架构师提供的文本描述。在日本大约一万年的时间里，所罗门文化保持着丰富的精神社会，是一种以亲近自然为特征的可持续文化。今天，当我们面对环境问题时，所罗门文化作为我们可以学习的社会模式正引起全世界的关注。我们设计这个中心的目的是创造一个产生所罗门文化的空间。

Text description provided by the architects. For around 10,000 years in japan, the Jomon culture maintained a richly spiritual society and was a sustainable culture characterized by a closeness to nature. Today, as we confront environmental problems, the Jomon culture is attracting worldwide attention as a model of society from which we can learn. Our design of this center aimed to create a space that produced the Jomon culture.

 © Koji Sakai

科吉酒井

该计划的基线是一堵200米长的大曲率墙，它将现在(公路)与所罗门时期(鹿野岛遗址)隔开，并将主要功能分配给该地点。

The baseline of the plan was a 200-meter long wall of large curvature that creates a barrier dividing the present day ( the highway ) from the Jomon period (the Kakinoshima site ) and assigns the primary function to the site.

 Lower Floor Plan

低层平面图

展览室是中心内特别重要的场所，这些展览室的热环境是通过在缓冲空间内嵌套来稳定的。空间表示法通过一个横截面将展览室和场地整合在一起，引导游客从高速公路的入口一直到鹿野岛的展览室。

The exhibition rooms are particularly important place inside the center, and the thermal environment in these rooms was stabilized by nesting them within a buffer space. The spatial representation integrates the exhibition rooms with the site through a cross-section that guides the visitor from the entrance on highway level down to the exhibition rooms on the Kakinoshima site level.

 © Koji Sakai

科吉酒井

在可能的情况下，无论在里面还是外面，这座建筑物都有一个裸露的混凝土结构。通过将不同厚度、不同宽度的雪松窄木板固定在普通600 mm宽的模板上，实现了墙体的光滑曲面。随着木材的纹理转移到表面，混凝土表现出一种永不重复的表达方式，并获得了温暖和细腻。

The building was given an exposed concrete finish wherever possible both inside and outside. The smooth curved surface of the walls was constructed economically by fixing narrow planks of cedar of varying thicknesses and widths into regular 600 mm – width formwork. With the grain of the wood transferred to its surface, the concrete shows an expression that is never repeated and acquires a warmth and delicacy.

 © Koji Sakai

科吉酒井

产生这种效果的手工工作在这个中心似乎特别合适，这个中心是所罗门文化的泥人的家园。

The manual work that produced this effect seems particularly appropriate in this center that is home to the clay figurines of Jomon culture.

Architects Atelier BNK

Location Hakodate, Hokkaido Prefecture, Japan

Category Cultural Center

Area 1256.0 sqm

Project Year 2011

Photographs Koji Sakai