架构师提供的文本描述。简略

Text description provided by the architects. Brief

简短的是创造一个壮观的家园，其中封装了广阔的360度山景和海景。虽然视图是最重要的，但这需要与内部所需的隐私进行仔细的平衡。起居区应该是开放的，有计划的，可以改善日常生活的。高级助理和项目团队成员塔玛琳·福里(Tamaryn Fourie)说：“建筑需要专注于创造一座现代、整洁、雕塑的建筑。”

The Brief was to create a spectacular home which encapsulated the expansive 360 degree mountain and sea views. Though views out were paramount this needed to be carefully balanced with the required privacy from within. The living areas were to be open plan – enhancing everyday life. “The architecture needed focus on creating a contemporary, uncluttered and sculptural building,” said Tamaryn Fourie, senior associate and project team member.

 © Adam Letch

(亚当·莱奇)

该遗址位于狮子头下面的山脊上，北面可以看到罗本岛，南部可以看到营地湾和十二使徒。

The site is excellently positioned on the mountain ridge below Lions Head with views of Robben Island to the North and Camps Bay and the Twelve Apostles to the South.

 © Adam Letch

(亚当·莱奇)

该设计与一个相对陡峭的地点合作，并与一个国家公园共享南部边界，因此采用了一种敏感的做法。次要空间定位在较低的水平，并注意限制挖掘。从道路上看，这些水平是隐藏在一个巨大的北面景观墙-其定制的角度设计取得了一个自然的结果。在景观墙内的战略定位穿透允许自然光和通风到房间以外，但玻璃是后退，从而隐藏。

Working with a relatively steep site and the fact that the Southern boundary is shared with a National Park, the design took on a sensitive approach. The secondary spaces were positioned at the lower levels with care taken to limit excavation. From the road these levels are concealed by a large North facing landscape wall – its customised angular design achieves a natural result. Strategically positioned penetrations within the landscape wall permit natural light and ventilation to the rooms beyond but glazing is set back and thereby concealed.

 © Adam Letch

(亚当·莱奇)

他说：“到达中间层的时候，一辆车被引诱通过主车库，它的双音量和涂鸦墙朝向光线的轴和外面玻璃入口处散发出的美化景观的水花。”SAOTA的主管和项目组成员PhilipOlmesdahl说：“雕塑式的木质楼梯环绕在一个中央定位的玻璃电梯周围，并将其带到房子的上层。”这座建筑仅限于山脊上方两层楼。主要的起居区，游泳池露台和花园在下面，家庭卧室的战略位置在最上层的隐私。

“On arrival at a mid-level one is lured through the main garage with its double volume and graffiti walls towards the shaft of light and splash of landscaping emanating from the glazed Entrance Area beyond. Sculptural timber clad stairs wrap themselves around a centrally positioned glass lift and take one to the upper levels of the house,” says Philip Olmesdahl, SAOTA director and project team member. The building is limited to only two storeys above the ridge. The main living areas, pool terrace and garden are below with the family bedrooms strategically positioned at the uppermost level for privacy.

 © Adam Letch

(亚当·莱奇)

“分层”的房子允许不同的经验在不同的空间。从主楼梯上，定制铸造铜制咖啡吧的线性进入了“家的心脏”-厨房。厨房又溢出到餐厅和夏季酒廊，其高天花板的钢筋混凝土。冬季休息室也与厨房相邻，但这一次天花板较低-设置了视野-加上中央位置的壁炉，为更多的非正式聚会创造了一个亲密的空间。

The ‘layering’ of the house permits different experiences in difference spaces. From the main stairs the linearity of the customised cast bronze coffee bar leads one into the ‘heart of the home’ - the Kitchen. The Kitchen in turn spills into the Dining Room and the Summer Lounge with its high ceiling of ribbed concrete. The Winter Lounge is also adjacent to the Kitchen but this time the ceiling is lower – framing the view – which together with the centrally positioned fireplace creates an intimate space for more informal gatherings.

塔马琳·福里(Tamaryn Fourie)说：“整个层次的界限都很模糊，内部和外部生活之间也有很好的连续性-这是一个适合所有季节的房子，它会影响气候和周围景观的气氛。”大型画廊类型的空间强调了遗址的吸引力，以及它曾经呈现的山脉和海洋背景。

“Throughout this level boundaries are blurred and there’s a wonderful continuity between internal and external living – it’s a house for all seasons and plays off the mood of the climate and surrounding landscape,” said Tamaryn Fourie. The large gallery type spaces emphasise the magnetism of the site and its ever present backdrop of the mountains and the sea.

 © Adam Letch

(亚当·莱奇)

一个庭院“切入”主要的生活区-它的水的特点和微妙的风化Cor-十屏幕确保了一个宁静和遮蔽的空间。底座的水特点是釉，以获得折射光进入主车库下面。机织的Cor-10屏幕在内部反射光线，同时也提供以上卧室级别的隐私。

A courtyard ‘cuts’ into main living areas – its waterfeature and delicate weathered Cor-Ten screen ensures a tranquil and sheltered space. The base of the waterfeature is glazed to scoop refracted light into the main garage below. The ‘woven’ Cor-Ten screen playfully reflects light internally whilst also offering privacy to the bedroom level above.

 © Adam Letch

(亚当·莱奇)

“前两层-从外部看-的美学是单块白色混凝土梁。他们的重量被强调，因为他们似乎‘浮’在明亮的玻璃正面，“乔朔伊泽-魏斯曼说。有了有限的墙壁和柱子，这房子是所有的景观-甚至玻璃已经减少了尽可能多。

“The aesthetic of the top two storeys – when viewed externally – is of monolithic white concrete beams. Their weight is accentuated as they seem to ‘float’ on light glazed facades,” says Joe Schützer-Weissmann. With limited walls and columns this house is all about the view – even glazing has reduced mullions wherever possible.

 Floor Plan

一个带肋的预制混凝土凸起创造了生活空间之间的连续性，所有的服务都被仔细地协调，以便消失在凹槽内。所有的关闭-快门混凝土是使用自定义的白色混凝土混合浇注。一旦治愈，这是喷砂，以揭示一个精细-仔细选择-聚集，结果是一个强大和不宝贵的外观。锌屋顶的薄檐也是微妙的，与下面的块状梁形成鲜明对比，并且似乎悬停在上层。

A ribbed pre-cast concrete soffit creates continuity between the living spaces with all services being carefully co-ordinated so as to disappear within recesses. All off-shutter concrete was cast using a customised white concrete mix. Once cured this was sandblasted to reveal a fine – carefully selected – aggregate resulting in a robust and unprecious look. The thin eaves of the zinc roof are also delicate in contrast to the massive beams below and appears to hover above the upper level.

 © Adam Letch

(亚当·莱奇)

内外起居区的抛光混凝土地板确保了其无缝的连续性。永恒的天然橡木是庆祝和结合特色黄铜镶嵌卧室地板和所有内部细木工。主卧室位于最上层，从边界线向后倾斜，以增加山路上的隐私。菲利普·奥尔梅斯达尔(PhilipOlmesdahl)指出：“主卧室外的一个大种植园主重申了自然环境的重要性及其与远处海景的联系。”

The polished concrete floors of both the internal and external living areas ensure their seamless continuity. The timelessness of natural oak is celebrated and combined with feature brass insets for bedroom floors and all internal joinery. The master bedroom which is on the uppermost level is set back from the boundary line to increase privacy from the mountain paths. “An expansive planter off the main bedroom reiterates the importance of the natural surroundings and their connection with the sea views beyond,” noted Philip Olmesdahl.

 © Adam Letch

(亚当·莱奇)