架构师提供的文本描述。这是一个由硬纸板管制成的装置，在96，000件木制品的马赛克上有金属的外观。

Text description provided by the architects. It is an installation made with cardboard tubes with a metallic appearance atop a mosaic made of 96,000 wooden pieces.

在每年巴伦西亚举行的法拉斯节期间，这些设施的最终目标是焚烧以庆祝春天的到来。在这种情况下，我们建立了一个结构完全由纸板和木材接头。目的是研究我们能在多大程度上实施这种结构，并在传统语境中放置一个当代形象，以引起传统与现代之间的争论。

During the Fallas festival in Valencia held every year the ultimate goal of these installations is to be burned to celebrate the arrival of spring. In this context we built a structure entirely of cardboard and wood joints. The purpose was to investigate to what extent we could carry up this type of structure, and also to place in a traditional context a contemporary image to provoke the debate between tradition and modernity.

 © Noel Arraiz

诺埃尔·阿拉伊兹

这个装置代表了一座庙宇，在那里，公民们可以通过辩论和思想对抗来实现改变事物的力量。因此有了Ekklesia的称号，因为这是古希腊议会，在选举期间每年举行一次会议，决定是否有人对城邦感到厌烦，如果是这样，就将他驱逐出城外十年。

The installation represented a temple where citizens can meet and realize the power they have to change things through debate and confrontation of ideas. Hence the title Ekklesia, as this was the ancient Greek assembly that met once a year between elections to decide if someone was annoying for the polis, and if that was the case expel him from the city for ten years.

 Floor Plans

平面图

这一设施是可访问的，栏目的屏幕上印有带有公民关键信息的真实政治信息，试图强调政治讨论的空洞性，以及为其提供内容以引发讨论和成为我们未来的主人的必要性。

The facility was visitable and columns were screen printed with real political messages with critical messages of citizens, trying to highlight the emptiness of political discourse and the need to provide it with content to generate discussion and be owners of our future.

安放的舞台是一个96，000件的马赛克，基于诺拉·马赛克的设计，这是一种传统的瓦伦西亚陶瓷，于20世纪中叶丢失。一方面，它的作用是突出失去的遗产，并强调在传统背景下的任何创新都应以对传统的彻底了解为基础。

The stage on which the installation was settled was a mosaic of 96,000 pieces based on designs of Nolla Mosaic, a traditional Valencian ceramic that was lost in the middle of 20th century. On the one hand its function was highlight a lost heritage and to emphasize that any innovation in a traditional context should be based on a thorough knowledge of tradition.

 © Noel Arraiz

诺埃尔·阿拉伊兹

同时，我们还希望这是一个参与性项目，因此，马赛克是在不同的讲习班上完成的，有可能受到社会排斥的儿童和各种邻里协会。

At the same time we also wanted it to be a participatory project and therefore the completion of the mosaic was made in different workshops with children at risk of social exclusion and various neighborhood associations.

 © Noel Arraiz

诺埃尔·阿拉伊兹

古希腊“ἐκκλησία”是古希腊雅典民主的主要集会。Ostrakon(复数，Ostraka)，字面上是一艘船，是希腊语中的术语，我们被认为是因排斥而著名的流放者，这只不过是一项法律，允许公民在一段时间内驱逐政治或其他有害公民。在纸片上，市民们不得不写上这位政客的名字，这位政治家对社会构成了潜在的威胁。在公元前五世纪的雅典，它是一个重要的政治制度，保护其民主的政府制度不受内部敌人的影响。为了适用排斥法，埃克列西亚每年举行一次会议，讨论是否有足够的证据实施排斥，如果是这样的话，就叫鸵鸟，在那里举行排斥投票。这种投票是在阿格拉举行的，大约有6 000名公民有权投票。投票的内容是把每个人都认为应该被排斥的人的名字写在“Uóstrakon”陶瓷片上。一旦计票，得票最多的人被驱逐出雅典10年，放逐者被允许10天准备离开波兰人。雅典人的排斥主义是一项预防性的法律，它预见到将来会有阴谋来建立暴政。“

“The ekklesia (from Ancient Greek “ἐκκλησία ‘) was the main assembly of Athenian democracy in Ancient Greece. Ostrakon (plural, ostraka), literally piece of vessel, is the Greek term that has come down to us as the famous exile by ostracism, and it was nothing but a law allowing citizens to banish for some time political or other harmful citizens for Polis. Over the potsherds the citizens had to write the name of the politician who was a potential danger to the community. In the Athens of the V century B.C. was an important political institution, safeguarding its democratic system of government from internal enemies. To apply law of ostracism the Ekklesia gathered once a year debating whether there was sufficient  evidences to implement the ostracism, if that was the case the ostrakophoria was called , assembly where ostracism was voted. Such voting was held in the agora, with about 6,000 citizens entitled to vote. And the vote consisted in writing down on the piece of ceramic uóstrakon the name of the person that everyone thought it should be ostracized. Once the votes were counted the one with most votes was banished from Athens for 10 years, the exile was granted 10 days to prepare his departure from the Polis. The Athenian ostracism was a preventive law, which anticipated future conspiracies to establish tyranny.”

 © Noel Arraiz

诺埃尔·阿拉伊兹

Architects pinktruder

Location Valencia, Valencia, Spain

Category Pavillion

Architect in Charge Miguel Arraiz García / David Moreno Terrón

Area 144.0 m2

Project Year 2015

Photographs Noel Arraiz

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