5CUBE Energy Pavilion de Siún Scullion Architects
2015-07-03 05:00
© Ros Kavanagh
(Ros Kavanagh)
架构师提供的文本描述。5 CUBE是位于都柏林码头汉诺威码头的半永久展馆,实际上代表着爱尔兰每五分钟消耗的石油量。它是由新成立的都柏林Siún Scullien建筑事务所的Declan Scullion设计的(www.dssa.ie)。
Text description provided by the architects. 5CUBE is a semi-permanent pavilion in Hanover Quay, Dublin Docklands, physically representing the volume of oil consumed every five minutes in Ireland. It was designed by Declan Scullion of the newly formed practice de Siún Scullion Architects, Dublin (www.dssa.ie).
© Ros Kavanagh
(Ros Kavanagh)
5 CUBE是由欧盟资助的ACE for Energy项目举办的公开竞争的结果,该项目旨在通过欧洲各地的各种举措促进可再生能源的吸收。该竞赛向所有学科的设计师开放,其目的是创建一个可再生能源特性,以提高人们对可再生能源的认识,并能够在多个网站上复制和/或迁移。
The 5CUBE is the result of an open competition run by the EU funded ACE For Energy project which seeks to promote the uptake of renewable energy through various initiatives throughout Europe. The competition was open to designers of all disciplines and the brief was to create a renewable energy feature which would raise awareness of renewable energy and be capable of replication and/or relocation on multiple sites.
Floor Plan
这座展馆的体积为473桶,面积为420万立方,用黑色钢化玻璃面板包裹。展馆背后的理念是开发一种易于复制的消费象征,它可以被放大或缩小,并将面对当前化石燃料消耗的速度。
The volume represents 473 barrels of oil, measuring 4.2m cubed, and is wrapped in black toughened glass-faced cladding panels. The concept behind the pavilion was to develop an easily replicable symbol of consumption, which could be scaled up or down, and would confront the public with current rate of fossil fuel depletion.
© Ros Kavanagh
(Ros Kavanagh)
5 CUBE的设计使它可以很容易地拆除和重新安置在任何地点;不需要基础,因为内部压载解决方案使用砂盒。这个想法是,安装可能会在一夜之间出现在新的地方,然后又消失;一个超现实而神秘的静默巨石。
The 5CUBE has been designed so that it can be easily dismantled and relocated in any location; no foundations are needed due to internal ballasting solution using sand-filled boxes. The idea is that the installation might appear somewhere new overnight and then disappear again; a surreal and mysterious silent monolith.
© Ros Kavanagh
(Ros Kavanagh)
除了想象消耗的油量外,盒子的对面也有两条镜像带。在太阳升起的东侧,一条50厘米高的带代表着(在英国石油桶,相当于石油的桶),在同样的5分钟内,有多少能源来自可再生能源。相对于西方,另一个更大的镜像地带代表了爱尔兰2020年可再生能源的目标能源总量。
As well as visualizing the volume of oil being consumed, there are also two mirrored bands on opposite sides of the box. On the east side, where the sun rises, a strip 50cm high represents (in BOE, or Barrels of Oil Equivalent) how much energy came from renewable energy sources in that same five minutes. Opposite on the west, another larger mirrored strip represents Ireland’s targeted volume of energy from renewable energy sources for 2020.
© Ros Kavanagh
(Ros Kavanagh)
在这两条镜面上,观众可以看到盒子里的天空,以各种方式反射和操纵天空,创造一面是地球,一面是东方,另一边是无限的天空,向西。
Inside the two mirrored strips viewers can look into the box and see the sky reflected and manipulated in various ways to create an illusion of a globe on one side, the east, and an infinite sky within the box on the other side, to the west.
天空被选为代表所有多种形式的可再生能源的手段,与代表石油的光滑黑色玻璃质量相反。人们认为天空是相关的,因为许多可再生能源是大自然、我们的环境或简单地说是天气的直接或间接的结果-云的移动中可见的风,太阳将天空的颜色从明亮的蓝色转变为温暖的橙色,甚至是在强烈的暴风雨天气中的雨水。
The sky has been selected as a means of representing all the multiple forms of renewable energy in opposition to the glossy black glass mass representing oil. The sky was thought to be relevant as so many renewable energy sources are a direct or indirect result of the forces of nature, our environment or put simply, the weather - the wind visible in the movement of clouds, the sun transforming the colour of the sky from bright blue to warm orange, or even indeed the rain in dramatically powerful stormy weather.
© Ros Kavanagh
(Ros Kavanagh)
在屋顶上,通过光伏电池板自我产生的能量照亮了内部,这在夜间创造了一个相当微妙但令人眼花缭乱的反射-5CUBE实际上是用它自己的内部能源发光的。
On the roof self- generated energy via Photovoltaic panels illuminates the interior which creates quite a subtle yet dazzling reflection by night– the 5CUBE literally glowing with its own internal energy source.
© Ros Kavanagh
(Ros Kavanagh)
Architects de Siún Scullion Architects
Location Hanover Quay, Dublin, Co. Dublin City, Ireland
Category Small Scale
Design Team Declan Scullion, Mícheál de Siún
Area 18.0 sqm
Project Year 2015
Photographs Ros Kavanagh
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