House Linnebo Schjelderup Trondahl arkitekter
2015-06-04 03:00
© Jonas Adolfsen
乔纳斯·阿道夫
架构师提供的文本描述。这座独栋住宅建在奥斯陆城市边缘,后面密林绵延数英里。这也意味着该遗址位于城市的最高点,俯瞰城市景观、海湾和远处地平线上的小山。
Text description provided by the architects. The single family house is built on the very edge of the Oslo city limits with miles of dense forest behind it. It also means that the site is situated at the highest point over the city with a formidable view over the urban landscape, the fjords and hills in the distant horizon.
© Jonas Adolfsen
乔纳斯·阿道夫
该地区的土地刚刚完成与高密度的发展在前面。进行了彻底的分析,以确保即使在充分发展的情况下,这所房子也能保留大的景色。这就意味着把所有的居住区域都放在规定允许的高度,同时也可以看到所有的近景和狭窄的远景和灯光,这就决定了每个房间的具体质量。厨房和餐厅离主客厅稍微低一点,部分原因是由于建筑上的楼层差异,但也是为了微调每个区域最有可能的坐姿,以尽可能大的窗户将视图固定起来,同时“隐藏”在房子前面的大型开发项目,使其远离宏伟的景色。就餐区与餐椅的坐位高度相似。
The area of the site is just completed with high density developments in front. Thorough analysis was done to assure that the house preserved the great views, even in a fully developed situation. That meant placing all living areas as high as the regulations permitted and also finding all close views and narrow, distant views and lights, defining specific qualities in each room. The kitchen and dining room are placed a bit down from the main living area, partly because of architectonical differentiating of the floor, but also to fine tune the view in the most probable sitting positions in each area to frame the view with as large windows as possible, and at the same time to “hide” the massive developments just in front of the house from the great view. The dining area is similarly leveled for diningchair sitting height.
© Jonas Adolfsen
乔纳斯·阿道夫
优先区域的所有表面都用橡木覆盖,无论是实心地板还是胶合板,都经过相同的表面处理-白色色素蜡油。物质性给出了洁净的空间尺寸。壁炉、厨房和所有主要家具都是由熟练的工匠在涂油的橡木、白漆铝和彩绘纤维板中制作的。
All surfaces in prioritized areas are clad with oak, either as solid floor boards or plywood boards, all with same surface treatment - white pigmented waxoil. The materiality gives the clean space dimension. Fireplace, kitchen and all main furnishing are site made by skilled craftsmen in oiled oak and white laquered aluminium and painted fiberboards.
© Jonas Adolfsen
乔纳斯·阿道夫
入口楼层紧凑,卧室和浴室堆放在东北角和西南角,从走廊到尽头的一间家庭房间有一个流畅的空间,还有一扇方窗通向当地的树木和小山。所有卧室和二级家具都是由彩色的Valchromat中密度纤维板制成的。
The entrance floor is compact, with bedrooms and bathrooms stacked in the north-eastern and south-western corners and with a fluid space from the hallway diagonally through to a family room in the end and a square window towards the local trees and hills of Vettakollen. All bedroom- and secondary furnishings are site made from colored Valchromat MDF.
South Elevation
底层平面图包括技术室、有可能与其他房间整合的小宿舍,以及一间起居室,直接通往花园里一个流动的混凝土露台,周围环绕着日本的樱树,特别是春天开花时可以欣赏到的樱花。
Ground floor plan consists of technical rooms, a small dorm room with possibility for integration with the rest, and a livingroom with direct exit to a fluid, concrete terrace in the garden surrounded by japans cherry trees especially to be enjoyed in the spring-flowering.
© Jonas Adolfsen
乔纳斯·阿道夫
由于场地相对较小,在形式、颜色和高度上都有非常严格的规定,所以房屋的形式、表情和细节都很严格,以扩大房屋和场地的真实质量,而不是模仿周围的环境。所有固定的窗框都隐藏在包层后面,根据光线和反射提取开口。所有其他窗户都带有生机勃勃的绿色色彩。外表也许是单调的,但同时也能很好地反映出它的性格结束了内心的生活。所有的外部表面都是旧的,生长缓慢和手工挑选的,烧伤和油云杉板。门廊正面的滑动门,从东向西打开起居室的地板。它和南方的大窗户一起,给人一种夏天坐在外面的感觉。
Because of the relatively small site, very strict regulations both in form, color and height, the house is rigorous in form, expression and detailing to amplify the real qualities in the house and site, not imitate the surroundings. All fixed windowframes are hid behind the cladding, abstracting the opening depending on light and reflections. All other windows are accentuated with vibrant green coloring. The facades are perhaps monotonous, but at the same time well balanced to reflect it’s character end inner life. All outer surfaces are clad with old, slowgrown and handpicked, burned and oiled spruce boards. The sliding doors in the gabled facades, opens the livingroom floor from east to west. Together with the big southern windows it gives a feeling of sitting outside during summer.
© Jonas Adolfsen
乔纳斯·阿道夫
Architects Schjelderup Trondahl arkitekter
Location Oslo, Norway
Category Houses
Area 270.0 sqm
Project Year 2014
Photographs Jonas Adolfsen
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