架构师提供的文本描述。该遗址位于挪威北部特罗姆斯林根半岛的边缘，四周环绕着引人注目的高山景观。附近由茂密的森林组成，但地形使得几乎四面八方都能看到壮观的山景。该计划旨在为一个拥有9张床位的大家庭提供一次务虚会，在一个适度的预算框架内。根据挪威的建筑规范，在最初决定将净建筑面积限制在50平方米的过程中，超过这一面积的小屋引发了几项技术要求。

Text description provided by the architects. The site is at the edge of the Lyngen peninsula in Troms, Northern Norway, surrounded by a dramatic alpine landscape. The near surroundings consist of dense forest, yet the topography allows for spectacular mountain views in nearly all directions. The program was to make a retreat for a large family with a total of 9 beds, within a modest budget frame. It was early in the process decided to limit the net floor area to 50m2, since cabins above this size triggers several technical demands according to norwegian building code.

 © Ivan Brodey

伊万·布罗迪

解决办法是利用倾斜屋顶下的区域，由于其较低的天花板高度，不计为楼面面积。然而，这些区域非常适合睡觉，我们可以在顶楼安装两张双人床和三张单人床，面积仅为14m2。

The solution was to make use of areas under a pitched roof that due to its low ceiling height does not count as floor area. These areas however, are well suited for sleeping areas, and we were able to fit two double beds and three single bed on the top floor which measure only 14m2.

一楼卧室里还有一张双人床。倾斜的屋顶也提供了一个垂直的小屋，适合景观。我从现场浇铸混凝土的底层，这是一个步骤，遵循自然的地形，但也强调了垂直的内外部空间之间的相遇。

An additional double bed is on the ground floor bedroom. The pitched roof also gives a verticality to the cabin that suits the landscape well. the ground floor i made from in situ cast concrete, which make a step that follow the natural terrain, but also underlines the verticality in the meeting between the inner and outer space.

 © Ivan Brodey

伊万·布罗迪

客厅和就餐区之间有一个双面壁炉，还有一个书架，它也是餐桌旁的坐椅。一条连续的窗带延伸到建筑物周围，使山景四通八达。窗户达到顶部的天花板，而底部有高度的变化，根据特定的视图和房间的功能。

The living area and dining area is separated by a double sided fireplace, and a bookshelf that also serves as a sitting bench by the dinner table. A continuous window band stretches all around the building, framing the mountain view in all directions. The windows reaches the ceiling on top, while the bottom has variations in height according to particular views and room functions.

所有的墙壁钉暴露在内部，玻璃直接安装在螺栓上。细节是与内部和外部之间的最小边缘，试图擦除内部和景观之间的边界。通往顶层的楼梯是由薄的悬臂钢板制成的，顶层卧室之间的地板是一个开放的钢光栅，可以过滤天窗的光线。

All the wall studs are exposed in the interior, and the glass is mounted directly on the studs. The detailing is made with minimal edges between inside and outside in an attempt to erase the border between interior and landscape. The stairs to the top floor is made from thin cantilevering steel plates, and the floor between the top floor bedrooms is an open steel grating that filters light from the skylight.

 © Ivan Brodey

伊万·布罗迪

所有内墙都用无结松木板覆盖。外包层是由非常大的胶合板与人造板角，处理天然松木焦油。内外包层在暴露于阳光和风化后，随着时间的推移，颜色和特征都会发生变化。

All interior walls are clad with knot free pine panel. The outer cladding is made with very large glulam panels with mitered corners, treated with natural pine tar. Both the inner and outer cladding will after exposure to sunlight and weathering change colour and character over time.

 © André Severin Johansen

c.AndréSeverin Johansen