© Alexey Naroditskiy

亚历克西·纳罗迪斯基

架构师提供的文本描述。位于世博会主干道上的俄罗斯馆是一座3260平方米的建筑。该结构实际上重复了给定的地块，以一个拉长和相当狭窄的平行结构，向前推进一个动态悬臂在主入口处的展馆。

Text description provided by the architects. Located on the EXPO’s main street Decumano, the Russian pavilion is a 3,260 square meter building. The structure virtually repeats the given plot of land with an elongated and rather narrow parallelepiped configuration, thrusting forward a dynamic cantilever over the main entrance to the pavilion.

 © Roland Halbe

罗兰·哈贝

30米的悬臂有一个引人注目的弯曲形式，给结构一个难忘的轮廓，这是清楚可见世博会的全景。从正门的一侧，悬臂内衬着抛光的不锈钢，所以它不仅能保护游客免受雨或太阳的侵袭，而且在晚上，它能反射灯笼的光，而且它本身也成了一个“吸引人”的地方-一个巨大的镜子，人们可以在其中拍摄自己和周围的环境。

The 30-meter cantilever has a striking curved form, giving the structure a memorable silhouette which is clearly visible in the EXPO’s panorama. From the side of the main entrance the cantilever is lined with polished stainless steel, so that not only does it provide visitors protection from rain or sun, while at night it reflects the light of lanterns, but it has itself become an "attraction" - a gigantic mirror in which people can photograph themselves and their surroundings.

 © Roland Halbe

罗兰·哈贝

这个项目的主要理念之一是延续苏联和俄罗斯100年来参加世界博览会的建筑传统。

One of the key ideas of this project was the continuity of the over 100-year architectural tradition of the Soviet Union and Russia participating in the world’s fair.

国家馆的建筑风格多种多样，包括20世纪20年代的建构主义结构、20世纪30年代的装饰艺术结构和战后时期的现代主义结构，但它们的共同特征可以在建筑外观上清楚地追溯出来：展馆有一种动态、简单、易于记忆的形式，必须强调主入口区域。这就是建筑师们试图用当代建筑的语言体现在他们的设计中的想法。(鼓掌)

The facilities for the national pavilions were built in various styles – these were structures of constructivism in the 1920s, and Art Deco in the 1930s, and modernism in the postwar period, but common features can be clearly traced in their architectural appearance: the pavilions have a dynamic, simple and easy to remember form with mandatory emphasis on the main entrance area. This is the idea that the architects of SPEECH tried to embody in their design using the language of contemporary architecture.  

 © Roland Halbe

罗兰·哈贝

同样重要的是，展览中的所有展馆都非常接近，当你沿着主干道走时，你实际上不会单独看到它们，因为建筑物太密集了。事实上，俄罗斯馆有一个非常重要的观点：当游客向展馆关闭迪乌马努斯，并在其正门前看到狭窄的区域时。悬臂正对着这一区域。

It is also significant that all the pavilions at the exhibition are very close to one another, and when you go down the main avenue, you actually do not perceive them separately because the buildings are too dense. The Russian pavilion in fact has a very important view point: when visitors turn off the decumanus towards the pavilion and see the narrow area in front of its main entrance. The cantilever faces precisely this area.

 © Alexey Naroditskiy

亚历克西·纳罗迪斯基

 Second Floor Plan

二层平面图

 © Alexey Naroditskiy

亚历克西·纳罗迪斯基

木材被选为主要材料，同时也是俄罗斯建筑中最环保、最传统的材料。整个展馆的顶层是用木镶板完成的，而下一层则是透明和不透明的玻璃。入口处是用透明玻璃设计的，是世博地区和展览之间的一种平易近人的、固有的传统边界。

Wood was selected as the principal material – at the same time it is the most environmentally friendly and the most traditional for Russian architecture. The entire top tier of the pavilion is finished with wood paneling, while the lower tier is faced with transparent and opaque glass. The entrance area is executed out of transparent glass and is an approachable, inherently conventional boundary between the EXPO territory and the exhibition.

 © Alexey Naroditskiy

亚历克西·纳罗迪斯基

展馆区的内部也是用语言设计的：镜面天花板上有不锈钢装饰的承重柱的回响，椭圆形的接待台是用木头制作的，它的主题是建筑侧面的板条坚硬的节奏。

The interiors of the pavilion area are also designed by SPEECH: the mirrored ceiling is echoed by the load-bearing columns trimmed in stainless steel, and the oval shaped reception desk is made of wood, picking up and developing the theme of the rigid rhythm of slats on the side facades of the building.

 © Alexey Naroditskiy

亚历克西·纳罗迪斯基

Architects SPEECH

Location Via Giorgio Stephenson, 107, 20157 Milano, Italy

Category Pavillion

Architects in Charge Sergei Tchoban, Alexei Ilyin, Marina Kuznetskaya

Area 3260.0 sqm

Project Year 2015

Photographs Alexey Naroditskiy, Roland Halbe