© Fernando Alda

(费尔南多·阿尔达)

架构师提供的文本描述。干预将插入的建筑物-一个古老的修道院-解释为随着时间的推移而不断变化的背景。

Text description provided by the architects. The intervention interprets the building where is inserted, an old convent, as a context in constant transformation over time.

 Constructive Section

建设性科

该项目产生于对当代艺术创作过程的反思，其不可预测的状态，以及目前生产和展览空间之间界限的解除。

The project arises from a reflection around the creation process in contemporary art, its unpredictable condition and the current dissolution of limits between the space of production and exhibition.

 © Fernando Alda

(费尔南多·阿尔达)

我们可以认识到，许多当代艺术表达都把建筑空间理解为一种工作(我们还记得2007年，多丽丝·萨尔塞多(Doris Salcedo)的施博拉斯(Shibboleth)打破了伦敦泰特现代(Tate现代派)的地板，凯特林·西古尔达多蒂尔(Katterin Sigurdardottir)的“高平面V”(High Player V)占据了纽约PS1的虚假天花板，或者是埃斯托·诺埃斯(Esto Noes)我们认为，当代的展览空间不应该像一个静止的空间在时间上投射，而应该像一个永无止境的省略空间，等待每一个展览的到来完成它。

We can recognize that much of contemporary art expression understands the architectural space as a matter of work (we remember Shibboleth by Doris Salcedo breaking the floor of the Tate Modern in London in 2007, High Plane V by Katterin Sigurdardottir occupying the false ceiling of the PS1 in New York or Esto no es un graffiti where artists demolished some facings of walls in the same place of our project). We think the contemporary exhibition space shouldn’t be projected like a static room in time but like a neverending space in ellipsis, waiting for each exhibition come for completing it.

 © Fernando Alda

(费尔南多·阿尔达)

干预被投射成一个可变和可逆的空间。墙壁和天花板将被木板覆盖，它们之间的分离会让我们看到原来的砖墙，显示砖块的质地和我们在这个第一阶段发现的几个世纪造成的创伤，这段时间的故事也和Yourcenar的话一样。同时，这种与古城墙重叠的木结构将允许进入任何空间点的所有设施。

The intervention is projected like a variable and reversible space. The walls and ceiling will be covered by slats of wood, the separation between them will allow see the original brick walls, showing the textures of the bricks and the wounds caused by centuries that we have discovered in this first phase, that narrate time builds too as in Yourcenar’s quote. At the same time, this wooden structure overlapped to the ancient walls will allow the acces to all installations in any point of space.

 Exploded Axonometric

爆炸轴测

我们的干预将作为一个初步安装在空间，而不是一个建筑建设。一个与现有容量有关的临时展览，使未来的展览得以发展，并可以像其中之一样被拆开，揭示出在这座古老建筑中真正有价值的东西

Our intervention will act as an initial installation in the space rather than a architectural construction. A temporary display related to the existing volume that enables the development of future exhibitions and could be disassembled like one of these, revealing what is truly valuable in this old building in a patrimonial sense is the matter, space and light rather than styles or decorations.

 © Fernando Alda

(费尔南多·阿尔达)

Architects sol89

Location Seville, Sevilla, Spain

Category Adaptive Reuse

Architects in Charge María González, Juanjo López de la Cruz

Area 830.0 sqm

Project Year 2014

Photographs Fernando Alda