© Young-chae Park

(三)永泽公园

架构师提供的文本描述。该遗址位于哈南市边界的昌武洞汉江附近.因为几十年前，沿河的道路被拓宽了，这使得这片土地以一种奇怪的形状结束了。这片土地看起来就像最后一块圆披萨，或者一块奶酪蛋糕在一个整洁的盘子上。

Text description provided by the architects. The site is near Han-river in Changwoo-dong, located at the city boundary of Hanam. It was left unused because many decades ago, the road along the river had been widened, making this land end in a weird shape. The land looked like a last piece of round pizza or a cheese cake piece on a neat dish.

 © Young-chae Park

(三)永泽公园

 First Floor Plan

一层平面图

由于形式的原因，在我们介入之前，这块土地一直是空的。当我们和客户一起参观现场时，感觉好像是土地在召唤我们去利用它。这个三角形面积约为123㎡，当我们对土地的形状进行偏移和挤压后，它变成了一个三角形棱镜，可能的建筑面积为70㎡。

Because of the form, the land remained empty until we intervened. When we visited the site with the clients, it felt as if the land beckoned us to make use of it. This triangular area was about 123㎡, and after we offset and extruded the shape of the land, it became a triangular prism with 70㎡ of possible building area.

 © Young-chae Park

(三)永泽公园

没有任何障碍或过渡空间，这片土地坐落在繁忙的交通通过Paldang桥和流向首尔的水流。这座大楼为进入帕尔当桥的汽车提供娱乐，但并不是走在街上的人们。

Without any barrier or transitional space, this land sits next to busy traffic passing the Paldang bridge and streams of water heading to Seoul. The building entertains the cars entering the Paldang bridge, but not the people walking down the street.

 Longitudinal Section

虽然我们把土地的形状带到了建筑的设计中，但在这种情况下，很难摆出一定的姿势，经常暴露在探察的目光和拥挤的交通中。

Though we brought the shape of the land to the design of building, it was quite difficult to set up a certain pose under these conditions, constantly exposed to probing eyes and heavy traffic.

 © Young-chae Park

(三)永泽公园

 Second Floor Plan

二层平面图

建筑是赋予地球意志的身体，也是对土地的美丽梦想，但最重要的因素是给出与周围环境共存的姿态。但可悲的是，在这片土地上，这一背景被抹去了。

Architecture is giving body to the will of earth, as well as a beautiful dream of the land, but the most important factor is to give the gesture to co-exist with the surroundings. But sadly, the context was erased in this very land.

 © Young-chae Park

(三)永泽公园

建立在被抹去的背景之上是一种不自然的行为，类似于用嘴、鼻子和眼睛画一个不成形的物体，但这是大多数城市的共同条件。

To build on an erased context is an unnatural, comparable to drawing a mouth, nose, and eyes on a shapeless mass, but it is a condition that most of the cities have in common.

 Cross Section

这就是为什么我们在巨大的平面表面上打各种方形开口的原因。然后，我们去掉了锋利的三角形的边缘，这是汽车在概念上会遇到的。我们打开了西边，就像一条鱼张开了嘴。为了补充狭窄和突出的内部，我们设计了更高的地板高度，并削减墙壁，以让光线进入，同时在墙上放了一波木百叶窗，以加强一个温和的气氛。

That is why we punched various square openings on the large flat façade. Then we took the edge off the sharp triangle which the cars would conceptually run into. And we opened the west edge like a fish opening its mouth. To complement the narrow and pouting interior, we designed height of floors higher than usual and cut walls to let light in, while putting waves of wood louvers on the wall to enhance a gentle atmosphere.

 © Young-chae Park

(三)永泽公园

是在上下文被玷污的土地上进行思考的痕迹。

 is a trace of deliberation on the land which context was smudged.

 © Young-chae Park

(三)永泽公园

Architects studio GAON

Location Hanam-si, Gyeonggi-do, South Korea

Category Coffee Shop

Architects in Charge Hyoungnam Lim, Eunjoo Roh

Area 70.0 sqm

Photographs Young-chae Park