架构师提供的文本描述。这座建筑位于乌尔基扎别墅附近一条安静的街道上，边缘有两条铁路线，重点是科夫兰和德拉戈车站。

Text description provided by the architects. The building is located on a quiet street in the neighborhood of Villa Urquiza, limited by edges that generate two rail lines with a focus on Coghlan and Drago stations.

 © Federico Kulekdjian

c.Federico Kulekdji

这是一个欣欣向荣的社区，为修建这条公路而拆除的房屋是不可能消失的，其特点是它的类型多种多样-从一层和两层的老房子到高公寓楼-安静、林立的街道，紧靠快速的交通和流动的大道。这座建筑以鲜明的当代面貌对环境作出反应。

It is a thriving neighborhood that demolitions for the construction of the highway could not make disappear, characterized by its diverse typologies - from old houses of one and two floors to high apartment buildings - quiet, tree-lined streets next to rapid transit and fluid avenues. The building responds to the environment with a distinctly contemporary appearance.

 © Federico Kulekdjian

c.Federico Kulekdji

这个提案的出发点是我们办公室旁边的另一栋大楼，就在50米外的同一条街上。以它为出发点，勒布雷顿二世，我们喜欢称为它，有它的前身的某些类型，还包括3种类型的住宅与不同地区的花园。它们被分成两个街区，由一个大的中央庭院和一个开放的循环核心分开。俯瞰街道的公寓是工作室、两三个卧室单元和两套带露台的顶层公寓。后面的街区在底层有3栋房子，有自己的花园，三楼有一套阁楼，有一个大露台和游泳池。这些类型试图保持房屋的性质在附近，但在舒适的集体住房综合体。

The proposal has its starting point in another building by our office built on the same street, just 50 meters away. Taking it as a starting point, Le Breton II, as we like to call it, has certain typologies of its predecessor and also incorporates 3 types of houses with gardens of different areas. They are grouped into two blocks divided by a large central courtyard with an open circulation core. The apartments overlooking the street are studio, two and three bedroom units, and two penthouses with terrace. The block to the back has 3 houses on the ground floor with their own garden and a penthouse on the third floor with a large terrace and pool. These typologies are trying to maintain the character of the houses in the neighborhood, but within the comforts of a collective housing complex.

 © Federico Kulekdjian

c.Federico Kulekdji

材料和饰面试图强化结构作为语言的观念：结构混凝土是暴露的，没有油漆，呼吁不同类型的模板光突出不同的完成。大玻璃板从地板到天花板与铝框架，内部和外部黑色抹灰构成完成。将木材作为后座的一种外部语言，给建筑带来了一种特殊而现代的温暖，与前面的建筑形成了友好的对话。

The materials and finishes try to reinforce the idea of the structure as language: the structural concrete is exposed, unpainted, appealing to different types of formwork for light to highlight the different finishes. Large glass panels from floor to ceiling with aluminum frames, interior and exterior black plastering make up the finishes. The incorporation of wood as an exterior language of the rear block, gives the building a particular and modern warmth, in contrast to the block in front, creating a friendly dialogue between them and the surrounding environment.

 © Federico Kulekdjian

c.Federico Kulekdji