© Javier Orive

c.Javier Orive

架构师提供的文本描述。Retamar学校经过50年的教学活动和2.250多名学生，拥有一个可容纳250人的小礼拜堂，不足以在该中心举行重要的年度庆祝活动。我们要求委员会提出一项建议，以取代现有的一座可容纳600人的新大楼，并为450名观众增设一个礼堂。我们的项目是寻找与其他熏陶的整合，用砖块建造，但同时也是学校的代表建筑，以绿色锌做的宏伟屋顶脱颖而出。

Text description provided by the architects. The Retamar School had a chapel for 250 persons, after 50 years of teaching activity and a capacity of more than 2.250 pupils, insufficient for the important annual festivities taking place in this center. We got the commission to present a proposal to substitute the existing building for a new one, with a capacity of 600 persons and an additional auditorium for 450 spectators. Our project was looking for the integration with the rest of the edification, constructed in bricks, but being a representative building for the school at the same time, standing out with its grand roof done out of green zinc.

建筑是通过内部管理的：演讲室的内部空间在逻辑上是最重要的，它赋予了它的特征和“灵魂”。对巨大的室内空间进行连续的划分是一种策略。光线从走廊进入屋顶的三角天窗，然后被引到由神殿主导的长老院。

The building is managed through its interior: The inside space of the oratory, which is logically the most important of the project, has given it its character and its “soul”. A successive division of the great interior space was the strategy. Light enters through the triangular skylights of the roof from portico to portico and is led to the presbytery, dominated by the shrine.

 Courtesy of Artytech2

Artytech 2提供

入口处位于一个巨大而重要的彩色玻璃下面，它被装在幕墙上，它的侧翼向学校重新设计的广场开放。这个入口通过制造第一次破裂来揭示它的不对称性：一个只有几步之遥的看台，右边是内殿的主要部分。较高级别的看台和合唱在投票率较高的特殊日子使用。那里的灯光是通过一个画窗来实现的，它用彩色玻璃做得很好，虽然它有着不同的形状，但却让人想起了玫瑰花窗。

The entrance, placed under a huge and important stained glass incorporated to a curtain wall, is on the wing, which opens to the redesigned plaza of the school. This entrance unveils its asymmetry by creating a first rupture: A grandstand with few steps to the left side, and to the right the main part of the nave. The higher level grandstand and the chorus are used for special days with higher turnout. The lighting there is achieved by a picture window, done as well with stained glass, which, although having a different shape, reminds to a rose window.

 © Javier Orive

c.Javier Orive

屋内覆盖着竹子的木材，由Grupo GUBIA在天花板上的板条上加工，以便完全适应不同的屋顶曲面，并实现从曲线到平面的过渡，在那里使用面板。长老会的内壳用金色的花环代替竹子，祭坛周围的金色花岗岩变成绿色花岗岩，标志着这一地区的区别和重要性。

The nave is covered with timber out of bamboo, worked by Grupo GUBIA in slats at the ceiling, in order to get perfectly adapted to the different curved surfaces of the roof and to achieve the transition from curve to plane, where panels are used. The inside shell of the presbytery substitutes the bamboo for titan with a golden flair, as well as the golden granite changes to green granite around the altar, to mark the difference and the importance of this area.

 Courtesy of Artytech2

Artytech 2提供

竹子除了加强整个空间的连续性外，还提供了奇异的温暖，并允许具有这种体积特征的空间，能够使其用于吟唱、祈祷和祈祷的板条之间的吸声表面成比例。由于这种木材的特殊特性，除长凳外，建筑物中使用的所有木材都是竹子。

The bamboo, apart from reinforcing the continuity of the whole space, gives singular warmth and allows that a space with this volumetric character, is capable to proportionate the surface for the acoustic absorption between its slats for chant, word and prayer. All the timber used in the building except the benches is bamboo because of the special properties of this wood.

 Planta Sótano

Planta Sótano

走道与屋顶的隔断一起，形成了幕墙下的主入口，或者是创造了紧急出口和通往圣堂的通道，就像用竹子做成的弧形前部一样。人工照明强化了自然采光的效果。

The aisles, playing with the division of the roof, are forming the main entrance under the curtain wall, or are creating the emergency exit and the access to the sacristy following the curved front formed by the confessionals, as well done out of bamboo. The effects achieved by the natural lighting get reinforced and accentuated by the artificial lighting.

 © Javier Orive

c.Javier Orive

演讲以一个整体的形式出现，通过一个混凝土楼梯，在巨大的天窗下到达礼堂的较低层。同一层有三间教室、厕所和技术室。

The oratory appears as a unit, proceeding down through a concrete staircase to the lower level of the auditorium under a huge skylight. On the same floor there are three classrooms, toilets and technical rooms .

 Planta Baja

普兰塔巴哈

礼堂的内部由两个主要表面的对比形成，两个表面非常不同：镀锌金属护盾和竹子板。这两个主要空间的内部游戏在外部通过砖块和锌、静态和动态元素之间的对话来表达。

The interior of the auditorium is formalized by the contrast of two main surfaces, two finishes very differentiated: Galvanized deployé metal shields and bamboo panels. This interior game of two main spaces gets expressed at the exterior by the dialog between the brick and the zinc, the static and the dynamic element.

 Courtesy of Artytech2

Artytech 2提供

Architects Artytech2

Location Pozuelo de Alarcón, Madrid, Spain

Category Other Facilities

Architects in Charge Enrique Hermoso Lera, Karin Heimannsfeld

Team Enrique Hermoso Lera, Karin Heimannsfeld, Mariuca López, David García, Leandro Nuñez

Area 2195.0 m2

Year 2014

Photography Javier Orive, Cortesia de Artytech2