© Miran Kambič

c Miran Kambič

架构师提供的文本描述。如何建立明确的社区空间、物质和社会特征？从未来居民与居住环境更深层次的联系来看，这一问题是发展对象及其周围环境设计的基本原则。

Text description provided by the architects. How to establish a clear spatial, material and social identity of the neighbourhood? This question was the basic principle when developing the design of objects and their surroundings in terms of deeper connection of future residents with their living environment.

 © Miran Kambič

c Miran Kambič

3D侵蚀的概念源于对现有总体规划的批评，这些总体计划在大小、高度和任意位置方面都有通用卷。这种体积子结构的概念在材料表达中得到了进一步的体现：最初的包络是用砖层定义的，而带有阳台的切口则是在渲染中定义的。

The concept of the 3D erosion is resulting from the critique of the existing master plan with generic volumes in terms of size and height and their arbitrary position. This concept of sub-structuring of the volume is further reflected in the material expression: the initial envelope is defined with the brick layer and the cut-outs with balconies in render.

 © Miran Kambič

c Miran Kambič

砖块的选择，作为砖的初步材料，它是从砖厂的记忆中得来的，而砖场过去是在现场的。此外，砖提供了一个机会，作为表达的手段，以额外的微观结构的正面表面。物质上的操纵使我们有了独特的身份，因此对未来的社会有着重要的意义。

The selection of bricks as a preliminary material derived from the memory of the brickyard which used to be on-site. Furthermore the bricks provide an opportunity as means of expression for additional micro-structuring of the facade surface. The material manipulation allows for a unique identity thus significant for the future community.

制定了一个明确的系统办法来组织185个住房，以便在大小和内部安排上区分17种不同的公寓类型，以满足未来居民的不同需要。设有主干道条的单位的结构、装置及内部组织的位置，使内部的灵活性，即不同的房间分布，无论是一间大的统一空间，还是一套较小的房间。该系统允许连接较小的单位或分离较大的单位，在建设之前，期间和之后。

A clear systematic approach to the organisation of 185 dwellings was developed to allow for an array of 17 diverse flat types differentiated in terms of size and internal arrangement in order to address different needs of future residents. The position of the structure, installation and internal organisation of the flats with the backbone service stripe enables the internal flexibility - the diverse set of room distribution either as one large unified space or a set of smaller rooms. The system allows joining of smaller flats or separating of larger units, before, during and after the construction.

 © Miran Kambič

c Miran Kambič

沟通自然是从两边照亮的，这样走廊就成了会议的场所。社会互动是通过在每个建筑物的入口处设置一个共享的公共空间来升级的。它们为生日聚会、冬季的室内游乐场、健身房或任何其他活动提供了可能。

Communications are naturally illuminated from two sides, in this way a corridor becomes a place of meeting. Social interaction is upgraded by placing a shared common space above each building’s entrance. They provide the possibility for birthday parties, indoor playgrounds for wintery months, gym or any other activity.

 © Miran Kambič

c Miran Kambič

在公共空间的玻璃上，有斯洛文尼亚诗人写的诗。每一个公共空间，每一个居住社区，都是由被选中的诗人丰富的文学。这种对建筑的语境和语义的提升，使居民对自己的生活环境有了额外的认同，同时也丰富了居民的文化意识。我们住在čEn的隔壁šEren的入口处。

On communal spaces’ glazing there are poems of Slovenian poets written. Each communal space, each residential community is literary enriched by the chosen poet. This contextual and semantic upgrade of the architecture allows the resident extra identification with his living environment and at the same time enriches cultural awareness of inhabitants. »We are living at Tone Pavček, next door entrance to Prešeren.

 © Miran Kambič

c Miran Kambič

Architects dekleva gregorič architects

Location Ljubljana, Slovenia

Category Apartments

Competition Team Aljoša Dekleva, Tina Gregorič, Lea Kovič, Flavio Coddou

Project Team Aljoša Dekleva, Tina Gregorič, Lea Kovič, Martina Marčan, Andi Koder, Tea Smrke, Daniel Schwartz, Simon Vrščaj

Area 20185.0 sqm

Project Year 2014

Photographs Miran Kambič