© Helene Binet

海琳·比内

架构师提供的文本描述。DSDHA已经建成了一座名为“隐蔽屋”的家庭住宅，它隐藏在伦敦克拉彭老城的一个保护区的中心。以成熟树木和花园的田园景观为背景，这所房子进行了一个案例研究，以检验几个假设。从质疑21世纪初的“国内”概念，到如何在不妥协的情况下将可持续性纳入高质量的设计。此外，在具有战略意义的城市规模上，它询问像伦敦这样的全球性城市如何能够在其紧邻历史中心的低密度荒原地带提供新的住房。

Text description provided by the architects. DSDHA has completed a family home, known as the Covert House, which lies hidden from view in the heart of a conservation area in Clapham Old Town, London. Set in a pastoral landscape of mature trees and gardens, the house acts a case study for testing several hypotheses. These span from interrogating the idea of the ‘domestic’ at the beginning of the twenty-first century, through to how sustainability might be integrated into high quality design without compromise. In addition, at a strategic urban scale it asks how a global city like London might provide new housing within its fiercely defended low-density backlands, close to the historic centre.

 © Helene Binet

海琳·比内

作为一个简朴的家庭住宅，房子的设计有几条简单的规则；在使用有限的材料调色板的同时，使用最可持续的设计原则，同时在混凝土电枢内创造一种家庭生活的感觉，这不会干扰其敏感的设置和毗邻工地的23处相邻的房产。材料要么是混凝土-现场浇筑，剩下的是生的和未完成的，要么是以“白度”为对照的精确和高铰接性的-无论是以自然光的形式，控制和仔细校准，以给计划带来更深层次的动画和愉悦，或者通过使用白色作为对混凝土以外所有剩余表面的修饰来表示。设计的结果是精确的和雕刻的；物质丰富，但作为一个居住的地方平静。

As a modest family home, the house is designed with a few simple rules; to use the most sustainable design principles possible whilst deploying a limited material palette, yet creating a sense of domesticity within a concrete armature, that does not disturb its sensitive setting and the 23 neighbouring properties adjoining the site. Materials are either concrete - cast on site, left raw and unfinished, or precise and highly articulated - read against ‘whiteness’, be it in the form of natural light, controlled and carefully calibrated to bring animation and delight deep into the plan, or represented though the use of white as a finish for all the remaining surfaces beyond the concrete. The resultant design is precise and sculpted; materially rich yet calm as a place in which to live.

 © Christoffer Rudquist

克赖斯特福·鲁德奎斯特

房子有较低的楼层灯光和一个优雅的白色混凝土楼梯，可以毫不费力地在双高度空间内的各个层次之间进行空间体验。它的部分安装在地面上以限制其高度并提供热质量。建筑的清晰性与艺术家奇利达的雕刻形式相呼应，其基础是在标准化和异地建筑得到广泛推广的同时，与工艺和特性相结合。这个项目坚持把日常需求和寻找新形式的美结合起来。这座房子已被列入2015年伦敦RIBA奖的候选名单。

Set partially into the ground to limit its height and provide thermal mass, the house has lower floor lightwells and an elegant white concrete stair that effortlessly mediates the spatial experience between levels within a double height space. The clarity of the architecture echoes the carved forms of the artist Chillida, and is predicated on an engagement with craft and specificity, at a time when standardisation and off-site construction are widely promoted. The project represents an insistence on combining everyday needs with a search for new forms of beauty. The house has been shortlisted for an RIBA London Award 2015.

 © Helene Binet

海琳·比内

 Sectioned Axon

分段轴

 © Christoffer Rudquist

克赖斯特福·鲁德奎斯特

Architects DSDHA

Location London, United Kingdom

Category Houses

Design Team Deborah Saunt, David Hills, Matt Lambert, Emma Canning

Area 135.0 sqm

Project Year 2015

Photographs Christoffer Rudquist