© Maíra Acayaba

c.Maíra Acayaba

架构师提供的文本描述。在圣保罗西部的维拉·玛达莱纳(Vila Madalena)，一小块隐蔽的地皮被买下来，成为一对夫妇的工作室和办公室，每一层都有单独的通道。该设计面积略超过150平方米，来自于对这些地区的开放，其中包含了新建筑特有的补充方案和陈设。

Text description provided by the architects. A small, hidden lot in Vila Madalena, in the west of Sao Paulo, was purchased to become the studio and office of a couple, each floor with separate access. With an area of just over 150 m², the design came from the release of the areas, incorporating complementary programs and furnishings that were unique to the new building.

为了增加一楼和一楼的空间，所有的内墙都被拆除，土壤被用花岗岩标准化。有了免费的计划，大型工作台的空间就会增加。

To increase the space on the ground floor and first floor, all interior walls were removed and the soil was standardized with granite. With free plans, space is increased for large worktables.

 Ground Floor Plan

为了满足这一要求，我们使用了家具的支撑，创建了一个大的裸露结构混凝土平台，它有一个侧面开口，从地面上升到天花板。由于房屋是砖石，这个项目有助于支持第一层板和木材屋顶-每一个直立的混凝土元素作为一个支柱和所有结束在金属表带。

To meet the program, we used the support of furniture, a large exposed structural concrete ledge was created, which has a side opening and rises from ground to ceiling. As the house is masonry, this item helps support the first floor slab and wood roof - each upright concrete element works as a pillar and all end in a metal strap.

 © Maíra Acayaba

c.Maíra Acayaba

书架有补偿模块，充当货架或抽屉，与一楼的程序一致。开口和架子锁是在对话与双方的房子，融合了内部和外部。

The bookshelf has compensated modules that act as shelves or drawers, consistent with the program on the first floor. The openings and the shelf locks are in dialogue with the two sides of the house, integrating interior and exterior.

同样的架子也接受楼梯，独立进入不同的环境。地板采用交替的混凝土结构：实心箱旁的空心木材和连接到空心模块的封闭金属，其中固体和空隙之间的逻辑持续存在。

The same shelf also receives the staircase with independent access to the different environments. The floors play with the alternating concrete structure: hollow wood along the solid boxes and closed metal connected to hollow modules, where the logic between solid and void persists.

 © Maíra Acayaba

c.Maíra Acayaba

侧面的挫折决定了主入口，揭示了业主和艺术家亚瑟莱舍尔的意图，谁曾在他的展览的概念工作。

The side setback sets the main entrance, revealing the intent of the owner and artist, Arthur Lescher, who had worked the concept in his exhibitions.

在上层，板被移除，木桁架被修复，暴露并扩大了空间。

On the upper level, the slab was removed and the wooden trusses were restored, being exposed and expanding the space.

 © Maíra Acayaba

c.Maíra Acayaba

立面具有现代特色，大开口由混凝土外露的盒子构成，形成交叉通风和自然照明。

The facade takes on a modern character with large openings framed by boxes of exposed concrete, resulting in cross ventilation and natural lighting.

作为该项目的补充，浴室被设计成单独的楼阁，并建造了一座混凝土塔。这种黑色的整体结构显示出不完美之处，而玻璃的一些特征则是对中国艺术家王树作品的借鉴。

Complementing the program, the bathrooms are designed as separate pavilions with the construction of a concrete tower. This black and monolithic structure reveals imperfections and some features of glazing are references to the work of Chinese artist Wang Shu.

 © Maíra Acayaba

c.Maíra Acayaba

尽管场地有边界，但建筑有两个外部区域，一个在房子前面，另一个在后面，专为午餐和非正式会议而设计。

In spite of the boundaries of the site, the construction has two external areas, one in front of the house and one in the back, designed for lunches and informal meetings.

 © Maíra Acayaba

c.Maíra Acayaba

在项目接近尾声时，该房子是为一家出版社设计的，客厅中的甲板家具、桌椅以及办公家具的设计目的是更好地满足用户的需要和空间的功能。

Near the end of the project, the house was designed for a publishing house, the deck furniture, tables and chairs in the living room as well as the office furniture were designed to better meet the needs of users and functionality of the space.

 © Maíra Acayaba

c.Maíra Acayaba

Architects Zemel + ARQUITETOS

Location Vila Madalena, São Paulo - São Paulo, Brasil

Category Offices

Project Architects Paula Zemel Pompeu de Toledo e Eduardo Chalabi

Collaborator Cristiano Zan

Project Area 148.0 m2

Project Year 2013

Photographs Maíra Acayaba

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