架构师提供的文本描述。“黑暗中的对话”是为一个世界性展览“黑暗中的对话”而设计的。参观者在完全黑暗中体验日常生活的展览是一种不同寻常的体验。然而，当它关闭视觉时，它会打开其他感官。当它结束时，每个游客都会通过自己的经历和记忆来回忆不同的空间。

Text description provided by the architects. Dialogue in the Dark Bukchon is designed for a worldwide exhibition, Dialogue in the Dark. The exhibition in which a visitor experiences everyday life in the complete darkness is an unusual experience. However, as it turns off sense of sight, it turns on other senses. When it ends, each visitor recalls different spaces through its own experiences and memories.

 © Yongkwan Kim

金永坤

遗址位于传统的哈诺克村布克川，面对曾经是水道/溪流的布克琼-罗(Bukchon-ro)。虽然展览需要一个很大的暗室，但是由于16米的高度差和岩层的原因，把它放在地下是很不自在的。自然地，它被放置在地面上。

Site is located in traditional Hanok village Bukchon and faced Bukchon-ro which used to be a waterway/stream. Although the exhibition needs a large dark room, it is unease to place it underground due to the 16m level difference and the rock bed. Naturally it is placed over ground.

 © Yongkwan Kim

金永坤

他的外部楼梯(在漂浮的黑暗房间旁边)沿着场地的南边漂浮在一个垂直的花园上。这座花园像古老的地形，由干涸的山谷和连接老水路/溪流的小山组成，东连旧水道/溪流，西接石墙。楼梯下降时会变宽，而向上时楼梯会变窄。同样，它变得更加艰难，因为它接近自然，但它变得更加顺畅，因为它靠近城市。它的目的是建筑，使游客扩大感官体验，一旦打开通过展览。

he exterior stairway (alongside the floating dark room) along the south boundary of the site floats over a vertical garden. The garden resembles old topography consisting of dry valley and tiny mountain linking old waterway/stream to the east and stone retaining wall to the west. The stair gets wider as coming down while it gets narrower as going up. Similarly, it gets tougher as close to nature while it gets smoother as close to city. It is intended that architecture enables visitors to expand sensual experience that is once opened up through the exhibition.

 First Floor Plan

一层平面图

韩国传统银幕“Bal”是一种在传统的哈诺克村布克川和黑暗中对话之间的媒介。竹子取样的每一插槽都被水射流切割，并一个接一个地用乙酰珠编织.每个楼层轮流接收9个单元，从而在三层楼中接收27个单元。BAL作为一个允许光线的屏幕和一个盲目的控制视觉连接，象征着展览的身份，因为屏幕的手工制作反映了展览的缓慢传播。

Korean traditional screen, ‘Bal’ is a medium between traditional Hanok village Bukchon and Dialogue in the dark. Bamboo-sampled each slot of Bal is waterjet-cut and weaved with acetyl beads one after another. Each floor alternatively receives 9units thus 27 units throughout three floors. Bal as a screen admitting light and a blind controlling visual connection symbolize the identity of the exhibition as the handcrafting of the screen reflects the slow communication of the exhibition.

 © Yongkwan Kim

金永坤

Architects Wise Architecture

Location 1-29 Gahoe-dong, Jongno-gu, Seoul, South Korea

Category Cultural Center

Area 390.0 sqm

Project Year 2015

Photographs Yongkwan Kim