©  Nikolas Koenig

尼古拉斯·科尼格

架构师提供的文本描述。在爱德华王子县历史悠久的小镇威灵顿，德雷克酒店老板和富有远见的杰夫·斯托伯在约翰·唐的指导下，招募了同通设计公司，重新发明了一张破旧的床、早餐和原创的c。1880年，铸造厂变成了一家11间客房和两间套房的现代旅店。酒店坐落在蜿蜒的小溪和私人海滨，俯瞰安大略湖，是与它的臀部、城市姐妹多伦多的德雷克酒店(Drake Hotel)相提并论的乡村旅馆，也是由唐和他的前公司三叔设计的。德雷克的方法是从当地社会的文化背景和方言中汲取灵感，同时灌输当代的观点。德雷克德文郡(Drake Devonshire)从一系列的参考文献中汲取了审美线索，包括：英国乡村旅店、汉普顿撤退区、夏令营、南安大略的农舍和农舍，以及历史层和风格的挂毯、实用的临时翻修、现成的建筑材料，以及不匹配的家具。

Text description provided by the architects. In the small historic town of Wellington, in Prince Edward County, Drake hotelier and visionary Jeff Stober enlisted design firm +tongtong under the direction of John Tong to reinvent a tired bed and breakfast and original c. 1880 foundry into an 11-room and two-suite contemporary inn. Perched over a meandering creek and a private waterfront, with sweeping views of Lake Ontario, the inn is the rural counterpart to its hip, urban sister, Toronto’s Drake Hotel, also designed by Tong and his former firm, 3rd Uncle. The Drake’s approach was to draw inspiration from the cultural background and vernacular of the local community, while instilling a contemporary perspective. The Drake Devonshire takes aesthetic cues from a lexicon of references including; the British country inn, retreats in the Hamptons, summer camps, and Southern Ontario’s farmhouses and cottages, with their tapestry of historical layers and styles, practical ad- hoc renovations, readily available building materials, and mismatched furnishings.

 ©  Nikolas Koenig

尼古拉斯·科尼格

在ERA建筑师的帮助下，在遗产和保护方面的专家的帮助下，童移除了对原铸造厂所作的一系列添加，然后“恢复”了它们，似乎是重复的添加。其中包括一个“谷仓般的”展馆，一个道格拉斯FIR餐厅，一个现代化的特殊活动空间，玻璃盒子和一个室外酒吧，其中有一个砖石烟囱和双面壁炉，以及通往德文郡海滨的雪松看台。公共区域提供了各种开放的和私人的座位区域，通过空间连接在一起，将建筑的新体积和新层设计成框架，将建筑呈现为一种进化论的体验，鼓励游客在其提供的服务中发现并享受其中的乐趣。

With the help of ERA Architects, specialists in heritage and conservation, Tong removed a series of additions that had been made to the original foundry and then “reinstated” them, with seemingly iterative additions. These include a ‘barn like’ pavilion, a Douglas Fir dining hall, a modernist special events space, the Glass Box and an outdoor bar featuring a masonry chimney and double-sided fireplace and its cedar bleachers that cascade to the Devonshire’s waterfront. The public areas offer a variety of open and private seating areas linked together through spaces that frame views and articulate the building’s new volumes and layers, presenting a building as an evolutionary experience, encouraging travellers to discover and delight in its offerings.

 ©  Nikolas Koenig

尼古拉斯·科尼格

无论是客房还是公共场所，都充斥着德雷克独特和顽皮的个性。明亮和对比的瓷砖是混合
与图案织物和直进材料，以一种深思熟虑的，但似乎是临时的方式，提高了微妙的平衡新旧。唐和德雷克的室内造型师和德雷克综合商店的买家，卡罗科拉奇，在当地和国际古董市场和古董博览会，挑选和策划家具，固定装置和配件。这些都是翻新和设置定制家具，手动灯，处女毛毯和配件，所有这些都遵循了百年的传统“制造不买”。德雷克的室内艺术策展人米娅·尼尔森(Mia Nielsen)专门设计和发展当代艺术设施，由新兴和知名的艺术明星组成。

Both the guest rooms and the public areas are teeming with doses of the Drake’s brand of idiosyncratic and mischievous personality. Bright and contrasting tiles are mixed
with patterned fabrics and straight-forward materials in a deliberate, but seemingly ad-hoc manner that heighten the delicate balance of old and new. Tong and the Drake’s in-house stylist and Drake General Store buyer, Carlo Colacci, scoured local and international antique markets and vintage fairs, picking and curating furniture, fixtures and accessories. These were refurbished and set with bespoke furniture, hand-turned lamps, virgin wool blankets and accessories that all follow the centuries-old traditionof “made not bought”. With the Drake’s in-house art curator Mia Nielsen, site specific and evolving contemporary art installations by emerging and well-known art stars were commissioned to surprise and delight throughout the property—indoors and out.

 ©  Nikolas Koenig

尼古拉斯·科尼格

Architects +tongtong

Location 24 Wharf Street, Wellington, ON K0K 3L0, Canada

Category Hostel

Designers in Charge John Tong, Eunice Lam

Area 1010.0 m2

Project Year 2015

Photographs  Nikolas Koenig

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