4英尺，通过大量织物条的乘积来定义空间-外部和内部。永远不要接触商场本身的地板-这暴露了艺术家的作品-它允许从外面看到来自内部的连续的彩色光线，从内部看到来自外部的一条不间断的光线。

It is a structure suspended from the skylight on the central square, with about 14 feet in diameter and 4 feet tall, which defines space - exterior and interior - by the (des) multiplication of numerous strips of fabric. Never touching the floor of the mall itself - which exposes the artist's work – it allows to see, from the outside, a continuous line of coloured light coming from the inside, and, from the inside, to see an unbroken line of light from outside.

 © Fernando Guerra | FG+SG

费尔南多·格拉

这座临时博物馆展示的是一个抽象的皮肤，一个由黑色织物制成的纺织正面，游客完全可以理解它，并在它的整个表面继续，它会随着气流的流动而摆动。圆柱形空间力求强调暴露的艺术品的中心地位，这在设计空间中起着至关重要的作用，因为主入口的让位有利于完全透水的立面，使整个安装空间周边的入口溶解。

The temporary museum presents an abstract skin, a textile facade built in black fabric, completely apprehensible by visitors and continuing throughout its surface, which oscillates with airflows. The cylindrical space seeks to emphasize the centrality of the exposed artwork, which has assumed a critical importance in the design space, enhanced by the abdication of a main entrance in favour of a fully permeable facade that dissolves the entrance along the entire periphery of the installation space.

 © Fernando Guerra | FG+SG

费尔南多·格拉

对于亮度控制问题，仁·莱文的工作从外部看不见。与前一年不同(请看：http：/www.archdaily.com/406437/the-Andy-Warhol-临时-博物馆-likearchments/)，展览空间的内部也不明显，从商场的上层画廊来看也是如此。相反，覆盖显示自己作为一个巨大的圆形编织屏幕，突出了手工过程的特点，这一穹顶空间，带来了独特的纺织纹理。

For brightness control issues, the work of Jen Lewin is not visible from the outside. Unlike the previous year (please see: http://www.archdaily.com/406437/the-andy-warhol-temporary-museum-likearchitects/ ), the interior of the exhibition space is also not noticeable from the upper galleries of the mall. Instead, the coverage presents itself as a large circular weaving screen that highlights the manual process that characterizes the construction of this dome space, bringing out a unique textile texture.

 Floor Plan

奇迹墙的目的是创造一个沉浸式的空间，通过意志提高人们对入口行为的认识，找到一个从外部看不见的空间。与此同时，游客在占用空间方面缺乏自由行动的实际障碍，为他们与Jen Lewin的工作进行互动做好了准备。

wonderWALL was sought to create an immersive space, which raises awareness of the act of entrance through the will in finding a space that is not completely visible from the outside. At the same time, the absence of physical barriers to free movement demand from visitors in the appropriation of space, preparing them for interaction with the work of Jen Lewin.

 © Fernando Guerra | FG+SG

费尔南多·格拉

展览空间的内部受到购物时的明亮光线的保护，是一个完全白色的圆顶，通过在其巨大的表面反射交互光艺术作品的色彩变化，使水池脱颖而出。同时，物质的连续性和空间引用的缺失使得游客迷失在那多彩的神奇空间中，哪怕只是一瞬间。

Protected from the bright light from the shopping, the interior of the exhibition space is a totally white dome created to make stand out The Pool, by reflecting, in its immense surface, the chromatic variations that characterize the interactive light artwork. At the same time, the material continuity and the absence of spatial references helped to make visitors getting lost, even if just for a moment, in that colourful wonder space.

 © Fernando Guerra | FG+SG

费尔南多·格拉

Architects LIKEarchitects

Location Lisbon, Portugal

Category Pavillion

Design Team Diogo Aguiar, Teresa Otto, João Jesus and João Salgueiro, Daniel Mudrak

Project Year 2014

Photographs Fernando Guerra | FG+SG