OVO Camilo Rebelo

2015-03-27 21:00

 © Office archive

办公室档案

架构师提供的文本描述。鸡蛋项目是来自一个充满焦躁不安的客户的订单-OJ。OJ获得了当代葡萄牙艺术家RuiChafes的一座雕塑，名为“种子”。这件建在铁里的作品发现了它的目的在于OJ思想的普遍性，它追求的是起源、纯洁和普遍的神秘等价值观。在第二阶段，OJ向我们提出了设计和建造一个空间来接受和揭露“种子”的挑战，促进了艺术与建筑之间的深刻反思。设计的空间在他位于瑞士阿尔卑斯山的菲德里斯家的地下室里。

Text description provided by the architects. EGG project was an order from a client full of restlessness - OJ. OJ acquired a sculpture, called 'Seed', of the contemporary Portuguese artist Rui Chafes. The piece built in iron finds its purpose in the universality of OJ’s mind that seeks values such as origin, purity and universal mystery. In a second stage, OJ threw us the challenge to design and build a space to receive and expose the 'Seed', promoting a deep reflection between Art and Architecture. The designed space is in the basement of his home in Fideris, located in the Swiss Alps.

“特洛伊木马蛋”是该项目的第一阶段。这个木蛋的目的是创造一个空洞，揭示一个新的维度，并通过它增强神秘。神秘是一种非常接近于从我们的文明中消失的状态。这个价值对我们来说是生命的主要原因之一，鸡蛋是我们选择表达它的维度。

The 'Trojan Egg' was the first stage of the project. The objective of this wooden egg was to create a void, revealing a new dimension and through it enhance mystery. The mystery is a condition that is very close to disappear from our civilization. This value is for us one of the main reasons for life and the egg is the dimension we choose to express it.

 © Office archive

办公室档案

作为建筑师，从一开始，我们就想设计一个与瑞·查菲斯的雕塑完全一致的空间。“种子”立刻给我们带来了与我们存在的纯洁和起源有关的问题，在这个意义上，我们的建议是建立一个茧，避免通常的边缘。

As architects, from the beginning, we wanted to design a space that was in fully consonance with Rui Chafes's sculpture. The 'Seed' brought us immediately issues related to the purity and the origin of our existence and in this sense our proposal was to build a cocoon, avoiding the usual edges.

 Floor Plan

该项目旨在建立三个组成部分之间的直接关系：雕塑，虚空和观察者。重量和厚度是这种结构的关键。这个空间几乎完全是用白色的混凝土建造的，这些混凝土是从上一层开始，在古老的砖石墙和木模之间浇筑而成的。

The project seeks to establish a direct relationship between three components: sculpture, void and the observer. Weight and thickness were key aspects to this construction. This space was almost entirely constructed with white concrete which has been poured at once from the upper floor, between the ancient masonry stone walls and the wooden mold.

 © Office archive

办公室档案

灯光，间接和神秘，出现在地板，其中一个非常薄的大理石层允许强调其半透明的性质，忽略了来源。光的强度和颜色可以改变，允许对空间和雕塑的不同看法，实时。这种经历总是独特的、不可重复的和个人的。“种子”悬浮在空气中。

The lighting, indirect and mysterious, arises through the floor where a very thin marble layer allows to emphasize its translucent nature, omitting the source. The intensity and the light colour can be changed allowing different perceptions of the space and the sculpture, in real time. The experience is always unique, unrepeatable and personal. The 'Seed' is suspended in the air.