OJALÁ Andrés Jaque
2015-04-21 03:00
© Miguel de Guzmán
米格尔·德古兹曼
架构师提供的文本描述。Ojalá是对马拉萨尼亚社会多样性的建筑回应。这种多样性在日常生活中表现为一种不同的谈话、见面、吃喝方式的积累。
Text description provided by the architects. Ojalá is the architectural response to the social diversity of Malasaña. A diversity that manifests itself in everyday life as an accumulation of different ways to talk, meet, eat and drink.
该项目通过一项设计战略为这种多样性提供了答案:组装一系列空间,在这些空间中,建筑促进了与天气、家具、相对于他人的位置以及食物和饮料的外观和获取的不同关系。一个温室,向街道开放。由客户端和服务器共享的大型表。鼓励与陌生人进行非正式交谈的一些步骤。和一个人造海滩,每天举行享乐主义活动。
The project provides an answer to this diversity through a design strategy: assembling a series of spaces in which architecture promotes different relationships with the weather, the furniture, the position with respect to others and the appearance and access to food and drink. A greenhouse, open to the street. A large table shared by clients and servers. Some steps that encourage informal conversation with strangers. And an artificial beach for the staging of a hedonistic day to day.
© Miguel de Guzmán
米格尔·德古兹曼
浴室(性别中立)是一个同样重要的空间。一间浴室-向海滩男孩的微笑致敬,它提供了进入一个空间的通道,当海滩上的人变黑的时候,这个空间就会结冰。声称马萨尼亚浴室与夜间有关,并有可能改造集体。
The bathroom (gender neutral) is an equally important space. A bathroom-tribute to the Smile Sessions of the Beach Boys, which provide access to a space that freezes the moment the beach guys became dark. As a claim of the involvement of the Malasaña bathroom with the night, and its potential for the reinvention of the collective.
© Miguel de Guzmán
米格尔·德古兹曼
© Miguel de Guzmán
米格尔·德古兹曼
所有东西都是和来自同一社区的供应商一起建造的,在一个试验过程中,我们可以在原地开发一个15毫米厚的水磨石的当代版本,一个由1毫米厚的金属板材和3毫米棒连接的木制十字架组成的温室结构。
Everything has been built with suppliers from the same neighborhood, in a process of experimentation, which has allowed us to develop a contemporary version of 15 mm thick terrazzo in situ, a greenhouse structure from 1 mm thick sheet metal, and wooden crosses in the space, articulated with 3 mm rods.
© Miguel de Guzmán
米格尔·德古兹曼
Architects Andrés Jaque
Location Calle de San Andrés, 1, 28004 Madrid, Madrid, Spain
Category Refurbishment
Design, Coordination Sebastian Bech-Ravn, Ljubo Dragomirov, Roberto González García, Senne Meesters, William Mondejar, Jorge Noguera Facuseh, Silvia Rueda Cuellar, Jarča Slamova
Project Year 2014
Photographs Miguel de Guzmán
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