© Tobias Hein

托拜厄斯·海因

架构师提供的文本描述。在靠近萨瓦河河岸的老比格勒白城，贪污使“老磨坊”的历史建筑变成了一家四星级酒店。

Text description provided by the architects. In the white city of Old Beograd, near the banks of the Sava River, GRAFT transformed the historic building of the “Old Mill” into a 4 Star hotel.

 © Tobias Hein

托拜厄斯·海因

这一雄心勃勃的内部概念以新的材料、颜色和形状拥抱和增强了现有的历史结构，激活了文化纪念碑的原始品质，从而创造了独特的视觉体验。

The ambitious interior concept embraces and enhances the existing historical structures with new materials, colors and shapes, activating the original qualities of the cultural monument and hence creating a unique visual experience.

 Ground Floor Plan

酒店的正门，设有大堂和接待区，酒吧和餐厅，位于现有的建筑群内。新建的高楼大厦可容纳客房和套房，以及水疗、健身和服务区。

The main entrance of the hotel, with a lobby and a reception area, the bar and the restaurant, are located in the existing building complex. The newly built high-rises accommodate the guest rooms and suites, as well as the spa, fitness and service areas.

 © Tobias Hein

托拜厄斯·海因

客人来到一个稍微凸起的新广场，那里有旧花岗岩石和从老磨坊救出的锻铁柱。水的特点使交通噪音减少。大堂以工业、开放、真实的氛围接待酒店客人。回收的材料，如历史建筑中的砖块，被清理、修复和重新整合.接待处的背景也是用旧机器制作的。虽然被转换成现代建筑语言，天然材料，如橡木和铜，指的是遗址的历史。结构上必要的混凝土切口保持粗糙，以补充整体工业外观。这些异质材料和功能与巨大的白色结构形成鲜明对比，将它们融合成一个空间连续体。就像一幅白色的画布，它展示了他们不同的年龄和品质，给了他们新的生活。

The guest arrives on a slightly raised new plaza, which features old granite stones and wrought iron columns rescued from the Old Mill. A water feature breaks down the traffic noise. The lobby receives the hotel guests with an industrial, open and authentic atmosphere. Reclaimed materials, like bricks from the historical building, were cleaned, repaired and re-integrated. Also the backdrop of the reception counter was made from old machines. Although being transferred into a modern architectural language, natural materials, such as oak and copper, refer to the history of the site. Structurally necessary concrete incision were kept rough, in order to compliment the overall industrial look. These heterogenic materials and functions are than contrasted by a giant white structure, fusing them into a spatial continuum. Acting like a white canvas it displays their different ages and qualities, giving them new life.

 © Tobias Hein

托拜厄斯·海因

老磨坊的这种公共态度和粗暴态度逐渐转变为一个更加私密和柔和的客房环境。材料、金属和石头被木材和纺织品所取代，产生了舒适和舒适的品质。混凝土结构作为对工业遗产的回忆，以墙画作为叙述、解释和空间延伸的知识场所。房间的内部也有巨大的低窗户，定制的座位区域和一个开放和明亮的浴室。

This public and rough attitude of the Old Mill complex gradually shifts into a more private and soft environment in the guest rooms. The materials metal and stone are replaced by wood and textile generating a cozy and comforting quality. The concrete structure stays unclad as reminiscence to the industrial heritage and layered with a wall painting as an intellectual place for narration, interpretation and spatial extension. The interior of the rooms also feature enormous low windows, customized seating areas and an open and bright bathroom.

 © Tobias Hein

托拜厄斯·海因

酒店设有236间客房和14间套房，顶层设有阳台。老磨坊大楼还设有一个会议中心，有四个会议室、一个大型宴会厅和这座标志性建筑顶部的专用商务休息室。

There are 236 guest rooms and 14 suites with balconies on the top floors. The Old mill building also features a conference center with four meeting rooms, a great banquet hall and an exclusive business lounge on the top of this landmark building.

 © Tobias Hein

托拜厄斯·海因

重新语境化的整体理念将地方遗产与当代室内设计融合为一个单一的整体：通过新旧嫁接，旧磨坊的精神生活在现代服装中，成为一个新的地方地标。

The overall concept of re-contextualization fuses the local heritage and the contemporary interior design into a singular whole: through grafting between old and new, the spirit of the Old Mill lives on in modern attire and becomes a new local landmark.

Architects Graft Architects

Location Bulevar vojvode Mišića, Beograd, Serbia

Category Adaptive Reuse

Managing Directors Lars Krueckeberg, Wolfram Putz, Thomas Willemeit

Project Manager Konstantin Buhr

Project Team Andrea Göldel, Sascha Krückeberg, Sebastian Gernhardt, Stephen Molloy, Denis Leo Hegic, Sonja Wedemeyer, Alice Mayer, Antonio Luque, Tade Godbersen

Project Year 2014

Photographs Tobias Hein