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 © Robert Benson

罗伯特·本森

架构师提供的文本描述。莱斯利大学艺术与设计学院的朗德艺术中心是一部综合作品，将19世纪和21世纪的建筑并列在一起，形成艺术的当代纽带。对于莱斯利大学的学习者群体来说，艺术的价值在所有学科和生活中都很重要，并且是大学教育使命的核心。

Text description provided by the architects. The Lunder Arts Center at Lesley University’s College of Art and Design is a combined work, juxtaposing nineteenth and twenty-first century buildings to form a contemporary nexus for the arts. For Lesley University’s community of learners, value in the arts is important across all disciplines and lives and is at the core of the university’s educational mission.

 © Robert Benson

罗伯特·本森

该中心将一座历史悠久的1845年教堂与一座新的兵马俑结构联系起来，创造了19世纪和21世纪建筑之间的对话。外部材料来自一个单一的调色板，它的背景是：玻璃，陶土，油漆隔板，混凝土，钢铁，铜和花岗岩。

The Center links a historic c.1845 church with a new terra-cotta structure, creating dialogue between nineteenth- and twenty-first century architecture. Exterior materials come from a single palette that responds to its context: glass, terra-cotta, painted clapboard, concrete, steel, copper, and granite.

 Ground Floor Plan

列入“国家历史遗迹登记册”的北展望公理会(这是其历史上第二次)被移至该遗址上一个更突出的位置，并根据历史记录安装了一座重建的花岗岩。教堂的外观已经恢复到原来的样子，内部也被重新装修，改建成学校的艺术图书馆和设计工作室。底层是充满活力和透明的，并将画廊定位为街景的参与者。一个入口广场紧邻宽阔的人行道。大面积的玻璃窗在工作室的机翼里展现出创意的能量。

The North Prospect Congregational Church, listed on the National Register of Historic Places, was moved (for the second time in its history) to a more prominent position on the site and fitted with a reconstructed granite based on historic records. The church’s exterior has been restored to its original appearance, and the interior has been reworked and converted to house the school’s art library and design studios. The ground floor is vibrant and transparent and positions the gallery as a participant of the streetscape. An entry plaza adjoins the widened sidewalk. Large glazed areas in the studio wing reveal the creative energy inside.

 © Robert Benson

罗伯特·本森

工作室的侧翼穿着象牙色的兵马俑，里面有工作室的艺术，北面是大窗户和幕墙。新的建筑是由教堂的聚集，规模和细节，它的正面元素与邻里的砖块和隔板的环境相协调。透明的底层画廊为街景增添了活力。

Clad in ivory terra-cotta, the studio wing houses the studio arts, with large north facing windows and curtainwall. The new architecture is informed by the church’s massing, scale and detail, and its facade elements harmonize with the neighborhood’s brick and clapboard context. The transparent ground floor gallery adds vibrancy to the streetscape.

两个翅膀是连接在上层的高度详细，玻璃封闭的公地，其中包括主要入口。连接器的锯齿形让人想起了艺术家们经常居住的工业建筑，并将两个翅膀连在一起。这个程序反映了这个链接，并辐射出了这个“艺术共享”。公地创造了跨艺术媒介的跨学科联系的机会，将绘画、陶瓷、平面设计、插图、版画和雕塑等工作室艺术与新媒体、动画、数字艺术和摄影相结合。

The two wings are connected on the upper floors by a highly-detailed, glass-enclosed commons that includes the main entrance. The saw-tooth form of the connector recalls the industrial buildings so often inhabited by artists and unites the two wings. The program mirrors this link and radiates around this “Arts Commons.” The commons creates opportunities for interdisciplinary connection across artistic mediums, combining studio arts such as painting, drawing, ceramics, graphic design, illustration, printmaking, and sculpture with new media, animation, digital arts, and photography.

教室被设计成具有专业设施和安全设备的最先进的制造商空间.预计LEED黄金认证，综合体利用其密集的城市网站，创造了一个健康的室内环境艺术家，并被建模为使用比建筑设计比现行能源法规40%的能源。

Classrooms are designed as state-of-the-art maker spaces with professional facilities and safety equipment. Anticipating LEED Gold certification, the complex leverages its dense urban site, creates a healthy indoor environment for artists, and is modeled to use 40% less energy than a building designed to the current energy code.

 © Robert Benson

罗伯特·本森

Architects Bruner/Cott & Associates

Location Lesley University, 29 Everett Street, Cambridge, MA 02138, USA

Category Visual Arts Center

Architect in Charge Simeon Bruner, RA; Jason Forney, AIA, LEED AP

Project Manager Greg Russell, AIA

Design Team Meredith Affleck; Adrienne Cali, LEED AP; Nat Crosby; Shaun Dempsey; Alexandra Desaulniers; Karen Greene, RA, LEED AP; Aoife Morris, AIA, LEED AP; Henry Moss, AIA, LEED AP; Gretchen Neeley; Stephanie Power, AIA

Area 74000.0 ft2

Project Year 2015

Photographs Robert Benson

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