© Ken Gutmaker

肯·古特马克

架构师提供的文本描述。“展望与庇护”：在安妮女王山上的西坡上盘旋的一处花园静修处，栖息在山坡上。这个撤退和聚集亭被认为是一个雕塑景观元素，可以随着季节的变化，并迅速变化，以适应天气的需要。受埃利奥特湾、木兰和奥林匹克山脉西边令人印象深刻的前景的启发，该设计巧妙地将展馆与客户现有的院落融合在一起，保护了一棵大榆树的根，尊重了邻居的看法。

Text description provided by the architects. Prospect and Refuge: A garden retreat that is hovering on the western slope of upper Queen Anne hill, and nested into the hillside. This retreat and gathering pavilion was imagined as a sculptural landscape element that could transform with the seasons and quickly change as the weather demands. Inspired by the impressive prospects of Elliott Bay, Magnolia and the Olympic Mountains to the west, the design delicately blends the pavilion into the client’s existing compound, protects the roots of a grand elm tree and respects neighbor’s views.

 Courtesy of Robert Edson Swain Architecture + Design

罗伯特·埃德森·斯温建筑设计

有选择的架构元素参考了以前的工作，我们已经为这些客户设计并完成了关于相邻属性的工作。有表现力的混凝土墙和生锈的钢栅栏从一个带有光伏板的新车库延伸开来，从而定义了场地的边缘。这些建筑标志着公共小巷和内部私人避难所之间的过渡。混凝土墙吸引住客进入空间，引导他们的视野穿过花园，朝向工地西边的展馆。

Selective architectural elements reference previous work we have designed and completed for these clients on the adjacent properties. Expressive concrete walls and rusted steel fencing extend from a new garage with photovoltaic panels, thus defining the edge of the site. These structures mark the transition between public alley and the private sanctuary within. The concrete walls draws occupants into the space, directing their view through the garden toward the pavilion at the western edge of the site. 

 Floor Plan

接近时，展馆的抛物线屋顶有巨大的突出屋檐，在其东端提供了一种门槛和压缩感，并戏剧性地向西方开放，让人们看到广阔的景色和太阳的好处，并与南方的复合建筑连接起来。一旦进入，架空飞机的结构是由重建的道格拉斯杉木梁和弹簧管组成，所有这些都由南面的柱子和北面的混凝土墙支撑。该景观，多边形平面图和弯曲锈蚀钢筋墙的南部，使内部感觉远大于它的外部出现在现场。

Upon approach, the pavilions parabolic roof has large overhanging eaves providing a sense of threshold and compression at its eastern end and dramatically sweeps open to the west for expansive views and the benefits of the sun and connection to compound on the south. Once inside, the overhead plane is structured in reclaimed Douglas Fir beams and purlins, all supported by columns to the south and the concrete wall to the north. The views, polygonal floor plan and curved rusted steel wall to the south, makes the interior feel much larger than it’s exterior appears on site.

 Courtesy of Robert Edson Swain Architecture + Design

罗伯特·埃德森·斯温建筑设计

展馆是客户的一个和谐的避风港，可以看到由假山、盛放鲜花的盆栽和模仿奥林匹克山脉环境的本土植物组成的质感景观。动态的，可操作的玻璃墙和木板，在三面完全消失在温暖的几个月内，通过凹进墙壁或滑动悬臂的视野之外，或下降到南弯生锈的钢墙。

A harmonious place of refuge for the clients, the pavilion opens up to the textural landscape composed of rockeries, planting boxes with bold flowers, and native plantings meant to emulate the environment one would experience in the Olympic mountain range. Dynamic, operable glass walls and wood panels, on three sides completely disappear in warmer months by recessing into walls or sliding cantilevered out of view, or down into the south curved rusted steel wall.

 Courtesy of Robert Edson Swain Architecture + Design

罗伯特·埃德森·斯温建筑设计

空间从封闭和温暖向开放的文字整合景观-内流到外面！在西北多雨的冬天，这些高性能的玻璃和木板门，加上一个高效的燃气壁炉，在花园里提供了一个干燥的出口，把这个空间的使用延伸到淡季。

The space transforms from closed and warm to an open literal integration of landscape — inside flows to outside! During the rainy northwest winters, these high-performance glass and wood panel door, along with a high-efficiency gas fireplace provide a dry escape within the gardens, extending the use of this space well into the off-season.

 © Ken Gutmaker

肯·古特马克

Architects Robert Edson Swain Architecture + Design

Location Seattle, WA, USA

Category Pavillion

Area 1125.0 ft2

Photographs Ken Gutmaker