设计团队K.Schorn，T.Stewart，S.Ishida(合伙人)，A.Garritano，F.Giacobello，I.Guzman，G.Melinotov，L.Priano，L.Stuart，C.Chabaud，J.Jones，G.FAara，M.Flming，D.Piano，J.Pejkovic CAD运营者M.Ottonello型号F.Cappellini，F.Terranova，I.Corsaro Structure Robert Silman Associates MEP，预防火灾，Baum

Design Team K.Schorn, T.Stewart, S.Ishida (partner), A.Garritano, F.Giacobello, I.Guzman, G.Melinotov, L. Priano, L.Stuart, C. Chabaud, J.Jones, G.Fanara, M.Fleming, D.Piano, J.Pejkovic CAD operator M.Ottonello Models F.Cappellini, F.Terranova, I.Corsaro Structure Robert Silman Associates MEP, Fire Prevention Jaros, Baum & Bolles Lighting Arup Facade Engineering Heintges & Associates Civil Engineering Phillip Habib & Associates Theatre Equipment Theatre Projects Audiovisual Equipment, Acoustics Cerami & Associates Landscaping Piet Oudolf, Mathews Nielson LEED consultant Viridian Energy Environmental Construction Manager Turner Construction Project Manager Cooper Robertson Thomas Wittrock, AIA, LEED AP Sr Technical Manager Cooper Robertson Thomas Holzmann Project Architect Cooper Robertson Greg Weithman, AIA Design Team Cooper Robertson Kieran Trihey, AIA, LEED AP, Weifang Lin, AIA, LEED AP, Erin Flynn, RA, LEED AP, Christopher Payne, AIA, LEED AP, Annalisa Guzzini, Eric Ball, Atara Margolies, LEED AP, German Carmona, Jenelle Kelpe, Marlena Lacher, Eric Boorstyn, Jeremy Boon-Bordenave Interiors Cooper Robertson Lori Weatherly Project Administrator Cooper Robertson Lauren Weisbrod Manufacturers Loading... More Specs Less Specs

 © Timothy Schenck

C.蒂莫西·申克

惠特尼博物馆正在曼哈顿市中心的肉类包装区建造一个新家。该项目将于2015年开放，将大大扩大惠特尼的展览和节目空间，使人们能够首次全面了解该博物馆不断增长的藏品。目前，该博物馆拥有逾1.9万件美国现代和当代艺术作品。

The Whitney Museum is building itself a new home in downtown Manhattan’s Meatpacking District. Due to open in 2015, the project will substantially enlarge the Whitney’s exhibition and programming space, enabling the first comprehensive view of the Museum’s growing collection, which today comprises more than 19,000 works of modern and contemporary American art.

 © Karin Jobst

卡琳·乔布斯特

成立于1930年，惠特尼搬到了现在的麦迪逊大道的家，由马塞尔布鲁尔设计，1966年。当时，它的藏品大约有2，000件20世纪的美国艺术品，因此它的近100倍的扩张需要空间来繁荣。新博物馆位于纽约生机勃勃的肉类加工区。面对甘塞沃特街，这片土地位于哈德逊河和曼哈顿最近建成的高架城市公园之间，这座公园建在上世纪30年代纽约中央铁路废弃的高架支线上。

Founded in 1930, the Whitney moved to its current Madison Avenue home, designed by Marcel Breuer, in 1966. At the time, its collection numbered some 2,000 pieces of 20th-century American art, so its nearly 100-fold expansion needs space to flourish. The new museum is to be situated in New York’s vibrant Meatpacking District. Fronting onto Gansevoort Street, the site lies between the Hudson and the High Line, Manhattan’s recently completed elevated urban park, built on a disused elevated spur of the 1930s New York Central Railroad.

 East-West Section

东西科

这座8层楼高的新建筑，身穿浅蓝灰色的钢板，非常不对称，西面是一座全高的博物馆，位于哈德逊一侧，有多层较轻的露台和有玻璃的走道，走下高线，将其融入到这个项目中。

Clad in pale blue-grey steel panels, the new, eight-storey building is powerfully asymmetrical, with the bulk of the full-height museum to the west, Hudson-side, with tiers of lighter terraces and glazed walkways stepping down to the High Line, embracing it into the project.

 © Nic Lehoux

C.Nic Lehoux

 Renzo Piano’s Sketch

伦佐钢琴素描

博物馆是通过一个戏剧性的悬臂“拉戈”进入的，这是一个公共空间，作为街道和博物馆之间的减压室，是一个共享的空间，仅几步之遥就能看到哈德逊河和高线入口的景色。从“拉戈”进入，主入口大厅也作为一个公共画廊-免费进入的展览空间。

The Museum is entered via a dramatically cantilevered ‘largo’, a public space that serves as a kind of decompression chamber between street and museum, a shared space, with views to the Hudson and the High Line entrance just a few steps away. Accessed from the ‘largo’, the main entrance lobby also serves as a public gallery – of free-entry exhibition space.

第三层有一个170个可伸缩的座位剧院，可以俯瞰哈德逊河，还有技术空间和办公室。

Level three houses a 170-retractible seat theatre with double-height views over the Hudson River, along with technical spaces and offices.

 © Nic Lehoux

C.Nic Lehoux

大约5万平方米。FT(4 650平方尺)画廊空间分布在五层、六层、七层和八层，第五层的面积为18，000平方英尺(1670平方英尺)。(M)无柱画廊-使它成为纽约市最大的开放式博物馆画廊.这个画廊是为临时展览而保留的，其庞大的容量将使展示真正大型的当代艺术作品成为可能。永久藏品陈列在两层楼，第六层和第七层。这两层楼还向西退一步，建造了1.3万平方英尺(1200平方英尺)。(M)室外雕塑平台。

Some 50,000 sq. ft (4 650 sq. m) of gallery space is distributed over levels five, six, seven and eight, the fifth level boasting a 18,000 sq ft (1670 sq. m), column-free gallery – making it the largest open-plan museum gallery in New York City. This gallery is reserved for temporary exhibitions and its expansive volume will enable the display of really large works of contemporary art. The permanent collection is exhibited on two floors, level six and seven. These two floors also step back towards the west to create 13,000 sq ft (1 200 sq. m) of outdoor sculpture terraces.

 © Nic Lehoux

C.Nic Lehoux

博物馆办事处、教育中心、保育实验室和图书馆阅览室位于大楼核心三至七层的北面，包括一个多用途剧院，供五楼的电影、录像和表演之用。

Museum offices, education centre, conservation laboratories and library reading room are situated north of the building’s core on levels three to seven, including a multi-use theatre for film, video and performance on level five.

最后，在顶层是‘工作室’画廊和咖啡厅，自然由一个天窗系统的锯齿结构。

Finally, on the top floor is the ‘studio’ gallery and a café, naturally lit by a skylight system in saw-tooth configuration. 

 © Nic Lehoux

C.Nic Lehoux

 © Nic Lehoux

C.Nic Lehoux

Architects Cooper Robertson, Renzo Piano Building Workshop

Location 99 Gansevoort Street, New York, NY 10014, USA

Category Museum

Partners in Charge M.Carroll, E.Trezzani

Partner in Charge Cooper Robertson Scott Newman, FAIA

Area 7520.0 m2

Project Year 2015

Photographs Nic Lehoux, Timothy Schenck, Karin Jobst

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