© Michael Moran / OTTO

迈克尔·莫兰/奥托

架构师提供的文本描述。36 SML House是一座8，000平方英尺的房子，位于距海半英里的1 1⁄4英亩的郊区土地上。主要的设计任务是建立一个大型的，但非正式的房子，在那里可以发生一系列的活动，视觉联系是多种多样的。

Text description provided by the architects. 36SML House is an 8,000 square foot house on a 1 1⁄4 acre suburban lot a half a mile from the sea. The primary design charge was to create a big, but informal house where a range of activities can occur and visual connections are myriad.

 © Michael Moran / OTTO

迈克尔·莫兰/奥托

与户外的紧密联系，最大限度的自然通风，最大限度地减少空调，大量的光线和在户外有亲密关系的能力是充电的一部分。

Strong connections to the outdoors, maximization of natural ventilation and minimization of air conditioning, lots of light and the ability to have areas of intimacy within the open house were part and parcel of the charge.

我们的设计解决方案，一个三轴的房子，是由薄薄的翅膀连接在一个室外中心，开放和实用。三翼包括车库，厨房/餐饮和生活/学习在底层和父母，孩子和客人翅膀在二楼。

Our design solution, a triple- spoked house, is comprised of thin wings joined at an outdoor center with as much openness as practical. The three wings contain garage, kitchen/dining and living/ study on the ground floor and parents, kids and guest wings on the second floor.

 © Michael Moran / OTTO

迈克尔·莫兰/奥托

三辐组织创建了一个可供选择的场地计划，这是与典型的单一家庭住宅小区的前后院组织背道而驰的。

The triple-spoke organization creates an alternative site plan that is counter to the front yardback yard organization of the typical single-family house lot.

 © Michael Moran / OTTO

迈克尔·莫兰/奥托

相比之下，三辐方案创造了三码而不是两码。重新配置传统的建筑地段，车道通过三个辐条在他们的交界处，并允许进入车库，面向停车场的后方，而不是面向街道。

By contrast, the triple-spoke scheme creates three yards instead of two. Re-configuring the conventional building lot further, the driveway punches through the three spokes at their junction and allows access into a garage that faces the rear of the lot instead of facing the street.

 Ground Floor Plan

车道进入后院的通道也提供了一个有盖的入口在房子的中心。

The passage of the driveway into the rear yard also provides for a covered entry in the center of the house.

 © Michael Moran / OTTO

迈克尔·莫兰/奥托

Architects LEVENBETTS

Location Amagansett, United States

Category Houses

Area 8000.0 ft2

Project Year 2014

Photographs Michael Moran / OTTO