Casa del Lector Ensamble Studio

2015-05-04 10:00
 © Roland Halbe
罗兰·哈贝
架构师提供的文本描述。马德里的老屠宰场正在成为马德里的一个重要的当代创作中心,组织建筑竞赛,提出建议,将其148 300平方米用于创作过程、艺术培训和艺术之间的参与性对话。
Text description provided by the architects. Madrid’s Old Slaughterhouse is becoming an important Center for Contemporary Creation in Madrid, organizing architecture competitions that can give rise to proposals that will recover its 148 300 m2 to house creative processes, artistic training and participatory dialogue between the arts.
 
“读者之家”项目是2006年举行的一次竞赛的结果,在比赛中,安森博工作室获得了一等奖。比赛的目的是恢复旧屠宰场的13,14,17b和17C仓库,以纳入一个新的教育计划。
The Reader’s House project is the result of a competition that took place in 2006, in which Ensamble Studio won the first prize. The purpose of the competition was to restore the warehouses 13, 14, 17b and 17c of the Old Slaughterhouse to incorporate a new educational program.
 © Roland Halbe
罗兰·哈贝
由集成工作室提出的建议,通过对现有建筑之一实施新秩序,保持并增强了工业综合体的原有特征。新制度与现有制度的融合与关系形成了一个新的空间。
The proposal made by Ensemble Studio maintains and enhances the original character of the industrial complex, by imposing a new order to the one of the pre-existent buildings. The confluence and relationship of the new system and the existing one forms a new space.
 Courtesy of Ensamble Studio
安生工作室提供
两个物理、感知和活动层次被定义成一个可变的场景。上层,预制混凝土梁,每个40吨,是一个研究和研究的空间。这些梁是桥梁,空中街道,活动的载体。相对于仓库的大教堂式结构,纵向、轻型和金属结构;新结构通过窗户插入,横向缝合空间,使以前是独立建筑物的第13和14号仓库形成的建筑群统一起来。下层在不失去其本质的情况下,参与以上层为特征的节奏。这一级别是动态和可变的,将主办教育和文化传播活动,使其今后得以重新定义。
Two physical, perceptual and activity levels are defined forming a mutable scenario. The upper level, constructed with precast concrete beams of 40 Tons each, is a space for research and study. These beams are bridges, aerial streets, vectors of activity. In opposition to the basilica-like structure of the warehouses, longitudinal, light and metallic; the new structures are inserted through the windows and sew the space transversally, giving unity to the complex formed by the warehouses 13 and 14, which were previously independent buildings. The lower level participates, without losing its essence, of the rhythm marked by the upper level. Dynamic and mutable, this level will host the educational and cultural diffusion activities, enabling their future redefinition.
 
17c仓库容纳了办公区域,而17b仓库变成了一个多用途的房间或礼堂。礼堂倾斜的屋顶被重建,尊重原来的轮廓。然而,在内部,一种不同的秩序被重新强加.由铝板所产生的弧形外壳、服装和照明空间。
The warehouse 17c houses the office area, while the warehouse 17b becomes a multipurpose room or auditorium. The pitched roof of the auditorium is rebuilt, respecting the original profile. However, inside, a different order is re-imposed. An arc generated by aluminium slats encloses, dresses and lights the space.
 Courtesy of Ensamble Studio
安生工作室提供
材料调色板包括整个马德里老屠宰场的工业传统。花岗岩,钢,预制混凝土,服装空间。
The material palette includes the industrial tradition of the whole Madrid’s Old Slaughterhouse. Granite, steel, precast concrete, dress space.
 © Roland Halbe
罗兰·哈贝
受保护的建筑群需要一个非常精确的手术,以保持它的外观和内部结构,同时纳入新的用途。因此,干预从一开始就实施巩固现有结构,使其处于不稳定的状态,并插入一种新的结构,使新活动的空间得以转变,同时始终尊重原有的结构要素。精致的金属内部结构和砖石周边墙定义了原来的容器,今天继续定义它,并辅之以与以前明显不同的预制混凝土结构,保持了对这个地方的记忆,并在其中开始了一个新的故事。
The protected architectural complex required a surgery of great precision to retain its appearance and its internal structure, while incorporating the new use. The intervention thus implements from the beginning the consolidation of the existing structure, in a precarious state of stability, and the insertion of a new structure that allows the transformation of the space for the new activity, respecting at all times the original structural elements. The delicate metal interior structure and the masonry perimeter wall that defined the original container, today continue to define it, and are complemented by the precast concrete structure added that clearly differs from what was there before, preserving the memory of the place and starting a new story in it.
 Courtesy of Ensamble Studio
安生工作室提供
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Architects Ensamble Studio
Location Arganzuela, Madrid, Madrid, Spain
Category Institutional Buildings
Architect in Charge Antón García- Abril, Débora Mesa Molina
Project Year 2012
Photographs Roland Halbe

                    

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