架构师提供的文本描述。一座由建筑师阿米莉亚·霍利迪为她的家庭设计的新房子(丈夫大卫·莱克，女儿奥伊夫，狗西拉和奥德丽)。位于帕丁顿保护区，它重新解释了典型的露台房屋类型，这是许多周边地区的特点。作为一项核心原则，房屋被设计成一种稳健的形式，以回应家庭的不断变化的需要。人们已经考虑到，随着家庭的扩大、儿童的成长和需要的改变，一年和几年房间的使用可能会有所不同。对未来灵活性这一主题做出回应的建筑是办公室的主要关注点(见Aileen Sage Architect Unbuilding Projects“27 Smith st”，“Big Bungalow House”)。

Text description provided by the architects. A new house designed by architect Amelia Holliday for her family (husband David Lakes, daughter Aoife and dogs Ciara and Audrey). Located in the Paddington Conservation area it reinterprets the classic terrace house typology that characterizes much of the surrounding area. As a core principal the house is designed as a robust form that responds to the changing needs of the family over time. Consideration has been given to how rooms may be occupied differently throughout the year and over the years - as the family expands, children grow and needs change. Architecture that responds to this theme of future flexibility is a key concern of the office (see Aileen Sage Architects unbuilt projects “27 smith st”, “Big Bungalow House”.)

 © Tom Ferguson

(汤姆·弗格森)

该遗址上现有的房子是一座破旧的19世纪80年代的两层楼高的房子，随着时间的推移，它被大大地改变了，几乎没有原貌完整。大量的白蚁、霉菌和湿气的破坏进一步降低了原有房屋的结构完整性，意味着现有形式无法挽救。然而，新房子以原来的信封和一般的场地布置为起点。它重新追溯现有的形式，最大限度地获得自然光和通风的所有房间，并在这样做重新解释它的今天。这座房子保持了传统的露台土话元素，但通过当代的视角重新诠释它们。公共和私人区域是微妙的，中介您与街道的关系，通过分层的优势点，当你移动的房子。突出的阳台、砂岩地基和房屋前后的视觉对比与周围露台的图案相呼应。

The existing house on the site was a decrepit 1880s two-story house that had been significantly altered over time leaving little of the original intact. Extensive termite, mould and moisture damage had further reduced the structural integrity of the original house meaning the existing form could not be salvaged. The new house however takes the envelope and general site arrangement of the original as a starting point. It re-traces the existing form, maximizing access to natural light and ventilation to all rooms and in doing so reinterpreting it for today. The house maintains traditional elements of the terrace vernacular but reinterprets them through a contemporary lens. Public and private zones are subtly articulated, mediating your relationship to the street through layered vantage points as you move through the house. The overhanging balcony, sandstone foundation and visual contrast between the front and rear of the house echo the patterns of the surrounding terraces.

 © Tom Ferguson

(汤姆·弗格森)

材料调色板同样引用了原始的和周围构建的语言。砂岩，袋装再生砖和粗糙的砌体被与非形式的混凝土和新的和回收的图案和透明玻璃组合的对比。在内部，油漆垂直木板在房屋的前部，在深混凝土中回荡，向中央客厅揭示，形成了从现场打捞的栅栏板。在房子的后面，油漆过的木材、地板和天花板的托梁暴露在外面，形成了一种非正式的感觉，与前面光滑的平面形成鲜明对比。细木工单位是简单的油漆或染色，并在很大程度上是由废料或回收材料在现场组装。色彩和纹理被用作整个家庭的娱乐设备。层层叠叠的、意想不到的色彩配对将房间扩展到墙壁的范围之外。黄铜框架细木工项目被设计成家具件

The material palette similarly references the original and surrounding built language. Sandstone, bagged recycled brick and rough rendered masonry are contrasted with off form concrete and an assemblage of new and recycled patterned and clear glass. Internally, painted vertical timber boards line the front section of the house and are echoed in deep concrete reveals to the central living room formed from salvaged fence palings from the site. In the rear of the house painted timber floor and ceiling joists are left exposed creating a sense of informality in contrast to the smooth planes of the front. Joinery units are simply painted or stained and for the most part assembled from scrap left over or recycled material on site. Colour and texture are used as a playful device throughout the home. Layered unexpected colour pairings articulate and expand the rooms beyond the confines of their walls. Brass framed joinery items are designed as pieces of furniture - hovering on fine legs or suspended from the ceiling they allow the dimension of the room to continue over and around.

 Floor Plans

平面图

一个围墙花园和一系列较小的庭院空间是从信封上雕刻出来的，形成了一个中央庭院规划。概念设计由苏巴恩斯利设计，花园是一个不断发展的元素，建立在层层的色彩和纹理。每个起居区都向这座城市内部的“秘密花园”开放，有着不同规模的开放空间，允许在季节性的占领中灵活使用。有多汁的屋顶连接着房屋的前部和后部，并将两翼分开。从原来的前花园里移栽了两棵大的野莲花，在中央庭院里种了一棵新的豹子树，以供避暑之用。

A walled garden and series of smaller courtyard spaces were carved from the envelope creating a central courtyard plan. With concept plans designed by Sue Barnsley Design the garden is an ever-evolving element building on layers of colour and texture. Each of the living areas opens up to this inner city “secret garden” with different scaled openings allowing for flexibility in seasonal occupation. A roof planted with succulents connects the front and rear of the house and separates the two wings. Two large frangipanis were transplanted from the original front garden and a new leopard tree planted in the central courtyard for summer shade.

 © Tom Ferguson

(汤姆·弗格森)