ESSE House ellevuelle architetti

2015-04-12 03:00

 © Alvise Raimondi

c.阿尔韦·雷蒙迪

架构师提供的文本描述。客户的需要是拆除和重建他所居住的房屋，因为这所房子的结构出现了严重的故障。因为乡村房屋是“传统”的建筑形式：在两层楼，倾斜屋顶，抹灰墙。提出的建议与乡村住宅的“经典”价值观和背景联系在一起：与景观对话和开放，开发一层房屋，使用与景观相关的颜色和材料，定义不同类型的空间(现在景观上开放，现在更加内向)。

Text description provided by the architects. The need of the client was to demolish and rebuild the house in which he lived, which had serious structural failure. Forlì country houses are “conventional” forms of building: on two floors, pitched roof, plastered walls. The proposal presented is linked to an “idea of classic" values of the country house and to context: dialogue and opening with the landscape, development of one floor house, use of color and materials related to the landscape, definition of different types of spaces (now open on the landscape, now more introverted).

 © Alvise Raimondi

c.阿尔韦·雷蒙迪

客户是一家酒厂的主管，他的家庭由妻子、两个儿子和年迈的母亲组成。这座房子是胡桃园和葡萄园之间空地的一部分，面积约15，000平方米。

The client is the director of a winery; his family consists of his wife, two sons and elderly mother. The house is part of an open area between a walnut orchard and a vineyard, approximately 15,000 square meters.

 © Alvise Raimondi

c.阿尔韦·雷蒙迪

义大利平原是由一系列明显人造的标志组成的，而景观本身早已形成了自己的景观，因为几个世纪以来，农业和水利传统将它们以这些形式巩固了起来。它们是一排排果园的地块，堤坝上的沟渠，栅栏：这些痕迹划破了土壤，把它变成了一系列平行线，导致读取一个占主导地位的方向。在此图中输入建筑物意味着确认其自身的方向和精确的沉降行为，目的是阅读自然形式，并将它们转化为建筑要素的认可。该建筑符合线性方案，但不改变它；两堵厚厚的石墙将在其中建造一层房屋的边缘：它的视觉影响被减少，让树梢出现在平原上。在两面墙之间插入一个中央体，识别两个单元。每个短边都有一堵“玻璃墙”，就像望远镜聚焦在地平线和自己的花园上，而不是一个真正的角马，因为它是向周围的大自然开放的。功能上的开口点缀着两堵墙的表面，变成了钢框架的细框，展现了景色：这种材料与核桃和石头完美地相互作用。根据需要，一些设备可以调节或增加光线的强度：木质遮阳篷可以使爬行者成长为未来的聚光灯，从起居室可以看到；一个小的内部庭院可以在主卧室中定义一个非常有吸引力的区域。通过对建筑物方向的分析，可以确定适合用于热水生产和供电的平板屋顶的区域，以实现建筑物的可持续利用。

The plain of Forlì (Italy) is composed by a series of signs clearly artificial that the landscape has long made its own, integrating them in himself, because for centuries the agricultural and hydraulic traditions consolidated them in these forms. They’re the plots of the rows of orchards, the furrows of the levees, the fences: these tracks scratched the soil, turning it into a sequence of parallel lines that lead to read a dominant direction. Enter a building in this diagram means to affirm its own orientation and precise settlement act, which aims to read the natural forms and translate them into architectural elements of recognition. The architecture fits into the linear scheme, without altering it; two thick stone clad walls bound the margin within which is will be built the one-floor house: its visual impact is reduced, letting the tops of the trees emerge on the plain. A central body is inserted between the two walls, identifying two units. Each of the short sides present a "glass wall", like a telescope focused on the horizon and their own garden, not a real hortus conclusus because opened to the surrounding nature.Functional openings punctuate the surfaces of the two walls and become thin frames in cor-ten steel revealing views of the landscape: such material perfectly interacts with the walnut and the stone. Some devices can moderate or increase the intensity of the light, depending on the needs: a wooden sunshades allows for the growth of creepers as a future pergola, visible from the living room; a small inner courtyard  defines a very attractive area in the master bedroom. An analysis of the orientation of the building allows to identify areas of flat roof suitable for hosting panels for hot water production and electricity in a way of sustainable use of the buil

 Floor Plan

这所房子有一层楼，分为两部分，一层是给客户的家庭，一层是给他母亲的，一层更小。第一部分包括一间起居室、一间厨房、两间单间卧室、一间浴室及由一间双人间、一间浴室及一间小庭院组成的私人房间。第二部分，在第一部分的对立面，由一个带厨房的起居室、一个浴室和一个卧室组成。

The house has one floor and is divided in two parts, one for the client’s family and one, smaller, for his mother. The first part presents one living room, one kitchen, two single bedrooms, one bathroom and the private rooms composed by one double room, one bathroom and one small courtyard. The second part, at the opposite side of the first one, consists of one living room with kitchen, one bathroom and one bedroom.

 © Alvise Raimondi

c.阿尔韦·雷蒙迪

该地区的气候位于亚大陆，减轻了城市与海洋的距离。它的特点是夏天炎热，雨水少，闷热，而冬天又冷又湿，经常有薄雾。雨量较多的季节是秋天，冬天的雨水大大减少。在农村，秋冬之间，你可以看到大量的降雪，而城市的降雪程度较小。所有这些气候特征都使福尔μ农村的生活愉快：在设计时所考虑的一般注意事项是，在前面朝南的地方设置避暑之所，并通过创建一个小庭院来照亮房子的最里面的部分。房屋的相同沉降遵循盛行风的方向，有利于自然空气循环。

The climate of the area where is located Forlì is sub-continental, mitigated by the quite proximity of the city to the sea. Forlì is characterized by hot summers, little rain and quite muggy, while winters are cold, humid, with frequent mists. The season with more precipitations is autumn, in winter the rains diminish considerably. In the countryside, between autumn and winter, you can see snowfall in significant quantities, while the snow on the city presents a lesser extent. All these climatic features make life pleasant in the countryside of Forlì: the general notes taken in consideration while designing were to equip the front facing south for shelter from the sunshine of summer and bring light to the innermost parts of the house through the creation of a small courtyard. The same settlement of the house follows the direction of the prevailing winds, favoring the natural air circulation.

主卧室的浴室保持朝外，通过带有间接光线照亮它的小私人庭院。涂层的石墙地面，它是相同的使用在所有房间的房子，也涵盖了浴缸的表面，不间断。支撑白色陶瓷碗的家具是用橡木设计和建造的。

The bathroom of the master bedroom keeps the facing outwards, through the small private courtyard with indirect light that illuminates it. The coating stoneware ground it’s the same used in all the rooms of the house and covers the surfaces of the tub too, without interruption. The furniture that support the white ceramic bowls have been custom-designed and built in oak wood.

 © Alvise Raimondi

c.阿尔韦·雷蒙迪

客厅的南面有大的滑动玻璃门，从地板到天花板，还有一层地面瓷砖，它模仿整体构图和房子的两堵大墙的姿势。即使是轻型固定装置，也能增强工程的发电机矩阵，使其线性化，并嵌入屋面板中。

The living room has large sliding glass doors to the South, floor to ceiling, and a coating flooring tile that mimics the pose of the overall composition and the two great walls of the house. Even the light fixtures enhance the generator matrix of the project, being linear and recessed into the roof slab.