La Viña Suburban Dwelling Juan Salassa, Santiago Tissot - Iván Castañeda
2015-05-22 11:00
“我们对房子感兴趣,认为它是我们时代…生活的基本工具。”查尔斯·伊姆斯。
“We are interested in the house as a fundamental instrument to live in our time…” Charles Eames.
© Gonzalo Viramonte
c Gonzalo Viramonte
我们的建筑生产范围是建立在阿尔塔格雷西亚市,位于地中海省阿根廷。一座山地城镇,有着西班牙裔耶稣会教徒的血统,19世纪由于铁路和钢铁基础设施的到来而变得非常强大。
Our scope for architectural production is based in the city of Alta Gracia, located in the Mediterranean province of Argentina. A mountain town with a Jesuit Hispanic origin, and very strong in the nineteenth century by the arrival of the railway and its iron and steel infrastructure.
© Gonzalo Viramonte
c Gonzalo Viramonte
记忆与越轨
MEMORY AND TRANSGRESSION
一个支撑在半城市网格上的临时容器,作为一种只寻求思考环境的人工元素,以及环境寻求思考它。以一种当代的方式,它的边界唤起了工业时代的残余阿尔塔格拉西亚,英国风格的钢板房屋,车站和火车。
An atemporal container supported on the semi-urban grid, as an artificial element that only seeks to contemplate the environment, as well as the environment seeks to contemplate it. In a contemporary way, its boundaries evoke the remnants of the industrial era of Alta Gracia, the English style steel sheet houses, the station and the train.
© Gonzalo Viramonte
c Gonzalo Viramonte
透明的环境,没有大张旗鼓。重要的是物体与周围环境的相互作用。中间空间在自然和人的影响之间形成了永恒的张力。
Diaphanous environments, without fanfare. What matters is the interaction of the object with its surroundings. The intermediate spaces pose the eternal tension between the natural and the human impact.
© Gonzalo Viramonte
c Gonzalo Viramonte
位于阿尔塔格拉西亚市的西部,环境质量高的周边地区。在一个12x50的聚会上,我们设计了一个紧凑的房子,优先考虑良好的自然光和山川景观。相对于人行道来说,支撑的水平是2.5米以上,这使得我们能够在不影响隐私的情况下产生大的开口。
Located in the west of the city of Alta Gracia, in a peripheral area of high environmental quality. On a plot of 12x50 party we design a compact house, prioritizing good natural light and the views to the mountains and creek. The level of support is above 2.5 meters with respect to the sidewalk, this allowed us to generate large openings without prejudice to privacy.
Ground Floor Plan
社交圈与北面墙的中间空间相连,卧室与南面墙略有分离。因此,房子和场地的公共区域之间的空间连续性试图将内部和外部之间的规划结合起来。
The social areas are linked to the intermediate spaces on the north party wall and the bedrooms are slightly separated from the south party wall. Thus the spatial continuity between the common areas of the house and the site seeks to integrate the program between interior and exterior.
© Gonzalo Viramonte
c Gonzalo Viramonte
采用的主要材料是上部外露钢筋混凝土和侧面围护结构上的黑色金属板,在材料选择中,将住宅的维护程度降到最低程度是决定因素之一。
The main materials used are exposed reinforced concrete on the upper level and black metal sheet on the side enclosures, the intention of minimizing maintenance of the dwelling was determinant in the choice of materials.
TECHNICAL REPORT
该结构采用普通砖砌而成的连续墙,在钢筋混凝土底座和角窗上的金属柱上支撑。平顶是用暴露的钢筋混凝土建造的。
The structure is designed with continuous walls made of common brick, supported on reinforced concrete bases and metal columns on the corner windows. The flat roof was built of exposed reinforced concrete.
© Gonzalo Viramonte
c Gonzalo Viramonte
为了尽量减少潮湿的影响,因为这里植被茂盛,阳光很少,我们决定用黑色金属覆盖周围的墙壁。该框架是由天然铝结合移动和固定面板。室内有花岗岩地板,厨房和浴室用威尼斯瓷砖覆盖,我们根据当地的资源和技术寻求材料和结构的一致性。
In order to minimize the impact of moisture, as it is an area of lush vegetation and little sunlight, we decided to cover the peripheral walls in black metal. The frames are made of natural aluminum combining mobile and fixed panels. The interiors have granite floors and kitchen and bathroom areas are clad in Venetian tiles. We sought material and structural coherence according to local resources and techniques.
© Gonzalo Viramonte
c Gonzalo Viramonte
关于生产方式的思考
THOUGHTS ON PRODUCTION MODES
这座房子没有具体的客户,它的建造是为了房地产市场,在那里的挑战是提出一个更加积极主动的概念,因为这对于将住房作为有利可图的消费对象的不正常的房地产生产方式至关重要。
The house has no specific clients, it was constructed for the purpose of the real estate market, where the challenge was to propose a more proactive concept as critical to the perverse ways of real estate production that propose housing as an object of profitable consumption.
Architects Juan Salassa, Santiago Tissot e Iván Castañeda
Location Alta Gracia, Argentina
Category Houses
Collaborator Martin Mikaelian
Project Area 120.0 m2
Project Year 2015
Photographs Gonzalo Viramonte
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