Ancon Building Irene Joselevich + Ana Rascovsky + Billy Gutraich
2015-04-21 19:00
© Pablo Gerson
帕布洛·格尔森(Pablo Gerson)
架构师提供的文本描述。在一条被铁轨切割的街道上,这座建筑占据了不寻常的地段。这里的环境有一些特殊的特征,比如在国家公园拥有的对面街区有两块土地,这些土地在未来不会被建造:在它们后面,在街道的尽头,运行铁路,在城市网络中创造一条绿色的走廊。虽然在布宜诺斯艾利斯(8.66x25米),这是一种很常见的测量方法,但它是一种性格,它的长边与街道平行,这使它变得奇特。出于这个原因,该建筑有一个单一的正面立面,它被定义为一个展示空间,它提供了与CAPAYBI 1971大楼的特别正式对话,来自建筑师Alfredo Joslevich,他是该项目两位作者的父亲和祖父,位于同一座大楼上。
Text description provided by the architects. The building occupies an unusual lot in a street cut by the railroad tracks. The surroundings has special features such as two lands in the opposite block owned by National Parks, which are not going to be built in the future: behind them and at the end of the street run the railroads, creating a green corridor within the urban network. While measures of the lot are common in Buenos Aires (8.66 x 25 meters) it is disposition, with the long side parallel to the street which makes it peculiar. For this reason, the building has a singular front facade which is defined as a display volume that provides a particular formal dialogue with CAPAYBI 1971 building, from the architect Alfredo Joselevich, father and grandfather of two of the authors of the project, located on the same block.
立面分为两层,一层是玻璃,一层是大量的光线和完整的城市景观,另一层是竹子,它起到调节气候、隐私和安全的作用。这两个平面形成一个缓冲区,限定内部空间与其阴影。反过来,竹帘直接影响建筑内外的环境质量,保护阳光的内部,并融入建筑的自然感觉。对一种完全开放的室内-室外关系的兴趣,但反过来被层层衡量,是一个特征性的持续调查的一部分,由作者。
The facade is worked in two layers, one glazed, allowing a large influx of light and complete visual of the cityscape, and the other of bamboo, which functions as a screen that regulates climate, privacy and security. Both planes form a buffer zone that qualifies the interior space with its shadows. In turn, the bamboo screen directly affects environmental quality both inside and outside the building; protects the interior of the sun and incorporates a natural feel to the architecture. Interest in a fully open indoor-outdoor relationship, but in turn measured by layers, is part of a characteristic continuing investigation by the authors.
© Pablo Gerson
帕布洛·格尔森(Pablo Gerson)
其余的项目是解决了一个减少调色板的材料。该结构是一种叫做Prenova的无梁轻板结构,用作成品楼盖。窗户和栏杆是由天然铝制成的。用于立面的竹子由于其树皮的保护作用,是一种经济、生态、易维护的材料。
The rest of the project is solved with a reduced palette of materials. The structure is a system called Prenova of lightened slabs without beams which function as finished floor. The windows and railings are from natural aluminum. The bamboo used for the facade is an economic, ecological and easy to maintain material because its bark acts as protection.
© Pablo Gerson
帕布洛·格尔森(Pablo Gerson)
这座建筑的体积符合城市法规。由于FOT(Confactor de Ocupación Total)允许有四层楼,但允许的高度更高,因此决定建造八层半层楼。这座建筑目前有19个单元,高度双倍,前部大,深度窄。它们都是通过滑动窗口向外开放的。灵活开放的解决方案允许产生不同的内部布局和内部可根据每个用户修改。
The volume of the building responds to the urban regulations. As the FOT (Factor de Ocupación Total) has allowed four levels, but the permitted height was greater, it was decided to build eight half floors. The building now houses 19 units in double height, large front and narrow depth. All of them are open to the outside through sliding windows. The flexible and open solution allowed to generate different internal layout and interior modifiable according to each user.
© Pablo Gerson
帕布洛·格尔森(Pablo Gerson)
考虑到该项目在城市网络中的位置、布宜诺斯艾利斯的气候条件以及在城市提供住房的事实,该建筑建议在每个单元内建立一个3×2米的外层空间(阳台-露台)。正是通过这些空间的规模和建筑体积的不均匀分布以及立面的透明度,该项目才与城市和景观建立了坦率的联系。
Given the location of the project in the urban network, the generous climatic situation of Buenos Aires and the fact of providing housing in the city, the building proposes an outer space of three by two meters (balcony - terrace) in each unit. It is through the scale of these spaces and the heterogeneous distribution in the volume of the building and the transparency of the facade that the project provides a frank link with the city and the landscape.
Architects Irene Joselevich, Ana Rascovsky, Billy Gutraich
Location Ancón 5353, Buenos Aires, Ciudad Autónoma de Buenos Aires, Argentina
Category Apartment Interiors
Partner Architects Irene Joselevich, Ana Rascovsky, Billy Gutraich
Area 1500.0 m2
Project Year 2014
Photography Pablo Gerson
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