© Alejandro Arango

(Alejandro Arango)

架构师提供的文本描述。普埃布洛·贝洛是安蒂奥基亚·乌拉巴的一个城镇，居住着大约2000人，从1990年起，近20年来，那里遭受了准军事和游击队暴力的最严重影响。强迫失踪、屠杀、焚烧建筑物和人民以及人口流离失所是司空见惯的事。在这张黑暗的图片中，突出了“43”的消失，这是哥伦比亚历史上最大的一次强迫失踪，也是该国被美洲人权法院制裁的原因。

Text description provided by the architects. Pueblo Bello is a town of Antioquia Uraba, inhabited by about 2000 people, which from 1990 and for nearly twenty years suffered the worst effects of paramilitary and guerrilla violence. Enforced disappearances, massacres, the burning of buildings and people, and population displacement were common. In this dark picture is highlighted the disappearance of "the 43", the largest forced disappearance of the history of Colombia and the reason why the nation was sanctioned by the Inter-American Court of Human Ri

作为向受害者提供集体赔偿的措施的一部分，普埃布洛·贝洛社区确定了在纪念500名暴力受害者的同时恢复和加强社区生活的必要性。

As part of the measures of collective reparations for victims with which it seeks to turn the page of violence, the community of Pueblo Bello defined the need for a building that would serve to regain and strengthen community life while honoring the memory of the 500 victims of the violence.

 © Alejandro Arango

(Alejandro Arango)

这座建筑于2014年建成，里面有一个由社区根据他们的意愿和需要直接设计的建筑方案。该设计将从对该地区及其人民、历史、需求、生活方式和未来规划的认识出发。

This building materialized in 2014 harboring an architectural program designed directly by the community in accordance with their wishes and needs. The design will start from the recognition of the place and its people, history, needs, way of living and future projection.

 © Alejandro Arango

(Alejandro Arango)

巡演从一个大坡道开始，这是通往地面高架建筑的主要通道，它保护建筑物不受穆拉托斯河的洪水侵袭，而且它的尺寸也允许它成为一个室外剧场。这条大坡道带着一堵8米高的对角线墙，通向记忆之屋，这是一个充满了悼念暴力受害者的符号的空间：灯光管理，地板改变为不属于某个地方的象征，对角线墙代表暴力的爆发，穿过“记忆之屋”的长廊必须到达建筑物的其余部分，因为不了解过去，未来就不可能存在。

The tour begins in a large ramp, the main access to a building elevated from the ground, which protects the building from flooding of the Mulatos river, and whose dimensions allow it to also be an outdoor theater. The large ramp leads, accompanied by a diagonal wall 8 meters high, to the House of Memory, a space full of symbols that pay tribute to the victims of violence: light management, change in flooring as a symbol of not belong to a place, a diagonal wall referring to the outburst of violence, the promenade through the "House of Memory" is obligatory to reach the rest of the building, because the future can not exist without knowing the 

 © Alejandro Arango

(Alejandro Arango)

离开第一个房间后，游客将看到建筑中的两个庭院中的第一个，这是一个室内花园，有一棵树作为社区重生的标志，直接连接到开放的教室、部分覆盖的广场，该广场认识到住宅的社交空间位于内外空间的居住方式；这间“开放式教室”是通过第二个庭院连接到“未来之家”的，这是一个供培训的多个教室，围栏由木制百叶窗组成，既允许风进入，又能控制光线；最后，大楼最私人的区域是服务区：浴室、技术室、行政和仓库。

On leaving this first room the visitor will see the first of two courtyards in the building, an interior garden with a tree as a sign of rebirth of the community, linked directly to the open classroom, partially covered plaza that recognizes the ways of inhabiting a region where the social spaces of the house are in spaces that are both inside and outside; this "open classroom" is joined through the second courtyard to the "house of the future", a multiple classroom for training, with an enclosure that consists of wooden shutters that allow the entry of wind while controlling light; finally in the most private area of the building are the service areas: bathrooms, technical rooms, administration and w

Architects Taller Sintesis, Angélica Gaviria

Location Turbo, Antioquia, Colombia

Category Community Center

Project Area 326.0 m2

Project Year 2014

Photographs Alejandro Arango

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