© Santiago Robayo

圣地亚哥·罗巴约

架构师提供的文本描述。背景

Text description provided by the architects. BACKGROUND

在Espacio colectivo ArquArchtos赢得哥伦比亚文化部组织的“音乐学校”原型设计竞赛后，需要制作第二个原型，以适应小得多的地方，并在全国不同的市镇扩大覆盖范围。

After ESPACIO COLECTIVO ARQUITECTOS won the design competition for the "music school" prototype organized by the Ministry of Culture of Colombia, arises the need to generate a second prototype that adapts to much smaller places, and to have greater coverage in the different municipalities of th

这就是如何提出一个“原型2”，它产生于初始原型的一个变化，而不失去对项目的概念方法。这一变化包括用礼堂取代露台，并将周边单元调整到最低要求。

This is how a "prototype 2" is proposed, which arises from a variation of the initial prototype, without losing the conceptual approach to the project. This variation consists of replacing the patio with the auditorium and adjusting the perimeter modules to the m

 Planta Baja

普兰塔巴哈

建议我们提出一个易于适应任何地形和气候的基本系统，所选择的材料很容易适应城市的环境，从而产生一个易于建造的综合解决方案。它还提出了一个强大的企业形象。该组织计划提出一个紧凑的封闭空间，即礼堂所在，其邻近地区环绕周边，在礼堂和不同空间之间产生动态循环。每个元素的空间变化顺序留下了一种运动的感觉，让人联想到建筑物的用途。

PROPOSAL We propose an elementary system easily adaptable to any topography and climate, the materials chosen are easily adapted to the environment of the municipalities which generates a comprehensive solution with easy construction. It also proposes a powerful corporate image. The organizational scheme proposes a compact closed volume, where the auditorium is located and its adjacent areas surround the perimeter, generating a dynamic circulation between the auditorium and the different spaces. The spatial variation of each element in sequence leaves a feeling of movement evoking the use of the building.

建筑本身就是空间，是一种有形而又虚幻的元素，它是通过运动、裂缝、绝缘和不断变化的体积发现的，象征着我们文化的差异和多样性，围绕着一个在不稳定和多变中表现稳定的公共空间旋转。这座建筑是运动和继承的。它的形象体现在音乐中的连续和不连续的时间，延长的墙壁，不断的，零碎的间隔。这种不断变化的音量之间的隔离是对隔音技术的技术要求的回应，是视觉享受的场所。各卷之间的差距是眼前的景观，在那里，教学、学习和实践的私人空间被淹没，保证找到合适的照明、视觉和声学舒适水平。

SEQUENCE The building is space itself, a tangible yet ethereal element, that is discovered through movement, cracks, insulation, and changing volumes that symbolize the difference and variety of our culture, that revolve around a common space that represents stability in the unstable and changeable. The building is movement and succession. Its image embodies the continuous and discontinuous times in music, prolonged walls, incessant, fragmented intervals. This isolation between changing volumes are breaks that respond to techincal requirements of soundproofing techniques and are places for visual enjoyment. The gap between the volumes is the immediate landscape where the private space of teaching, learning and practice is submerged with the guarantee of finding appropriate levels of lighting, visual and acoustic comfort.

 © Santiago Robayo

圣地亚哥·罗巴约

城市这个向社区开放的设施是一个具有巨大象征价值的城市停顿，提供了一个相遇和交流的场所。这是一个公共的，透明的和渗透的建筑，允许一个视觉和亲自参观。从其空间形态来看，它允许与社区互动，从其规模上，它允许插入到各种不同的环境中，从形状上看，它形成了一种强有力的形象，作为制度建设，它保证了它在集体记忆中的存在。

URBAN This facility open to the community is an urban pause of great symbolic value that provides a place of encounter and exchange. It is a public, transparent and permeable building that permits a visual and in person tour. From its spatial conformation it allows interaction with the community, from its scale it allows to be inserted in a variety of contexts and from its shape develops a powerful image as institutional building which guarantees its presence in the collective memory.

材料-对材料的民主追求得出结论，混凝土和砖块是容易获得的建筑传统，并具有在这一背景下存在的劳动力。它允许高可持续性标准的持续时间，确保在抗震和抗洪方面的稳定结构，并可以提供一个地方的社区保护或灾害避难所。

MATERIAL A democratic pursuit of materials concludes that concrete and brick are easily accessible construction traditions and with a workforce that is present within the context. It allows high sustainability standards for its duration in time, ensures a stable structure in terms of earthquake and flood resistance and can provide a place of community protection or disaster shelter.

 © Santiago Robayo

圣地亚哥·罗巴约

 Corte General 2

Corte将军2

 © Santiago Robayo

圣地亚哥·罗巴约

Architects Espacio Colectivo Arquitectos

Location Yotoco, Valle del Cauca, Colombia

Category Schools

Project Architects Aldo Marcelo Hurtado, Carlos Hernan Betancourt

Project Area 750.0 m2

Project Year 2014

Photographs Santiago Robayo

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