架构师提供的文本描述。拆除原来的延伸和它的替代，需要一种干预，可以是原主建筑的一部分，而不复制古典词汇或手势。我们的目的是保持一种记忆感，同时允许新的干预行动有自己的身份。最初的扩展
没有明显的历史或建筑价值，而且在结构上不健全，但它有一个典型的单屋顶轮廓，在露台房子后面的花园。我们选择在后花园的新面孔中加入这种陈词滥调-以一种僵化和坚持其魅力的方式，将一些相关的记忆传递给那些知道它或看到它的人。

Text description provided by the architects. The demolition of the original extension and its replacement, called for an intervention that can be a part of the original main building without replicating classical vocabulary or gesture. Our intent was to keep a sense of memory, while simultaneously allowing the new intervention to have its own identity.
The original extension had no distinct historical or architectural value, and was structurally unsound, but it had a sloop roof profile typical of those found in terrace house back gardens. We chose to incorporate this banality in the new face of the rear garden – in a way fossilising and persevering its charm to carry some sense of associated memory to those who know it or those who see it new.

 © Tim Crocker

提姆·克罗克

当我们揭开原来的建筑织物时，我们发现了这座房子的历史。现有的一堵墙一直倾斜着，大约有一砖厚的墙向邻近的一座建筑物倾斜。这些重要的旧的移动被记录为斜墙上的裂缝，现在走廊中被发现和保留，新信封的结构在实际可能的情况下在内部暴露，这样这些表面就可以记录房子未来的故事。他们还讲述了当地国内建筑方法的故事，重复了一些重复的细节，这些细节让人想起了房子以前的状况。裸露的石膏漆暴露在孩子们的卧室和第二间卧室里。工人的手印追踪工作的过程，现在被记录在建筑物织物的内部表面上。定做的铜和黄铜配件的缓慢扩张表明，随着时间的推移，它们从原来的颜色变化。通过记录这些记忆的概念，日常生活中的矛盾可以充分地居住在空间里。

As we uncovered the original building fabric, we discovered the history of the house. One of the existing walls had been leaning at a displacement of about one brick thick towards an adjacent building. These significant old movements were registered as cracks on the leaning wall, and have now been revealed and retained within the corridor.The structures of the new envelope have been exposed internally wherever practically possible, so that these surfaces will register the future stories of the house. They also narrate a story of local domestic construction methods by repeating some redundant details that recall the previous state of the house. The bare plaster finish is left exposed in the children's and second bedrooms. Hand marks of workmen trace the process of the work and are now recorded on the internal faces of the building’s fabric. The slow patination of bespoke copper and brass fittings shows the passage of time as they change from their original colour. By registering these notions of memories, the inconsistencies of daily life could fully inhabit the space.

建筑材料都是当地建筑商提供的普通材料整个建筑和部件都是三维建模的，一些组件和家具进一步分解，在CNC中进行加工，这样它们就可以作为平板组件带到现场。该工艺大大缩短了制作时间和成本，缩短了绘图板与现场执行之间的距离。许多设计可以在几天内完成，而且不增加成本-比如厨房的奶酪孔通风烤架和圆柱盒上的儿童身高尺。这一数控平板包装过程的记录可以追溯到每件零件表面可见的编号系统。执行的平板组件包括餐桌、椅子和床，以及内部楼梯。

The building materials are all ordinary materials available at a local builder’s merchant – the full potential of which were tested through our detailing and different methods of site executions. The entire building and components were all modeled three dimensionally, with some components and furnishings further broken down to be processed in CNC, so they could be brought to the site as flatpack components. This process cut fabrication time and costs significantly, and reduced the distance between the drawing board and execution on site. Many designs could be executed within a few days notice and at no increase in cost – such as the cheese hole ventilation grill in the kitchen and the children’s height ruler on the column casing.The record of this CNC flatpack process can be traced to the numbering system visible on the faces of each piece. The executed flatpack elements include dining table, chairs and beds, as well as the internal stairs.

 © Tim Crocker

提姆·克罗克

Architects TSURUTA Architects

Location London, United Kingdom

Category Houses

Project Year 2014

Photographs Tim Crocker