The Church of the Order of Discalced Carmelites Tudor Radulescu
2015-07-15 15:00
© Viorel Plesca
Viorel Plesca
架构师提供的文本描述。Monachal情结是一个祭祀僧侣的地方,那里的僧侣们以节俭而闻名,这是一个沉思的僧侣团体。它一直被期望是一个概念-灵感来自罗马尼亚的传统建筑,但重新考虑,现代化和适应当前的需要。
Text description provided by the architects. The Monachal Complex is a place of worship for the monks of the Order of Discalced Carmelites, a contemplative monk order known for its austerity. It has been desired to be a concept – inspired from the Romanian traditional architecture but reconsidered, modernized and adapted to current needs.
© Viorel Plesca
Viorel Plesca
顾客的愿望是消除建筑细节与宗教符号之间的浮躁联系,但要在不以任何方式亵渎地方的情况下建造一切。
The customer’s desire was to remove the impedimental association of architectural detail with religious symbols but build everything without desecrating the place in any way.
Ground Floor Plan
寻找和假设传统建筑是一种收获,是一种很好的体验。
Finding and assuming traditional architecture was a gain, a great experience.
严格的秩序和简单的传统罗马尼亚建筑适合美丽和简单,并不意味着完全消除装饰,但实际上把它放在现场灯光。黑色和白色的木制丰富的正面游戏-灵感来自大师木匠的工艺。马的头,是掌握的象征,是框架中细节的主题,框架窗户和控制台施加了一种节奏,巨大的木柱表达了力量,屋顶框架结构的形状使你放松了它的流动。
The austerity of the order and simplicity of traditional Romanian architecture fit beautifully and simplicity does not mean the total removal of ornament but actually putting it in the spot light. A black and white game of wooden enriched facades - inspired by the craft of the master carpenter. The Horse head, symbol of mastery, is the leitmotif of detail in the framing, where framed windows and consoles impose a rhythm, where massive wooden pillars express strength and the shape of the roof framing structure relaxes you with its flow.
© Viorel Plesca
Viorel Plesca
塔,修道院,招待所和教堂;聚集在一起,产生了两个庭院。一种是为了仪式,另一种是专为僧侣们准备的,另一种是更大的,为了精神上的和平和休息而重新组合的角色-就在教堂的轻柔的膝盖下面。
The tower, the monastery, the guest house and the church; gathered together give birth to the two courtyards. One for the ritual, a chiostro exclusively for the monks, the other, bigger, having a regrouping role for spiritual peace and rest - right under the gentle lap of the church.
整个合奏团都穿着这件传统的裁剪外套,不是抄袭,而是诠释,然而教会却更进一步,藏在一个独特的宇宙里,一种对古代建筑的现代诠释,一种特殊的力量流动。古老的拱门的形象让位于古代一直隐藏的木结构的美丽。拱门靠在12根柱子上,木板肋紧贴着墙壁,沉重地跨在坚固的混凝土支架上。斑马地板是一种天然的花岗岩,从黑暗过渡到光明,从世俗过渡到神圣。
The whole ensemble wears this traditional tailored coat, not copied but interpreted, however the church, goes even further and hides inside a unique universe, a modern interpretation of the ancient structure, a special flow of the forces. The image of the old arch gives way to the beauty of the wooden structure that was always hidden in ancient times. The arch rests on 12 pillars, wooden lamellar ribs, which cling to the walls and stride heavily on solid concrete consoles. The zebra floor, a natural granite, makes the transition from darkness to light, from the profane to the divine.
© Viorel Plesca
Viorel Plesca
穿过覆盖着地窖的玻璃地板,永恒的火焰提醒我们,我们从哪里来,哪一天我们会回来。教堂的大门是一个巨大的木门,里面有青铜元素和布告的主题。手砂木和透明的玻璃条邀请与门把手,向内。
Passing over the glass floor, which covers the crypt, where the eternal fire reminds us where we came from and where we shall return someday. The gateway of the church is a massive wooden gate with bronze elements and the theme of the Annunciation. Hand sanded wood and a transparent glass strip inviting along with the door handle, to the inside.
© Viorel Plesca
Viorel Plesca
彩色玻璃窗采用温暖黄色的简单色调,旨在驯服纤细的小木结构。马赛克充满了整个祭坛,间接地给教堂内部带来了光明。侧阳台牢固地附着在木质结构上,伴随着歌词的金属流动,这一元素是由于需要减轻中间区域可能存在的巨大结构而产生的,而这种结构可能是不和谐的。
The stained glass windows are in simple tones of warm yellow, designed to tame the little slender wooden structure. The mosaic fills the entire altar, bringing – indirectly - the light towards the interior of the church. Side balconies cling strongly to the wooden structure with the metallic flow of the lyres, an element born from the need to mitigate a possible massive structure in the median area that could have been a disharmony.
在一个新技术的时代,在构建环境转换的时代,特别是在一个新程序诞生的时代,在一个面向未来世界的突破的时代,有一个项目主题,在这个主题中,现代选择让位于传统,在传统中,该功能满足了旧的和古老的需求-…。(鼓掌)
In an age of new technologies, of conversions in the build environment in particular, in an age of birth of new programs, of breakthroughs towards a tomorrow’s world, there is a project theme in which the modern alternative gives way to the traditional, where the function satisfies the old and ancient requirements…
© Viorel Plesca
Viorel Plesca
Architects Tudor Radulescu
Location Snagov 077165, Romania
Category Restoration
Photographs Viorel Plesca
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